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Goje
The goje (the Hausa name for the instrument) is one of the many names for a variety of one or two-stringed fiddles from West Africa, almost exclusively played by ethnic groups inhabiting the Sahel and Sudan sparsely vegetated grassland belts leading to the Sahara. Snakeskin or lizard skin covers a gourd bowl, and a horsehair string is suspended on bridge. The goje is played with a bowstring. The goje is commonly used to accompany song, and is usually played as a solo instrument, although it also features prominent in ensembles with other West African string, wind or percussion instruments, including the Shekere, calabash drum, talking drum, or Ney. The instrument is tied to various pre-Islamic Sahelian rituals around jinn possession, such as the Bori and Hauka traditions of the Maguzawa Hausa, Zarma, Borori, and Songhay. These instruments are held in high esteem and are their use are linked to the spirit world, or as a carrier for voices aimed at or from the spirit world. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowed String Instrument
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of the bowing the problem of the origin of the bowing is unresolved Some say that the bow was introduced to Europe from the Middle East while others say the bow was not introduced from the Middle East but the other way round and that that the bow may have had its origin from a more frequent intercourse with North Europe and Western Europe List of bowed string instruments Violin family * Pochette * Violin (violino) * Viola (altviol, bratsche) * Cello (violoncello) * Double bass (contrabasso) ;Variants on the standard members of the violin family include: * Tenor violin * Five string violin * Cello da spalla * Baroque violin * Kontra * Kit violin * Sardino * Stroh violin * Låtfiol * Hardanger fiddle * Lira da bracc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hauka
The Hauka movement was a religious movement which arose in French Colonial Africa. It consisted of ceremonies, including mimicry and dancing, in which the participants performed the elaborate military ceremonies of their colonial occupiers. It was depicted in ''Les maîtres fous'' (The Mad Masters – 1955), a short film directed by Jean Rouch, a well-known French film director and ethnologist. According to some anthropologists, the movement was a form of resistance that began in Niger, but spread to other parts of Africa. They say this pageant, though historic, was largely done to mock the settlers' authority by stealing their powers. Hauka members were not trying to emulate Europeans, but were trying to extract their life force. This stance has been heavily criticized by anthropologist James G. Ferguson, who finds this imitation not about importing colonialism into indigenous culture, but as a way to gain rights and status in the colonial society. The adoption of European custo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuareg
The Tuareg people (; also spelled Twareg or Touareg; endonym: ''Imuhaɣ/Imušaɣ/Imašeɣăn/Imajeɣăn'') are a large Berber ethnic group that principally inhabit the Sahara in a vast area stretching from far southwestern Libya to southern Algeria, Niger, Mali, and Burkina Faso. Traditionally nomadic pastoralists, small groups of Tuareg are also found in northern Nigeria. The Tuareg speak languages of the same name (also known as ''Tamasheq''), which belong to the Berber branch of the Afroasiatic family. The Tuaregs have been called the "blue people" for the indigo dye coloured clothes they traditionally wear and which stains their skin. They are a semi-nomadic people who practice Islam, and are descended from the indigenous Berber communities of Northern Africa, which have been described as a mosaic of local Northern African (Taforalt), Middle Eastern, European (Early European Farmers), and Sub-Saharan African-related ancestries, prior to the Arab expansion. Tuareg peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imzad
The imzad (alternately amzad) is a single-string bowed instrument used by the Tuareg people in Africa. Its body is made out of a calabash Calabash (; ''Lagenaria siceraria''), also known as bottle gourd, white-flowered gourd, long melon, birdhouse gourd, New Guinea bean, Tasmania bean, and opo squash, is a vine grown for its fruit. It can be either harvested young to be consumed ... or wood which is covered by animal skin. The strings are made from horse hair and are connected near the neck, and runs over a two-part bridge. The round bow is also equipped with horse hair. The imzad is only played by the women for example to accompany songs, often during an evening ceremony called '' takket''. However, there are modern attempts to promote the instrument as inherent to Tuareg culture. References External links * Project page "Sauver l'imzad" with images and music examples {{Authority control Violins Tuareg musical instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kukkuma
A kukkuma (Hausa: '' kukuma'') is a small fiddle (about cm long) used in Hausa music. A spike fiddle or spike lute, the instrument is made from a calabash gourd covered with skin, with the neck (a stick) that impales the gourd, the bottom poking out one side to form a spike. It is strung with horsehair and played with a horsehair bow. It was popularized by Ibrahim Na Habu Ibrahim ( ar, إبراهيم, links=no ') is the Arabic name for Abraham, a Biblical patriarch and prophet in Islam. For the Islamic view of Ibrahim, see Abraham in Islam. Ibrahim may also refer to: * Ibrahim (name), a name (and list of people .... It is associated with light secular dance and praise music and in performance can be played alone, or is paired with the kalangu talking drum or calabash in a simple ensemble. The larger more esteemed fiddle, the goge, is used for rituals associated with cult and pre-Islamic Bori rituals, although it can also be played in secular music too. References Hausa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serer Language
Serer, often broken into differing regional dialects such as Serer-Sine and Serer saloum, is a language of the kingdoms of Sine and Saloum branch of Niger–Congo spoken by 1.2 million people in Senegal and 30,000 in the Gambia as of 2009. It is the principal language of the Serer people. Classification Serer is one of the Senegambian languages, which are characterized by consonant mutation. The traditional classification of Atlantic is that of Sapir (1971), which found that Serer was closest to Fulani. However, a widely cited misreading of the data by Wilson (1989) inadvertently exchanged Serer for Wolof. Dialects of Serer are Serer Sine (the prestige dialect), Segum, Fadyut-Palmerin, Dyegueme (Gyegem), and Niominka. They are mutually intelligible except for the Sereer spoken in some of the areas surrounding the city of Thiès. Not all Serer people speak Serer. About 200,000 speak Cangin languages. Because the speakers are ethnically Serer, they are commonly thought to be S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fula Language
Fula ,Laurie Bauer, 2007, ''The Linguistics Student’s Handbook'', Edinburgh also known as Fulani or Fulah (, , ; Adlam: , , ), is a Senegambian language spoken by around 30 million people as a set of various dialects in a continuum that stretches across some 18 countries in West and Central Africa. Along with other related languages such as Serer and Wolof, it belongs to the Atlantic geographic group within Niger–Congo, and more specifically to the Senegambian branch. Unlike most Niger-Congo languages, Fula does not have tones. It is spoken as a first language by the Fula people ("Fulani", ff, Fulɓe, link=no) from the Senegambia region and Guinea to Cameroon, Nigeria, and Sudan and by related groups such as the Toucouleur people in the Senegal River Valley. It is also spoken as a second language by various peoples in the region, such as the Kirdi of northern Cameroon and northeastern Nigeria. Nomenclature Several names are applied to the language, just as to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mande Languages
The Mande languages are spoken in several countries in West Africa by the Mandé peoples and include Maninka, Mandinka, Soninke, Bambara, Kpelle, Dioula, Bozo, Mende, Susu, and Vai. There are "60 to 75 languages spoken by 30 to 40 million people", chiefly in Burkina Faso, Mali, Senegal, the Gambia, Guinea, Guinea-Bissau, Sierra Leone, Liberia, and Ivory Coast, and also in northwestern Nigeria and northern Benin. The Mande languages show lexical similarities with the Atlantic–Congo language family, and the two have been classified together as a Niger–Congo language family since the 1950s. However, the Mande languages lack the noun-class morphology that is the primary identifying feature of the Atlantic–Congo languages. Without the help of that feature, a demonstration of the validity of Niger–Congo will require reconstructing both Proto-Mande and Proto-Atlantic–Congo. Until that work is done, linguists have increasingly decided to treat Mande and Atlantic–Cong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandinka Language
The Mandinka language (; Ajami: ) or Mandingo, is a Mande language spoken by the Mandinka people of Guinea, northern Guinea-Bissau, the Casamance region of Senegal, and in The Gambia where it is one of the principal languages. Mandinka belongs to the Manding branch of Mande and is thus similar to Bambara and Maninka/Malinké but with only 5 instead of 7 vowels. In a majority of areas, it is a tonal language with two tones: low and high, although the particular variety spoken in the Gambia and Senegal borders on a pitch accent due to its proximity with non-tonal neighboring languages like Wolof. Phonology Mandinka is here represented by the variety spoken in Casamance. There is little dialectical diversity. Tone Mandinka has two tones, high and low. Unmodified nouns are either high tone on all syllables or low tone on all syllables. The definite suffix ''-o'' takes a low tone on high-tone nouns and a falling tone on low-tone nouns. It also assimilates any preceding sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bambara Language
Bambara (Arabic script: ), also known as Bamana (N'Ko script: ) or Bamanankan (), is a lingua franca and national language of Mali spoken by perhaps 15 million people, natively by 5 million Bambara people and about 10 million second-language users. It is estimated that about 80 percent of the population of Mali speak Bambara as a first or second language. It has a subject–object–verb clause structure and two lexical tones. Classification Bambara is a variety of a group of closely related languages called Manding, whose native speakers trace their cultural history to the medieval Mali Empire. Varieties of Manding are generally considered (among native speakers) to be mutually intelligible – dependent on exposure or familiarity with dialects between speakers – and spoken by 30 to 40 million people in the countries Burkina Faso, Senegal, Guinea-Bissau, Guinea, Liberia, Ivory Coast and the Gambia. Manding is part of the larger Mandé family of languages. Geographical dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songhay Languages
The Songhay, Songhai or Ayneha languages (, or ) are a group of closely related languages/dialects centred on the middle stretches of the Niger River in the West African countries of Mali, Niger, Benin, Burkina Faso and Nigeria. In particular, they are spoken in the cities of Timbuktu, Niamey and Gao. They have been widely used as a ''lingua franca'' in that region ever since the era of the Songhai Empire. In Mali, the government has officially adopted the dialect of Gao (east of Timbuktu) as the dialect to be used as a medium of primary education. Some Songhay languages have little to no mutual intelligibility between each other. For example, Koyraboro Senni, spoken in Gao, is unintelligible to speakers of Zarma in Niger, according to ''Ethnologue''. However, Songhoyboro Ciine, Zarma, and Dendi have high mutual intelligibility within Niger. For linguists, a major point of interest in the Songhay languages has been the difficulty of determining their genetic affiliation; they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamprusi Language
The Mamprusi language is a Gur language spoken in northern Ghana, Northern Togo, Burkina Faso, Ivory Coast and Mali by the Mamprusi people. It is partially mutually intelligible with Dagbani. The Mamprusi language is spoken in a broad belt across the northern parts of the Northern Region of Ghana, stretching west to east from Yizeesi to Nakpanduri and centred on the towns of Gambaga, Nalerigu and Walewale. The language belongs to the Gur family which is part of the Niger–Congo language family, which covers most of Sub-Saharan Africa (Bendor-Samuel 1989). Within Gur it belongs to the Western Oti–Volta subgroup, and particularly its southeastern cluster of six to eight languages ( Naden 1988, 1989). Closely related and very similar languages spoken nearby are Dagbani, Nanun, Kamara and Hanga in the Northern Region, and Kusaal, Nabit and Talni in the Upper East Region. Not quite so closely related are Farefare, Waali, Dagaari, Birifor and Safalaba in the Upper East an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
