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Go Bo Diddley
''Go Bo Diddley'' is the second album by American rock and roll musician Bo Diddley, released in July 1959. The album was Bo's first studio album that included some material that hadn't been prereleased on singles, and his first LP for Checker Records. In 2003, ''Rolling Stone'' ranked it number 214 on its The 500 Greatest Albums of All Time, and 216 in a 2012 revised list. Background The B-side to the single "Hush Your Mouth", "Dearest Darling" was released June 1958 and also released on Bo Diddley's self-titled debut album. Bo's next single "Willie and Lillie" was released in November 1958 and then released on this album. Bo's next single "I'm Sorry"/"Oh Yea" was released in February 1959 and reached number 17 on '' Billboard'' magazine's Hot R&B Sides chart. The next single "Crackin' Up" b/w "The Great Grandfather" was released in May. ''Go Bo Diddley'' was released two months later in July. In November 1959, Bo released his most popular single " Say Man"/"The Clock Strikes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tape Recorder
An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present-day form, it records a fluctuating signal by moving the tape across a tape head that polarizes the magnetic domains in the tape in proportion to the audio signal. Tape-recording devices include the reel-to-reel tape deck and the cassette deck, which uses a cassette for storage. The use of magnetic tape for sound recording originated around 1930 in Germany as paper tape with oxide lacquered to it. Prior to the development of magnetic tape, magnetic wire recorders had successfully demonstrated the concept of magnetic recording, but they never offered audio quality comparable to the other recording and broadcast standards of the time. This German invention was the start of a long string of innovations that have led to present-day magnetic t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lafayette Leake
Lafayette Leake (June 1, 1919 – August 14, 1990) was an American blues and jazz pianist, organist, vocalist and composer who played for Chess Records as a session musician, and as a member of the Big Three Trio, during the formative years of Chicago blues. He played piano on many of Chuck Berry's recordings. Biography Leake was born in Winona, Missouri, United States, in 1919. Information about his early years is sparse, but in the early 1950s he joined the Big Three Trio (replacing Leonard Caston) and began his association with Chess Records, where he worked closely with bassist, producer, and songwriter Willie Dixon. Leake played piano on '' One Dozen Berrys'', Chuck Berry's second album, released in 1958 by Chess. He was then on ''Chuck Berry Is on Top;'' Leake (not Berry's longtime bandmate Johnnie Johnson) played the prominent piano on the classic original rendition of " Johnny B. Goode", as well as "Rock and Roll Music". Leake played on numerous other Chess sessions from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Boy Arnold
William "Billy Boy" Arnold (born September 16, 1935, Chicago, Illinois) AllMusic biography">AllMusic.html" ;"title="AllMusic">AllMusic biography/ref> is an American blues harmonica player, singer and songwriter. Arnold is a self-taught harmonica player and has worked with blues legends such as Bo Diddley, Johnny Shines, Otis Rush. Earl Hooker, Howlin' Wolf, Muddy Waters and others. Biography Born in Chicago as one of 16 children, he began playing harmonica as a child, and in 1948 received informal lessons from his near neighbour John Lee "Sonny Boy" Williamson, shortly before the latter's death. Arnold made his recording debut in 1952 with "Hello Stranger" on the small Cool label, the record company giving him the nickname "Billy Boy". In the early 1950s, he joined forces with street musician Bo Diddley and played harmonica on the March 2, 1955 recording of the Bo Diddley song " I'm a Man" released by Checker Records. The same day as the Bo Diddley sessions, Billy Boy recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clifton James (musician)
Clifton James (October 2, 1936 – February 16, 2006) was an American drummer who was most closely associated with Bo Diddley, and played on many R&B records issued by Chess Records between 1955 and 1970. Biography Born in Chicago, one of a family of fourteen, James began playing drums as a child, and in his teens played in the bands backing Memphis Slim and Elmore James. He met Bo Diddley in 1953, and became a member of Bo Diddley's band alongside maracas player Jerome Green and bassist Roosevelt Jackson. Bo Diddley said that when he added Clifton James to his band, "He was the man who did the original Bo Diddley beat on the drums." Clifton James himself said: "I’m the one that gave him that beat... It just came to me. Well, before I started messing around with him, I was at home and I was just beating out something. That’s all. I met Bo and we started playing together... " Willie Dixon also said: "That actually was Clifton James’ idea of a beat more than it was Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maraca
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Green
Jerome Green (c.1934 – c.1973) was an American percussionist and occasional lyricist and vocalist, known for playing maracas and acting as Bo Diddley's foil in his performances and on his recordings in the 1950s and early 1960s. Biography Green grew up in Chicago, and was a neighbor of Ellas McDaniel, later known as Bo Diddley, who was older by a few years. According to some sources, Green played tuba, but, when Bo Diddley performed on street corners and outside theaters from about 1950, he used Green to collect money from bystanders. Needing to add percussion to boost his sound, but not wanting to have to carry a drum kit between venues, he recruited Green to play maracas, which he made out of toilet floats filled with black-eyed peas. Bo Diddley said: "I taught Jerome how to play those maracas... They gave.. the unique sound, that jungle-type rhythm feel..". Referring to himself, Green, and bassist Roosevelt Jackson, he commented: "We used to be three dudes going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peggy Jones (musician)
Peggy Jones (later Malone, July 19, 1940 – September 16, 2015), known on stage as Lady Bo in recognition of her relationship with Bo Diddley, was an American musician. A pioneer of rock and roll, Jones played rhythm guitar in Bo Diddley's band in the late 1950s and early 1960s, becoming one of the first (perhaps ''the'' first) female rock guitarists in a highly visible rock band, and was sometimes called the ''Queen Mother of Guitar''. Early life Born in Harlem, New York City, in 1940, Jones grew up in the Sugar Hill section, and attended the High School of Performing Arts where she studied tap and ballet dance and trained in opera. Even from a very young age, she found herself completely consumed with music; purchasing her first guitar at the age of 15. She was briefly in a local doo-wop group, the Bop Chords, which disbanded in 1957. A chance meeting with Bo Diddley, who was impressed to see a girl with a guitar case, led to an invitation to join Diddley's band as a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvey Fuqua
Harvey Fuqua (July 27, 1929 – July 6, 2010) was an American rhythm and blues singer, songwriter, record producer, and record label executive. Fuqua founded the seminal R&B/doo-wop group the Moonglows in the 1950s. He is notable as one of the key figures in the development of the Motown label in Detroit, Michigan. His group gave Marvin Gaye a start in his music career. Fuqua and his wife at the time, Gwen Gordy, distributed the first Motown hit single, Barrett Strong's "Money (That's What I Want)", on their record label, Anna Records. Fuqua later sold Anna Records to Gwen's brother Berry Gordy and became a songwriter and executive at Motown. He was the nephew of Charlie Fuqua of the Ink Spots and the uncle of the filmmaker Antoine Fuqua. Biography Fuqua was born in Louisville, Kentucky, United States. He was the nephew of Charlie Fuqua of the Ink Spots. In 1951, with Bobby Lester, Alexander Graves and Prentiss Barnes, he formed a vocal group, the Crazy Sounds, in Louisville, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Freed
Albert James "Alan" Freed (December 15, 1921 – January 20, 1965) was an American disc jockey. He also produced and promoted large traveling concerts with various acts, helping to spread the importance of rock and roll music throughout North America. In 1986, Freed was inducted into the Rock and Roll Hall of Fame. His "role in breaking down racial barriers in U.S. pop culture in the 1950s, by leading white and black kids to listen to the same music, put the radio personality 'at the vanguard' and made him 'a really important figure'", according to the executive director. Freed was honored with a star on the Hollywood Walk of Fame in 1991. The organization's website posted this note: "He became internationally known for promoting African-American rhythm and blues music on the radio in the United States and Europe under the name of rock and roll". In the early 1960s, Freed's career was destroyed by the payola scandal that hit the broadcasting industry, as well as by alleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip-O Records
Hip-O Records is a record label that specializes in reissues and compilations. It is part of Universal Music Group. Established in 1996, the label has distributed releases from 'out of style' genres such as disco and early hip-hop music as well as publishing film soundtracks. The label's name is a pun on the name 'hippo'. History The name "Hip-O Records" is a play on the word "hip" and the already-existing Rhino Records. The formation of Hip-O Records has its roots in Universal Music Group Chairman & CEO Doug Morris' relationship with Rhino. As co-Chairman of Atlantic Records during the early 1990s and then President & C.O.O. of Warner Music Group (U.S.), Morris observed Rhino's great financial success at cross country rivals Capitol/EMI. EMI had taken an equity position in Rhino Records as an ideal two way relationship. Rhino provided invaluable assistance in the packaging and marketing of EMI's catalog, and EMI provided Rhino with increasingly difficult to access master reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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