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Going Home (Taj Mahal Album)
''Going Home'' is a compilation album by American blues artist Taj Mahal. Track listing # "Statesboro Blues" (Blind Willie McTell) # "Dust My Broom" (Elmore James) # "You Don't Miss Your Water ('Til You Well Runs Dry)" (William Bell) # "Good Morning Miss Brown" (Taj Mahal) # "Six Days On The Road" (Earl Green, Carl Montgomery) # "Sweet Home Chicago" (Traditional) # "Little Red Hen" (Taj Mahal) # "Frankie and Albert" (Mississippi John Hurt) # "Johnny Too Bad" (The Slickers) # "Blackjack Davey" (Taj Mahal) # "Satisfied 'N' Tickled Too" # "New E-Z Rider Blues" # "Brown-Eyed Handsome Man" (Chuck Berry Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into th ...) # "Clara (St. Kitts Woman)" (Taj Mahal) References {{Taj Mahal 1980 compilation albums Taj Mahal (musician) compilation albums C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taj Mahal (musician)
Henry St. Claire Fredericks Jr. (born May 17, 1942), better known by his stage name Taj Mahal, is an American blues musician. He plays the guitar, piano, banjo, harmonica, and many other instruments,Evans, et al., xii. often incorporating elements of world music into his work. Mahal has done much to reshape the definition and scope of blues music over the course of his more than 50-year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa, India, Hawaii, and the South Pacific.Komara, 951. Early life Mahal was born Henry St. Claire Fredericks Jr. on May 17, 1942, in Harlem, New York City. Growing up in Springfield, Massachusetts, he was raised in a musical environment: his mother was a member of a local gospel choir and his father, Henry Saint Claire Fredericks Sr., was an Afro-Caribbean jazz arranger and piano player. His family owned a shortwave radio which received music broadcasts from around the world, exposing him at an early age to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elmore James
Elmore James ( Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar". Biography Elmore James was born Elmore Brooks in Richland, Holmes County, Mississippi, the son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie "Frost" James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument (diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James. James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red's songs. He also inherited from Tampa Red's band two musicians who joined his own backing band, the Bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1980 Compilation Albums
__NOTOC__ Year 198 (CXCVIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sergius and Gallus (or, less frequently, year 951 ''Ab urbe condita''). The denomination 198 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *January 28 **Publius Septimius Geta, son of Septimius Severus, receives the title of Caesar. **Caracalla, son of Septimius Severus, is given the title of Augustus. China *Winter – Battle of Xiapi: The allied armies led by Cao Cao and Liu Bei defeat Lü Bu; afterward Cao Cao has him executed. By topic Religion * Marcus I succeeds Olympianus as Patriarch of Constantinople (until 211). Births * Lu Kai (or Jingfeng), Chinese official and general (d. 269) * Quan Cong, Chinese general and advisor (d. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brown-Eyed Handsome Man
"Brown Eyed Handsome Man" is a rock and roll song written and recorded by Chuck Berry, originally released by Chess Records in September 1956 as the B-side of "Too Much Monkey Business." It was also included on Berry's 1957 debut album, ''After School Session''. The song title was also used as the title of a biography of Berry. Background and recording "Brown Eyed Handsome Man" was written after Berry visited several African-American and Hispanic areas in California. During his time there, he saw a Hispanic man being arrested by a policeman when "some woman came up shouting for the policeman to let him go." "Brown Eyed Handsome Man" was recorded at Universal Recording Corporation in Chicago, Illinois on April 16, 1956. The session was produced by the Chess brothers, Leonard and Phil. Backing Berry were Johnnie Johnson on piano, L. C. Davis on tenor saxophone, Willie Dixon on bass, and Fred Below on drums. The song was released in September 1956 and reached number 5 on ''Bill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Slickers
The Slickers were a Jamaican rocksteady and reggae group in the late 1960s and early 1970s. The Slickers centred on Derrick Crooks, one of the founding members of The Pioneers along with his brother Sydney. In the mid-1960s, The Slickers consisted of the Crooks brothers and Winston Bailey.Moskowitz, David V. (2006), ''Caribbean Popular Music: an Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall'', Greenwood Press, , pp. 271-2. Derrick was the only constant member,Larkin, Colin (1998), ''The Virgin Encyclopedia of Reggae'', Virgin Books, , p. 274. with Abraham Green joining the Crooks brothers at the time "Johnny Too Bad" was recorded. The Slickers have often been wrongly assumed to simply be an alias for The Pioneers due to their similar vocal stylings. The Slickers toured the United Kingdom and United States on the back of the success of "Johnny Too Bad", and continued until 1979, when they recorded the ''Breakthrough'' album, before splitting up. The song "Johnny ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mississippi John Hurt
John Smith Hurt (March 8, 1893 – November 2, 1966), better known as Mississippi John Hurt, was an American country blues singer and guitarist. Raised in Avalon, Mississippi, Hurt taught himself to play the guitar around the age of nine. He worked as a sharecropper and began playing at dances and parties, singing to a melodious fingerpicked accompaniment. His first recordings, made for Okeh Records in 1928, were commercial failures, and he continued to work as a farmer. Dick Spottswood and Tom Hoskins, a blues enthusiast, located Hurt in 1963 and persuaded him to move to Washington, D.C. He was recorded by the Library of Congress in 1964. This helped further the American folk music revival, which led to the rediscovery of many other bluesmen of Hurt's era. Hurt performed on the university and coffeehouse concert circuit with other Delta blues musicians who were brought out of retirement. He also recorded several albums for Vanguard Records. Hurt returned to Grenada in 1966, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankie And Johnny (song)
"Frankie and Johnny" (sometimes spelled "Frankie and Johnnie"; also known as "Frankie and Albert", "Frankie's Man", "Johnny", or just "Frankie") is a traditional American popular song. It tells the story of a woman, Frankie, who finds her man Johnny making love to another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. History The song was inspired by one or more actual murders. One of these took place in an apartment building located at 212 Targee Street in St. Louis, Missouri, at 2:00 on the morning of October 15, 1899. Frankie Baker (18761952), a 22-year-old woman, shot her 17-year-old lover Allen (also known as "Albert") Britt in the abdomen. Britt had just returned from a cakewalk at a local dance hall, where he and another woman, Nelly Bly (also known as "Alice Pryor" and no relation to the pioneering reporter who adopted the pseudonym Nellie Bly or Stephen Foster's Nelly Bly), had won a prize in a slow-dancing contest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Home Chicago
"Sweet Home Chicago" is a blues standard first recorded by Robert Johnson in 1936. Although he is often credited as the songwriter, several songs have been identified as precedents. The song has become a popular anthem for the city of Chicago despite ambiguity in Johnson's original lyrics. Numerous artists have interpreted the song in a variety of styles. Earlier songs The melody of "Sweet Home Chicago" is found in several blues songs, including "Honey Dripper Blues", "Red Cross Blues", and the immediate model for the song, "Kokomo Blues". The lyrics for "Honey Dripper Blues No. 2" by Edith North Johnson follow a typical AAB structure: Lucille Bogan's (as Bessie Jackson) "Red Cross Man" uses an AB plus refrain structure: Blues historian Elijah Wald suggests that Scrapper Blackwell was the first to introduce a reference to a city in his "Kokomo Blues", using a AAB verse: "Kokola Blues", recorded by Madlyn Davis a year earlier in 1927, also references Kokomo, Indiana, in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dust My Broom
"Dust My Broom" is a blues song originally recorded as "I Believe I'll Dust My Broom" by American blues artist Robert Johnson in 1936. It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic guitar. As with many of his songs, it is based on earlier blues songs, the earliest of which has been identified as "I Believe I'll Make a Change", recorded by the Sparks brothers as " Pinetop and Lindberg" in 1932. Johnson's guitar work features an early use of a boogie rhythm pattern, which is seen as a major innovation, as well as a repeating triplets figure. In 1951, Elmore James recorded the song as "Dust My Broom" and "made it the classic as we know it", according to blues historian Gerard Herzhaft. James' slide guitar adaptation of Johnson's triplet figure has been identified as one of the most famous blues guitar riffs and has inspired many rock performers. The song has become a blues standard, with numerous renditions by a variety of mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blind Willie McTell
Blind Willie McTell (born William Samuel McTier; May 5, 1898 – August 19, 1959) was a Piedmont blues and ragtime singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues. Unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from many of the harsher voices of Delta bluesmen such as Charley Patton. McTell performed in various musical styles, including blues, ragtime, religious music and hokum. McTell was born in Thomson, Georgia. He learned to play the guitar in his early teens. He soon became a street performer in several Georgia cities, including Atlanta and Augusta, and first recorded in 1927 for Victor Records. He never produced a major hit record, but he had a prolific recording career with different labels and under different names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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