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Going Places (Herb Alpert And The Tijuana Brass Album)
''Going Places'' (stylized as ''!!Going Places!!'') is the fifth album by Herb Alpert and the Tijuana Brass. It was originally released by A&M Records in 1965 and has appeared in many formats. Background The group's title reverted to its original name for this album; its second, third and fourth albums had been released as Herb Alpert's Tijuana Brass. While the first four Tijuana Brass albums were recorded by Alpert backed by studio musicians, demands for live appearances dictated that Alpert assemble an actual touring band. The songs on ''Going Places'' are a mixture of sessions featuring Alpert's touring band and those with other session musicians, according to the liner notes in the Shout!Factory CD release. The single version of "Tijuana Taxi" features more of the bicycle-horn sound effects than does the album version. "Tijuana Taxi" and "Spanish Flea" were included as part of the "Carmen" medley on the ''Herb Alpert's Ninth'' album. The B-side of the "Taxi" single, "Zorba th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonograph Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walk, Don't Run (song)
"Walk, Don't Run" is an instrumental composition written and originally recorded by jazz guitarist Johnny Smith in 1954. It was later adapted and re-recorded by Chet Atkins in 1956, and was a track on the LP ''Hi-Fi In Focus''. This arrangement was the inspiration for the version by The Ventures in 1960 (though the Ventures' arrangement is recognizably different from Atkins' finger-picked style) and achieved world-wide recognition, being regarded by ''Rolling Stone'' magazine as one of the 100 Greatest Guitar Songs of All Time. The Ventures recording After hearing a Chet Atkins recording of "Walk, Don't Run", the Tacoma-based instrumental rock band The Ventures released their version of the tune as a single in spring 1960 on Dolton Records. This version made the ''Billboard'' Hot 100 chart, peaking at number 2 and kept out of the number 1 spot by "It's Now or Never" by Elvis Presley. "Walk, Don't Run" also made the US Hot R&B Sides chart, where it went to number 13. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Karas
Anton Karl Karas (7 July 1906 – 10 January 1985) was an Austrian zither player and composer, best known for his internationally famous 1948 soundtrack to Carol Reed's ''The Third Man''. His association with the film came about as a result of a chance meeting with its director. The success of the film and the enduring popularity of its theme song changed Karas' life. Early life Anton was born illegitimate at Marchfeldstraße 17, Brigittenau, Vienna to Theresia Streckel. He was later legitimized by her marriage to a factory worker, Karl Josef Karas. One of five children, Anton Karas was already keen on music as a child. He wanted to become a bandleader, which was impossible because of his family's financial situation. He was allowed to learn to play an instrument, as were his two brothers and two sisters. He later reported that his first zither was one he found in his grandmother's attic at the age of 12. As ordered by his father, he became an apprentice tool and die maker at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Third Man Theme
"The Third Man Theme" (also written "3rd Man Theme" and known as "The Harry Lime Theme") is an instrumental written and performed by Anton Karas for the soundtrack to the 1949 film ''The Third Man''. Background ''The Third Man'' is a 1949 British film noir, directed by Carol Reed. One night after a long day of filming ''The Third Man'' on location in Vienna, Reed and cast members Joseph Cotten, Alida Valli and Orson Welles had dinner and retired to a wine cellar. In the bistro, which retained the atmosphere of the pre-war days, they heard the zither music of Anton Karas, a 40-year-old musician who was playing there just for the tips. Reed immediately realized that this was the music he wanted for his film. Karas spoke only German, which no one in Reed's party spoke, but fellow customers translated Reed's offer to the musician that he compose and perform the soundtrack for ''The Third Man''. Karas was reluctant since it meant traveling to England, but he finally accepted. Karas wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riz Ortolani
Riziero Ortolani (; 25 March 192623 January 2014) was an Italian composer, conductor, and orchestrator, predominantly of film scores. He scored over 200 films and television programs between 1955 and 2014, with a career spanning over fifty years. Internationally, he is best known for his genre scores, notably his music for mondo, giallo, horror, and Spaghetti Western films. His most famous composition is "More," which he wrote for the infamous film ''Mondo Cane''. It won the 1964 Grammy Award for Best Instrumental Theme and was nominated for the Academy Award for Best Original Song at the 36th Academy Awards. The song was later covered by Frank Sinatra, Kai Winding, Andy Williams, Roy Orbison, and others. Ortolani received many other accolades, including four David di Donatello Awards, three Nastro d'Argento Awards, and a Golden Globe Award for Best Original Song. In 2013, he received a Lifetime Achievement from the World Soundtrack Academy. Early life Ortolani was born o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Bassman
George Bassman (February 7, 1914 – June 26, 1997) was an American composer and arranger. Biography Born in New York City to a Ukrainian- and Lithuanian-Jewish émigré couple, Bassman was later raised in Boston and began studying music at the Boston Conservatory while still a boy. He studied orchestration and composition formally, but in his teens he left home against his father's wishes to play piano in an itinerant jazz group, and subsequently worked as an arranger for Fletcher Henderson in New York. Through that gig, he became part of the burgeoning swing/big band scene and was soon writing songs as well. Bassman peaked in that career when he and Ned Washington wrote "I'm Getting Sentimental Over You" for the bandleader Tommy Dorsey. Bassman also worked in radio as an arranger for Andre Kostelanetz, and made the move to Hollywood in the mid 1930s. Among his earliest film jobs was orchestrating the Gershwin songs in the Fred Astaire movie '' A Damsel in Distress'' at RKO ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Getting Sentimental Over You
"I'm Getting Sentimental Over You" is a song recorded by Tommy Dorsey and His Orchestra. The words were written by Ned Washington and the music was written by George Bassman. It was first performed in 1932. The original copyright is dated 1933 and issued to Lawrence Music Publishers, Inc. The copyright was assigned to Mills Music, Inc. in 1934. Noni Bernardi, a saxophonist with the Dorsey orchestra arranged this song. Dorsey was the featured trombone soloist when his orchestra played it. It was first recorded in September 1935. A second recording on October 18, 1935 is the exact arrangement that Tommy would henceforth feature. Cliff Weston was the vocalist and trumpet player. It was released as a single in 1936. After Tommy Dorsey's death in 1956 Frank Sinatra sang it in the Dorsey Orchestra and also featured it in an album, ''I Remember Tommy''. This song was featured in an episode of ''The Twilight Zone'' called "Static", and in the films ''Carnal Knowledge'', ''Bart G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ervan Coleman
Ervan F. "Bud" Coleman (July 7, 1921 – May 26, 1967) was an American guitar and mandolin player, member of Baja Marimba Band, worked with Herb Alpert & The Tijuana Brass, and who wrote the hit track, "Tijuana Taxi". On the liner notes of Herb Alpert's "Definitive Hits" for the song "Tijuana Taxi" Herb Alpert wrote: "(Tijuana Taxi) was written by Bud Coleman who also played guitar and mandolin on many Tijuana Brass recordings until his untimely death. Bud wrote some great songs for us, but this one had a fabulous visual image of a Tijuana Taxi moving off a road and taking short cuts through the fields of Tijuana, Mexico." "Tijuana Taxi" was originally released on the hit album, '' Going Places'' (1965). Death He died in 1967 from surgical complications.''Time'' magazine; November 2, 1970 The song "Bud" is a tribute song for Coleman. It was released on Herb Alpert And The Tijuana Brass 1967 album, ''Herb Alpert's Ninth''. Coleman's widow, Eleanor, was given co-writing credits for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shout!Factory
Shout! Factory is an American home video and music company founded in 2002 as Retropolis Entertainment. Its video releases include previously released feature films, classic and contemporary television series, animation, live music, and comedy specials. Shout! Factory also owns and operates Shout! Studios, Westchester Films, Timeless Media Group, Biograph Records, Majordomo Records, and Video Time Machine. History Retropolis Entertainment was founded in April 2002 by Bob Emmer, Garson Foos, and Richard Foos, three principals from Rhino Records, as the company was negotiating with the five majors for distribution. After selling Rhino to Warner Bros., the three set out to launch a new retro pop culture label. The company's first product was ''Red, White & Rock'', a joint release with PBS station WQED-TV that was produced with Warner Strategic Marketing. In August 2002, Retropolis acquired Biograph Records. Other early releases included blues and jazz CDs from the Biograph label, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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