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God Save The King!
"God Save the King" is the national and/or royal anthem of the United Kingdom, most of the Commonwealth realms, their territories, and the British Crown Dependencies. The author of the tune is unknown and it may originate in plainchant, but an attribution to the composer John Bull is sometimes made. "God Save the King" is the ''de facto'' national anthem of the United Kingdom and one of two national anthems used by New Zealand since 1977, as well as for several of the UK's territories that have their own additional local anthem. It is also the royal anthem—played specifically in the presence of the monarch—of the aforementioned countries, in addition to Australia (since 1984), Canada (since 1980), Belize (since 1981), Antigua and Barbuda (since 1981), The Bahamas (since 1973), and most other Commonwealth realms. In countries not part of the British Empire, the tune of "God Save the King" has provided the basis for various patriotic songs, though still generally connecte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gentleman's Magazine
''The Gentleman's Magazine'' was a monthly magazine founded in London, England, by Edward Cave in January 1731. It ran uninterrupted for almost 200 years, until 1922. It was the first to use the term ''magazine'' (from the French ''magazine'', meaning "storehouse") for a periodical. Samuel Johnson's first regular employment as a writer was with ''The Gentleman's Magazine''. History The original complete title was ''The Gentleman's Magazine: or, Trader's monthly intelligencer''. Cave's innovation was to create a monthly digest of news and commentary on any topic the educated public might be interested in, from commodity prices to Latin poetry. It carried original content from a stable of regular contributors, as well as extensive quotations and extracts from other periodicals and books. Cave, who edited ''The Gentleman's Magazine'' under the pen name "Sylvanus Urban", was the first to use the term ''magazine'' (meaning "storehouse") for a periodical. Contributions to the magazi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Country, 'Tis Of Thee
"America (My Country, 'Tis of Thee)" is an American patriotic song, the lyrics of which were written by Samuel Francis Smith. The song served as one of the ''de facto'' national anthems of the United States (along with songs like "Hail, Columbia") before the adoption of "The Star-Spangled Banner" as the official U.S. national anthem in 1931. The melody used is the same as that of the national anthem of the United Kingdom, "God Save the King". History Samuel Francis Smith wrote the lyrics to "America" in 1831 while a student at the Andover Theological Seminary in Andover, Massachusetts. The use of the same melody as the British royal anthem can be described as a contrafactum which reworks this symbol of British monarchy to make a statement about American democracy. Well-known composer Lowell Mason had requested that Smith translate or provide new lyrics for a collection of German songs, among them one written to this melody. Smith gave Mason the lyrics he had written, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galliard
The ''galliard'' (; french: gaillarde; it, gagliarda) was a form of Renaissance dance and music popular all over Europe in the 16th century. It is mentioned in dance manuals from England, Portugal, France, Spain, Germany, and Italy. Dance form The ''galliard'' is not an improvised dance, but rather, it consists of choreographed patterns of steps, which occupy one or more measures of music. In one measure, a galliard typically has five steps; in French such a basic step is called a ''cinq pas'' and in Italy, ''cinque passi''. This is sometimes written in English sources as ''sinkapace''. These steps are: right, left, right, left, cadence. The galliard is an athletic dance, characterised by leaps, jumps, hops and other similar figures. The main feature that defines a galliard step is a large jump, after which the dancer lands with one leg ahead of the other. This jump is called a ''cadence,'' and the final landing is called the ''posture.'' The cadence is typically preceded by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgy, liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The Monophony, monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung A cappella, without musical accompaniment. There are three types of chant melodies that plainsongs fall into, Syllabic verse, syllabic, Neume, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodoxy, Eastern Orthodox churches did not East–West Schism, split until lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Scholes
Percy Alfred Scholes PhD OBE (24 July 1877 – 31 July 1958) (pronounced ''skolz'') was an English musician, journalist and prolific writer, whose best-known achievement was his compilation of the first edition of ''The Oxford Companion to Music''. His 1948 biography ''The Great Dr Burney'' was awarded the James Tait Black Memorial Prize. Career He was born in Headingly, Leeds in 1877, the third of six children of Thomas Scholes, a commercial agent and Katharine Elizabeth Pugh. He was educated privately, owing to his poor health as a child. He became an organist, schoolteacher, music journalist, lecturer, an Inspector of Music in Schools to London University and the Organist and Music Master of Kent College, Canterbury (1900), All Saints, Vevey, Switzerland (1902) as well as Kingswood College, Grahamstown, South Africa (1904). He was Registrar at the City of Leeds (Municipal) School of Music (1908–1912).John Owen Ward. 'Scholes, Percy A(lfred)' in ''Grove Music Online'' (2001 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Oxford Companion To Music
''The Oxford Companion to Music'' is a music reference book in the series of Oxford Companions produced by the Oxford University Press. It was originally conceived and written by Percy Scholes and published in 1938. Since then, it has undergone two distinct rewritings: one by Denis Arnold, in 1983, and the latest edition by Alison Latham in 2002. It is "arguably the most successful book on music ever produced" (Wright, p. 99). Single-volume edition by Percy Scholes The first edition, a single-volume work, was produced in 1938, edited by Percy Scholes, and was written almost entirely by him alone. The second edition, published 1939 includes a 64-page categorised ''List of books about music in the English language'' by Scholes. Wherever possible, Scholes tried to use primary source material, rather than summarizing other people's work. His preface to the First Edition describes how he played and read through thousands of sheets of music, as well as reading thousands of co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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