Goltyr Painter
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Goltyr Painter
The Goltyr Painter was an Attic vase painter of the black-figure style. He was active in the second quarter of the sixth century BC. He is well known for his work on Tyrrhenian amphorae. He mostly painted animals, often with rather bulbous heads. Bibliography * John Beazley Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the Un ...: ''Attic Black-Figure Vase-Painters'', Oxford, 1956, p. 94-106. * John Boardman: ''Schwarzfigurige Vasen aus Athen. Ein Handbuch'', Mainz, 1977, , p. 41. * Jeroen Kluiver: ''The Tyrrhenian Group of Black-figure Vases. From the Athenian Kerameikos to the Tombs of South Etruria'', Amsterdam, 2003 Notes External linksImages and descriptions of a Goltyr Painter vaseheld by the Tampa Museum of Art. Perseus Digital Library. {{Authority control ...
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Tyrrhenian Neck Amphora, Goltyr Painer, Greek, C
Tyrrhenian may refer to the: * Tyrrhenian Stage, a faunal stage from 0.26 to 0.01143 million years ago * Tyrrhenians, an ancient ethnonym associated with the Etruscans * Tyrrhenian Sea * Tyrrhenian Basin * Tyrrhenian languages See also * * Tyrrhenia (other) * Etruscan (other) aka Tyrrhenian * Etrurian (other) Etrurian may refer to: *The Etrurian language, an extinct language in ancient Italy *Something derived from or related to Etrurian civilization ** Etrurian architecture ** Etrurian art ** Etrurian cities ** Etrurian coins ** Etrurian history ** ... aka Tyrrhenian * Tyrsenian (other) aka Tyrrhenian {{disambig ...
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Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ...
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Black-figure Vase Painting
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ...
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Tyrrhenian Amphorae
The Tyrrhenian amphora is a specific shape of Attic black-figure neck amphora. Tyrrhenian amphorae were only produced during a short period, about 565 to 550 BC. They are ovoid in shape and bear striking decorations. The handle is usually decorated with a lotus-palmette cross or vegetal tendrils. It always terminates in a red-painted ridge. The vase body is painted with several friezes. The uppermost of these, on the shoulder, is usually especially notable. It often contains mythological scenes, but the first erotic motifs in Attic vase painting also occur here. Unique motifs include the sacrifice of Polyxena. Often, the figures are explained by added inscriptions. The other friezes, usually two to three in number, are often decorated with animals. At times, a frieze is replaced with a vegetal band. The animal friezes and use of colour resemble Corinthian vase painting. It is likely that the Attic vase painters copied Corinthian examples, so as to improve their products’ attrac ...
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John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ...
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John Boardman (art Historian)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Arch ...
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Anonymous Artists Of Antiquity
Anonymous may refer to: * Anonymity, the state of an individual's identity, or personally identifiable information, being publicly unknown ** Anonymous work, a work of art or literature that has an unnamed or unknown creator or author * Anonymity (social choice), a property of a voting rule, saying that it does not discriminate apriori between voters Organizations * Anonymous (hacker group), the collective name of loosely affiliated individuals who participate in hacktivism Film and television * Anonymous (Australian Playhouse), "Anonymous" (''Australian Playhouse''), an Australian television play * Anonymous (2011 film), ''Anonymous'' (2011 film), a 2011 film * Anonymous (TV series), ''Anonymous'' (TV series), a 2006 Irish television show * Anonymous (CSI), "Anonymous" (''CSI''), a 2000 episode of ''CSI: Crime Scene Investigation'' * Anonymous (NCIS: Los Angeles), "Anonymous" (''NCIS: Los Angeles''), a 2010 episode of ''NCIS: Los Angeles'' Music * Anonymous (band), ...
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Artists Of Ancient Attica
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, the term is also often used in the entertainment business, especially in a business context, for musicians and other performers (although less often for actors). "Artiste" (French for artist) is a variant used in English in this context, but this use has become rare. Use of the term "artist" to describe writers is valid, but less common, and mostly restricted to contexts like used in criticism. Dictionary definitions The ''Oxford English Dictionary'' defines the older broad meanings of the term "artist": * A learned person or Master of Arts. * One who pursues a practical science, traditionally medicine, astrology, alchemy, chemistry. * A follower of a pursuit in which skill comes by study or practice. * A follower of a manual art, such a ...
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