Godflesh (13988762864)
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Godflesh (13988762864)
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the original title O.P.D. (later Fall of Because) but did not release any complete music until 1988 when Justin Broadrick (guitar, vocals, programming) and B. C. Green (bass, programming) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal. The band signed to Earache Records in the late 1980s and released their debut album ''Streetcleaner'' (1989) to contemporary and lasting acclaim. After the release of their sophomore album ''Pure'' (1992) and their major label debut '' Selfless'' (1994), they started experimenting with live drums as well as hip hop and breakbeat sounds. The resulting albums, '' Songs of Love and H ...
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Justin Broadrick
Justin Karl Michael Broadrick (born 15 August 1969) is an English musician, singer and songwriter. He is best known as the lead singer and a founding member of the band Godflesh, one of the first bands to combine elements of extreme metal and industrial music. Following Godflesh's initial breakup in 2002, Broadrick formed the band Jesu. He was briefly in the English grindcore band Napalm Death when he was a teenager in the mid-1980s, writing and recording guitar for their debut album, '' Scum''. Broadrick has also maintained a parallel career as a producer, producing records and remixes for groups such as Pantera, Isis, Mogwai and Hydra Head labelmates Pelican. Since the 1990s he has worked with Kevin Martin as Techno Animal making various genres of electronic music and hip hop. Since 2012, he has been releasing hard techno music under the solo moniker JK Flesh. Broadrick has set up record labels such as HeadDirt, Avalanche Recordings, Post Mortem Productions (briefly renamed ...
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Industrial Metal
Industrial metal is the fusion of heavy metal and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Prominent industrial metal acts include Ministry, Nine Inch Nails, Marilyn Manson, Rammstein, Godflesh, and Fear Factory. Industrial metal developed in the late 1980s, as industrial and metal began to fuse into a common genre. Industrial metal did well in the early 1990s, particularly in North America, with the success of groups such as Nine Inch Nails, but its popularity began to fade in the latter half of the 1990s. History Early innovators Though electric guitars had been used by industrial artists since the early days of the genre, archetypal industrial groups such as Throbbing Gristle displayed a strong anti-rock stance. British post-punk band Killing Joke pioneered the crossing over between styles and was an influence on major acts associated with industrial metal such as Ministry, Go ...
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Us And Them (Godflesh Album)
''Us and Them'' is the fifth studio album by English band Godflesh. It was released through Earache Records on 17 May 1999 in Europe and on 8 June 1999 in North America. As with Godflesh's 1997 remix album ''Love and Hate in Dub'', ''Us and Them'' is influenced by breakbeats, drum and bass, oldschool jungle, trip hop and hip hop. Shortly after ''Us and Them's'' release, Godflesh frontman Justin Broadrick admitted that he "hated" the album as it was the expression of an "identity crisis". Years later, he revised his thoughts, saying that his hatred of ''Us and Them'' was "overstated", and that his main issue in the album lies in its more "cringe-worthy moments." Composition and music ''Us and Them'' features a sound similar to ''Songs of Love and Hate''s remix album, ''Love and Hate in Dub'' (1997), driven percussively and relying on thumping drum and bass and hip hop rhythms. AllMusic critic John Bush, who described the record as "heavy grindcore with drum machines," wrote: "F ...
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Songs Of Love And Hate (Godflesh Album)
''Songs of Love and Hate'' is the fourth studio album by English industrial metal band Godflesh. Released on 20 August 1996 through Earache Records, it is the band's first album to feature live drums, played by drummer Bryan Mantia, and a more traditional heavy metal sound, generally lacking the experimental and mechanical elements of previous releases. The cover is a photograph of Cancer Alley, Louisiana. An accompanying dub-inspired remix album, ''Love and Hate in Dub'', was released in 1997. Both records were reissued by Earache in 2009. Music and composition The choice to replace Godflesh's signature drum machines with Bryan Mantia as a human drummer stemmed from Justin Broadrick's growing dissatisfaction with the limitation of mechanical percussion. After initially making ''Songs of Love and Hate'' with machines, Broadrick decided that there was a lack of dynamic range and groove. About the search for the proper drummer, Broadrick said, "The aim was to get a drummer who ...
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Breakbeat
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a "break" in the music - for example the '' Amen break'' (a drum solo from " Amen, Brother" by The Winstons) or the '' Think Break'' (from "Think (About It)" by Lyn Collins). History 1970s—1980s: Classic breaks and hip hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip hop turntablists, such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and The Winstons' "Amen Brother", to form the rhythmic base for hip hop songs. DJ Kool Herc's breaks st ...
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Selfless (album)
''Selfless'' is the third studio album by British industrial metal band Godflesh. It was released on 26 September 1994 in Europe and on 18 October 1994 through Earache and Columbia Records. Being the band's major-label debut, the record features a more conventional and rock-oriented sound compared to Godflesh's previous releases. It spawned two singles, " Xnoybis" and " Crush My Soul". The music video for the latter was directed by photographer Andres Serrano. At the 2018 Roadburn Festival, ''Selfless'' was performed live in its near entirety for the first time. "Go Spread Your Wings", the album's 23-minute closing track, was substituted with "Messiah" and "Merciless", two songs recorded in the same sessions as ''Selfless''. Background and composition Since ''Selfless'' and its preceding EP '' Merciless'' (1994) saw Godflesh with a major record label, the band was assigned a professional to do final mastering. Bob Ludwig was called in to enhance the pre-existing masters. Godf ...
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Pure (Godflesh Album)
''Pure'' is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, ''Pure'' is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim. ''Pure'' was supported by the promotional single of and music video for "Mothra", and the 1991 EP '' Cold World'' was recorded in the same sessions as the album. In 2013, Godflesh performed the majority of ''Pure'' live at Roadburn. Despite dissatisfaction with the production quality of the album, Godflesh frontman Justin Broadrick considers it one of the band's most honest releases. In 2012, ''Fact'' ranked ''Pure'' as the 64th best album of the ...
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Streetcleaner
''Streetcleaner'' is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, ''Streetcleaner'' helped define what industrial metal would become. Recorded in three distinct sessions and partially refined from pre-Godflesh demos, ''Streetcleaner'' is a weighty, bleak album that blends heavy metal with industrial music by means of production-emphasised bass, distorted guitar and, most importantly, machine percussion. Unlike many metal albums, guitar is employed to create screeching noise rather than discrete riffs, and the drums and bass are louder than is typical. ''Streetcleaner'' was supported by a series of concerts where Godflesh played alongside Napalm Death, and it was on the Nort ...
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Extreme Metal
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression". The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Hardcore punk has been considered an integral part of the development of extreme metal, in the case of song structure and speed, in every case other than doom metal. Definitions Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majority of ...
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Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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