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Going On Record
''Going on Record'' is the second album by American vocalist, pianist and songwriter Oleta Adams released in 1983. It is her second self-released album following the 1982 ''Untitled'' album. The album was recorded live, from a performance at the Kansas City Music Hall on July 30, 1983. Adams would re-record 3 of her original songs on the album, "Don't Look Too Closely", "I've Gotta Sing My Song" and "You Won't Get Away", on later albums when she signed to major label Fontana Records Fontana Records is a record label that was started in the 1950s as a subsidiary of the Dutch Philips Records. The independent label distributor Fontana Distribution takes its name from the label. History Fontana started in the 1950s as a subs .... Track listing Personnel * Oleta Adams - lead vocals, piano * Walter Bryant - piano, synthesizer * Gordon Twist - piano, backing vocals * Carolyn Nelson, Eugene Williams - backing vocals * Lee Jones - bass guitar * John Cushon - drums Production * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oleta Adams
Oleta Adams (born May 4, 1953) is an American singer and pianist. She found limited success during the early 1980s, before gaining fame via her contributions to Tears for Fears's international chart-topping album ''The Seeds of Love'' (1989). Her albums ''Circle of One'' (1991) and ''Evolution (Oleta Adams album), Evolution'' (1993) were top 10 hits in the UK; the former yielded a Grammy Awards, Grammy-nominated cover version, cover of Brenda Russell's "Get Here", which was a top 5 hit in both the UK and the US. Adams has been nominated for four total Grammy Awards, as well as two Soul Train Music Awards. Biography Adams was born the daughter of a preacher and was raised listening to gospel music. In her adolescence, youth, her family moved to Yakima, Washington, which is sometimes shown as her place of birth. She got her musical start in the church (sociology of religion), church. Before gaining her opportunity to perform, Adams faced a great deal of rejection. In the 1970s, she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Snowball Productions
Rolling is a type of motion that combines rotation (commonly, of an axially symmetric object) and translation of that object with respect to a surface (either one or the other moves), such that, if ideal conditions exist, the two are in contact with each other without sliding. Rolling where there is no sliding is referred to as ''pure rolling''. By definition, there is no sliding when there is a frame of reference in which all points of contact on the rolling object have the same velocity as their counterparts on the surface on which the object rolls; in particular, for a frame of reference in which the rolling plane is at rest (see animation), the instantaneous velocity of all the points of contact (e.g., a generating line segment of a cylinder) of the rolling object is zero. In practice, due to small deformations near the contact area, some sliding and energy dissipation occurs. Nevertheless, the resulting rolling resistance is much lower than sliding friction, and thus, roll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circle Of One
''Circle of One'' is the third album by American vocalist, pianist, and songwriter Oleta Adams and was released in 1990. ''Circle of One'' was Adams' first album to receive wide distribution; her two earlier albums (an untitled album in 1982 and ''Going on Record'' in 1983) were self-financed and received only local distribution. History After a successful collaboration with Tears for Fears on their 1989 album ''The Seeds of Love'', Adams was offered a record deal of her own with Tears for Fears then-label Fontana Records. Produced by Tears for Fears' Roland Orzabal with Dave Bascombe, the album was initially unsuccessful as were the first two singles "Rhythm of Life" and "Circle of One". However, Adams had a hit in early 1991 with the third single from the album, her cover of Brenda Russell's "Get Here," which peaked at #4 in the UK Singles Chart and #5 on the US ''Billboard'' Hot 100. The album, which had received considerable critical acclaim,Billboard.comBiography Oleta Ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fontana Records
Fontana Records is a record label that was started in the 1950s as a subsidiary of the Dutch Philips Records. The independent label distributor Fontana Distribution takes its name from the label. History Fontana started in the 1950s as a subsidiary of the Dutch Philips Records; when Philips restructured its music operations, it dropped Fontana in favor of Vertigo Records. Fontana's U.S. counterpart label was started in 1964 and distributed by Philips US subsidiary Mercury Records. The initial single release (F 1501) was a wild teen beat instrumental by famed British session drummer Bobby Graham, both sides featuring Jimmy Page on guitar. Among the hitmakers were Wayne Fontana & the Mindbenders (then later on their own, simply as the Mindbenders), the Troggs, the New Vaudeville Band, Manfred Mann, Dave Dee, Dozy, Beaky, Mick & Tich, and Steam, all of whom had No. 1 hits on the label. Other successful Fontana artists included the Silkie, Nana Mouskouri, the Pretty Things, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
If I Had A Hammer
"If I Had a Hammer (The Hammer Song)" is a protest song written by Pete Seeger and Lee Hays. It was written in 1949 in support of the Progressive movement, and was first recorded by the Weavers, a folk music quartet composed of Seeger, Hays, Ronnie Gilbert, and Fred Hellerman. It was a #10 hit for Peter, Paul and Mary in 1962 and then went to #3 a year later when recorded by Trini Lopez in 1963. The Weavers released the song under the title "The Hammer Song" as a 78 rpm single in March 1950 on Hootenanny Records, 101-A, backed with "Banks of Marble". Early versions The song was first performed publicly by Pete Seeger and Lee Hays on June 3, 1949, at St. Nicholas Arena in New York City at a testimonial dinner for the leaders of the Communist Party of the United States, who were then on trial in federal court, charged with violating the Smith Act by advocating the overthrow of the U.S. government. It was not particularly successful in commercial terms when it was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Hays
Lee Elhardt Hays (March 14, 1914 – August 26, 1981) was an American folksinger and songwriter, best known for singing bass with the Weavers. Throughout his life, he was concerned with overcoming racism, inequality, and violence in society. He wrote or cowrote "Wasn't That a Time?", "If I Had a Hammer", and " Kisses Sweeter than Wine", which became Weavers' staples. He also familiarized audiences with songs of the 1930s labor movement, such as "We Shall Not Be Moved". Childhood Hays came naturally by his interest in folk music since his uncle was the eminent Missouri and Arkansas folklorist Vance Randolph, author of, among other works, the bestselling ''Pissing in the Snow and Other Ozark Folktales'' and ''Who Blewed Up the Church House?''. Hays' social conscience was ignited when at age five he witnessed public lynchings of African-Americans. He was born in Little Rock, Arkansas, the youngest of the four children of William Benjamin Hays, a Methodist minister, and Ell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Seeger
Peter Seeger (May 3, 1919 – January 27, 2014) was an American folk singer and social activist. A fixture on nationwide radio in the 1940s, Seeger also had a string of hit records during the early 1950s as a member of the Weavers, notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes. A prolific songwriter, his best-known songs include "Where Have All the Flowers Gone?" (with additional lyrics by Joe Hickerson), " If I Had a Hammer (The Hammer Song)" (with Lee Hays of the Weavers), " Kisses Sweeter Than Wine" (also with Hays), and "Turn! Turn! Turn!", which have been recorded by many artists both in and outside the folk revival movement. "Flowers" was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Greatest Love Of All
"The Greatest Love of All" is a song written by Michael Masser, who composed the music, and Linda Creed, who wrote the lyrics. It was originally recorded in 1977 by George Benson, who made the song a substantial hit, peaking at number two on the US Hot Soul Singles chart that year, the first R&B chart top-ten hit for Arista Records. The song was written and recorded to be the main theme of the 1977 film '' The Greatest,'' a biopic of the boxer Muhammad Ali, and is performed during the opening credits. Benson's original recording was released in 1977 in the United States, Japan, France, Germany, New Zealand, Australia, Italy, Brazil, Netherlands, the United Kingdom and Thailand, on an extended play (EP). He officially recorded the song four times; in addition to the studio single, Benson also recorded three live versions, the last time in a duet with Luciano Pavarotti in 2001. Since 1977, a great number of artists have recorded this song, including Shirley Bassey, Oleta Adams, Ale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Creed
Linda Diane Creed (December 6, 1948 – April 10, 1986), also known by her married name Linda Epstein, was an American songwriter and lyricist who teamed up with Thom Bell to produce some of the most successful Philadelphia soul groups of the 1970s. Career Born in the Mount Airy section of Philadelphia in December 1948, Creed was active in music at Germantown High School. After graduation, Creed decided against college and devoted her energies to writing and producing music. Her career was launched in 1970 when singer Dusty Springfield recorded her song "Free Girl". That same year, Creed teamed with Bell, a staff writer, producer, and arranger at Kenny Gamble and Leon Huff's record label Philadelphia International Records. Their first songwriting collaboration, "Stop, Look, Listen (To Your Heart)", became a Top 40 pop hit for the Stylistics, beginning an extended collaboration that also yielded the group's most successful recordings, including "You Are Everything", "Betcha by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Masser
Michael William Masser (March 24, 1941 – July 9, 2015) was an American songwriter, composer and producer of popular music. Early life Born to a Jewish family in Chicago to Ester Huff and William Masser, he attended the University of Illinois College of Law. He became a stockbroker, but left to pursue his interest in music. Career Masser's first major composition hit, co-written with Ron Miller, was "Touch Me in the Morning", recorded by Diana Ross. He co-wrote several other hit songs in the 1970s and 1980s, including four made famous by Whitney Houston, "Didn't We Almost Have It All", "Saving All My Love for You", " All at Once" and "Greatest Love of All", originally recorded as "The Greatest Love of All" by George Benson for the 1977 film '' The Greatest''. Other Masser's songs by Benson are "In Your Eyes" (George Benson, Jeffrey Osborne), "Nothing's Gonna Change My Love for You" (George Benson, Glenn Medeiros) and "You Are the Love of My Life" (George Benson and Roberta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1983 Albums
The year 1983 saw both the official beginning of the Internet and the first mobile cellular telephone call. Events January * January 1 – The migration of the ARPANET to TCP/IP is officially completed (this is considered to be the beginning of the true Internet). * January 24 – Twenty-five members of the Red Brigades are sentenced to life imprisonment for the 1978 murder of Italian politician Aldo Moro. * January 25 ** High-ranking Nazi war criminal Klaus Barbie is arrested in Bolivia. ** IRAS is launched from Vandenberg AFB, to conduct the world's first all-sky infrared survey from space. February * February 2 – Giovanni Vigliotto goes on trial on charges of polygamy involving 105 women. * February 3 – Prime Minister of Australia Malcolm Fraser is granted a double dissolution of both houses of parliament, for elections on March 5, 1983. As Fraser is being granted the dissolution, Bill Hayden resigns as leader of the Australian Labor Party, and in the subsequent lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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