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Golden Madonna Of Essen
The Golden Madonna of Essen is a sculpture of the Virgin Mary and the infant Jesus. It is a wooden core covered with sheets of thin gold leaf. The piece is part of the treasury of Essen Cathedral, formerly the church of Essen Abbey, in North Rhine-Westphalia, Germany, and is kept on display at the cathedral. Dated around the year 980, it is both the oldest known sculpture of the Madonna and the oldest free-standing medieval sculpture north of the Alps,Pothmann, 138 and is also one of the few major works of art to survive from Ottonian times. To this day it remains an object of veneration and symbol of identity for the population of the Ruhr Area. It is the only full-length survival from what appears to have been a common form of statue among the wealthiest churches and abbeys of 10th and 11th century Northern Europe; some of these were life-size, especially figures of the Crucifixion. Date of origin The statue is dated around the year 980 and was thus created during the tenu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Essen Muenster Goldene Madonna-3
Essen (; Latin: ''Assindia'') is the central and, after Dortmund, second-largest city of the Ruhr, the largest urban area in Germany. Its population of makes it the fourth-largest city of North Rhine-Westphalia after Cologne, Düsseldorf and Dortmund, as well as the ninth-largest city of Germany. Essen lies in the larger Rhine-Ruhr Metropolitan Region and is part of the cultural area of Rhineland. Because of its central location in the Ruhr, Essen is often regarded as the Ruhr's "secret capital". Two rivers flow through the city: in the north, the Emscher, the Ruhr area's central river, and in the south, the Ruhr River, which is dammed in Essen to form the Lake Baldeney (''Baldeneysee'') and Lake Kettwig (''Kettwiger See'') reservoirs. The central and northern boroughs of Essen historically belong to the Low German ( Westphalian) language area, and the south of the city to the Low Franconian ( Bergish) area (closely related to Dutch). Essen is seat to several of the region's aut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hildesheim
Hildesheim (; nds, Hilmessen, Hilmssen; la, Hildesia) is a city in Lower Saxony, Germany with 101,693 inhabitants. It is in the district of Hildesheim, about southeast of Hanover on the banks of the Innerste River, a small tributary of the Leine River. The Holy Roman Emperor Louis the Pious founded the Bishopric of Hildesheim in 815 and created the first settlement with a chapel on the so called ''Domhügel''. Hildesheim is situated on autobahn route 7, and hence is at the connection point of the North (Hamburg and beyond) with the South of Europe. With the Hildesheim Cathedral and the St. Michael's Church, Hildesheim became a UNESCO World Heritage Site in 1985. In 2015 the city and the diocese celebrated their 1200th anniversary. History Early years According to tradition, the city was named after its notorious founder ''Hildwin.'' The city is one of the oldest cities in Northern Germany, became the seat of the Bishopric of Hildesheim in 815 and may have been f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Gold Mark
The German mark (german: Goldmark ; sign: ℳ) was the currency of the German Empire, which spanned from 1871 to 1918. The mark was paired with the minor unit of the pfennig (₰); 100 pfennigs were equivalent to 1 mark. The mark was on the gold standard from 1871–1914, but like most nations during World War I, the German Empire removed the gold backing in August 1914, and gold and silver coins ceased to circulate. After the fall of the Empire due to the November Revolution of 1918, the mark was succeeded by the Weimar Republic's mark, derisively referred to as the Papiermark ("Paper mark") due to hyperinflation in the Weimar Republic from 1918–1923. History The introduction of the German mark in 1873 was the culmination of decades-long efforts to unify the various currencies used by the German Confederation.pp 205-218 https://books.google.com/books?id=GrJCAAAAIAAJ&pg=PA205#v=onepage&q&f=false The Zollverein unified in 1838 the Prussian and South German currenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insufflation
In religious and magical practice, insufflation and exsufflation are ritual acts of blowing, breathing, hissing, or puffing that signify variously expulsion or renunciation of evil or of the devil (the Evil One), or infilling or blessing with good (especially, in religious use, with the Spirit or grace of God). In historical Christian practice, such blowing appears most prominently in the liturgy, and is connected almost exclusively with baptism and other ceremonies of Christian initiation, achieving its greatest popularity during periods in which such ceremonies were given a prophylactic or exorcistic significance, and were viewed as essential to the defeat of the devil or to the removal of the taint of original sin. Ritual blowing occurs in the liturgies of catechumenate and baptism from a very early period and survives into the modern Roman Catholic, Greek Orthodox, Maronite, and Coptic rites. Catholic liturgy post-Vatican II (the so-called ''novus ordo'' 1969) has largely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plaster Cast
A plaster cast is a copy made in plaster of another 3-dimensional form. The original from which the cast is taken may be a sculpture, building, a face, a pregnant belly, a fossil or other remains such as fresh or fossilised footprints – particularly in palaeontology (a track of dinosaur footprints made in this way can be seen outside the Oxford University Museum of Natural History). Sometimes a blank block of plaster itself was carved to produce mock-ups or first drafts of sculptures (usually relief sculptures) that would ultimately be sculpted in stone, by measuring exactly from the cast, for example by using a pointing machine. These are still described as plaster casts. Examples of these by John Flaxman may be found in the central rotunda of the library at University College London, and elsewhere in the University's collections. It may also describe a finished original sculpture made out of plaster, though these are rarer. Method Plaster is applied to the original to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodworm
A woodworm is the wood-eating larva of many species of beetle. It is also a generic description given to the infestation of a wooden item (normally part of a dwelling or the furniture in it) by these larvae. Types of woodworm Woodboring beetles with larvae commonly known as woodworm include: *Ambrosia beetles (weevils of the subfamilies Scolytinae and Platypodinae) *Woodboring weevils ('' Pentarthrum huttoni'' and '' Euophryum confine'') * Bark borer beetle or waney edge borer (''Ernobius mollis'') *Common furniture beetle (''Anobium punctatum'') *Deathwatch beetle (''Xestobium rufovillosum'') * House longhorn beetle (''Hylotrupes bajulus'') *Powderpost beetle (''Lyctus brunneus'') * Wharf borer (''Narcerdes melanura'') Manifestation Signs of woodworm usually consist of holes in the wooden item, with live infestations showing powder (faeces), known as frass, around the holes. The size of the holes varies, but are typically in diameter for the most common household species ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fibula
The fibula or calf bone is a leg bone on the lateral side of the tibia, to which it is connected above and below. It is the smaller of the two bones and, in proportion to its length, the most slender of all the long bones. Its upper extremity is small, placed toward the back of the head of the tibia, below the knee joint and excluded from the formation of this joint. Its lower extremity inclines a little forward, so as to be on a plane anterior to that of the upper end; it projects below the tibia and forms the lateral part of the ankle joint. Structure The bone has the following components: * Lateral malleolus * Interosseous membrane connecting the fibula to the tibia, forming a syndesmosis joint * The superior tibiofibular articulation is an arthrodial joint between the lateral condyle of the tibia and the head of the fibula. * The inferior tibiofibular articulation (tibiofibular syndesmosis) is formed by the rough, convex surface of the medial side of the lower end of the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloisonné
Cloisonné () is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones, glass and other materials were also used during older periods; indeed cloisonné enamel very probably began as an easier imitation of cloisonné work using gems. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments (''cloisons'' in French) to the metal object by soldering or affixing silver or gold as wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. If gemstones or colored glass are used, the pieces need to be cut or ground into the sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palla (garment)
The ''palla'' was an elegant cloak or mantle that was wrapped around the body. It was worn outside the house by (affluent) Roman women. It was a luxurious version of the Roman women's ''pallium''. The ''palla'' was a traditional ancient Roman mantle worn by women, fastened by brooches. The shape was rectangular instead of semi-circular, as with the traditional toga. The garment dates to the 3rd century BC, but the type of dress must be much older. In Latin literature, the term ''palla'' is used ambiguously. It can denote not only a cloak, but also a foot-long sleeveless dress with straps (or a brooch) worn directly on the skin. The second is a common dress form in the entire Mediterranean world. In a Greek cultural context, this is called ''peplos''. In a Roman cultural context, if worn by a Roman matron, it also takes the name ''stola''. See also * Clothing in ancient Rome Clothing in ancient Rome generally comprised a short-sleeved or sleeveless, knee-length tunic for men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Madonna
''Golden Madonna'' (Italian: ''La madonnina d'oro'') is a 1949 British-Italian drama film directed by Luigi Carpentieri and Ladislao Vajda and starring Phyllis Calvert, Tullio Carminati and Michael Rennie. It was considered a lost film and was on the BFI 75 Most Wanted list, until a copy was loaned to the British Film Institute by Cohen Media. Filmed on location, a group of original negatives and contact prints taken by Francis Goodman are in the possession of London's National Portrait Gallery. The film's sets were designed by the art director Guido Fiorini. Plot Patricia, a young British woman inherits an estate in rural Italy, and gives up her job as a schoolteacher. Soon after she arrives she offends the village where she now plans to live by accidentally throwing away a sacred painting of the Madonna which they consider to be lucky and a protector of the community. To redeem herself she goes out in search of the painting with the assistance of a British ex-army Captain, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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