Glossary Of Literary Terms
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Glossary Of Literary Terms
This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms. A B C D ...
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Literature
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or s ...
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Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ...
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Samuel Johnson
Samuel Johnson (18 September 1709  – 13 December 1784), often called Dr Johnson, was an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor and lexicographer. The ''Oxford Dictionary of National Biography'' calls him "arguably the most distinguished man of letters in English history". Born in Lichfield, Staffordshire, he attended Pembroke College, Oxford until lack of funds forced him to leave. After working as a teacher, he moved to London and began writing for ''The Gentleman's Magazine''. Early works include ''Life of Mr Richard Savage'', the poems ''London'' and ''The Vanity of Human Wishes'' and the play ''Irene''. After nine years' effort, Johnson's '' A Dictionary of the English Language'' appeared in 1755, and was acclaimed as "one of the greatest single achievements of scholarship". Later work included essays, an annotated ''The Plays of William Shakespeare'', and the apologue ''The History of R ...
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Anadiplosis
Anadiplosis ( ; el, ἀναδίπλωσις, ''anadíplōsis'', "a doubling, folding up") is the repetition of the last word of a preceding clause. The word is used at the end of a sentence and then used again at the beginning of the next sentence. Examples *Noust in the grass / grass in the wind / wind on the lark / lark for the sun / Sun through the sea / sea in the heart / heart in its noust / nothing is lost —John Glenday, Noust * "Fear leads to anger. Anger leads to hate. Hate leads to suffering." —Yoda * "For Lycidas is dead, dead ere his prime, Young Lycidas and hath not left his peer." —John Milton, ''Lycidas'' *"Queeg: 'Aboard my ship, excellent performance is standard. Standard performance is sub-standard. Sub-standard performance is not permitted to exist. —Herman Wouk, ''The Caine Mutiny''. *"Mine be thy love, and thy love's use their treasure." —Shakespeare, ''Sonnet 20''. *"Having power makes otalitarian leadershipisolated; isolation breed ...
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Extrametricality
In linguistics, extrametricality is a tool for prosodic analysis of words in a language. In certain languages, a particular segment or prosodic unit of a word may be ignored for the purposes of determining the stress structure of the word. For example, in a language like classical Latin, where polysyllabic words never have stress on their final syllables, and the position of stress in a word is determined by looking at the penultimate and antepenultimate syllables only, it simplifies the linguistic formulation of the stress-assignment rules of Latin to say that the final syllable of a polysyllabic word is invisible to rules which determine stress. Bruce Hayes, "Extrametricality and English Stress", ''Linguistic Inquiry'', Volume 13, issue 2 (Spring 1982), pp. 234-235. Such invisibility is called "extrametricality" in linguistic terminology. This is purely a theoretical device — an extrametrical sound or syllable is not observed to have any special pronunciation, and extrametri ...
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Anacrusis
In poetic and musical meter, and by analogy in publishing, an anacrusis (from , , literally: 'pushing up', plural ''anacruses'') is a brief introduction (distinct from a literary or musical introduction, foreword, or preface). It is a set of syllables or notes, or a single syllable or note, which precedes what is considered the first foot of a poetic line (or the first syllable of the first foot) in poetry and the first beat (or the first beat of the first measure) in music that is not its own phrase, section, or line and is not considered part of the line, phrase, or section which came before, if any. Poetry In poetry, a set of extrametrical syllables at the beginning of a verse is said to stand in anacrusis ( grc, ἀνάκρουσις "pushing up"). "An extrametrical prelude to the verse," or, "extrametrical unstressed syllables preceding the initial lift." The technique is seen in Old English poetry, and in lines of iambic pentameter, the technique applies a variation ...
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Anachronism
An anachronism (from the Ancient Greek, Greek , 'against' and , 'time') is a chronology, chronological inconsistency in some arrangement, especially a juxtaposition of people, events, objects, language terms and customs from different time periods. The most common type of anachronism is an object misplaced in time, but it may be a verbal expression, a technology, a philosophical idea, a musical style, a material, a plant or animal, a custom, or anything else associated with a particular period that is placed outside its proper temporal domain. (An example of that would be films including non-avian dinosaurs and prehistoric human beings living side by side, but they were, in reality, millions of years apart.) An anachronism may be either intentional or unintentional. Intentional anachronisms may be introduced into a literary or artistic work to help a contemporary audience engage more readily with a historical period. Anachronism can also be used intentionally for purposes of rh ...
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Allusion
Allusion is a figure of speech, in which an object or circumstance from unrelated context is referred to covertly or indirectly. It is left to the audience to make the direct connection. Where the connection is directly and explicitly stated (as opposed to indirectly implied) by the author, it is instead usually termed a reference. In the arts, a literary allusion puts the alluded text in a new context under which it assumes new meanings and denotations. It is not possible to predetermine the nature of all the new meanings and inter-textual patterns that an allusion will generate. Literary allusion is closely related to parody and pastiche, which are also "text-linking" literary devices.Ben-Porot (1976) pp. 107–8 quotation: In a wider, more informal context, an allusion is a passing or casually short statement indicating broader meaning. It is an incidental mention of something, either directly or by implication, such as "In the stock market, he met his Waterloo." Scope of th ...
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Alliteration
Alliteration is the conspicuous repetition of initial consonant sounds of nearby words in a phrase, often used as a literary device. A familiar example is "Peter Piper picked a peck of pickled peppers". Alliteration is used poetically in various languages around the world, including Arabic, Irish, German, Mongolian, Hungarian, American Sign Language, Somali, Finnish, Icelandic. Historical use The word ''alliteration'' comes from the Latin word ''littera'', meaning "letter of the alphabet". It was first coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century. Alliteration is used in the alliterative verse of Old English, Old Norse, Old High German, Old Saxon, and Old Irish. It was an important ingredient of the Sanskrit shlokas. Alliteration was used in Old English given names. This is evidenced by the unbroken series of 9th century kings of Wessex named Æthelwulf, Æthelbald, Æthelberht, and Æthelred. These were followed in the 10th ...
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Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ...
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Aisling
The aisling (, , approximately ), or vision poem, is a poetic genre that developed during the late 17th and 18th centuries in Irish language Irish poetry, poetry. The word may have a number of variations in pronunciation, but the ''is'' of the first syllable is always realised as a ("sh") sound. The aisling also features in traditional Sean-nós singing, sean-nós songs. History of the form In the aisling, Ireland appears to the poet in a vision in the form of a woman from the Aos Sí, Otherworld: sometimes young and beautiful, other times old and haggard. This female figure is generally referred to in the poems as a ''spéirbhean'' (, 'heavenly woman'). She laments the current state of the Irish people and predicts an imminent revival of their fortunes, usually linked to the restoration of the Roman Catholic House of Stuart to the thrones of Great Britain and Ireland. The form developed out of an earlier, non-political genre akin to the French poetry, French ''reverdie'', ...
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Adverb
An adverb is a word or an expression that generally modifies a verb, adjective, another adverb, determiner, clause, preposition, or sentence. Adverbs typically express manner, place, time, frequency, degree, level of certainty, etc., answering questions such as ''how'', ''in what way'', ''when'', ''where'', ''to what extent''. This is called the adverbial function and may be performed by single words (adverbs) or by multi-word adverbial phrases and adverbial clauses. Adverbs are traditionally regarded as one of the parts of speech. Modern linguists note that the term "adverb" has come to be used as a kind of "catch-all" category, used to classify words with various types of syntactic behavior, not necessarily having much in common except that they do not fit into any of the other available categories (noun, adjective, preposition, etc.) Functions The English word ''adverb'' derives (through French) from Latin ''adverbium'', from ''ad-'' ("to"), ''verbum'' ("word", "verb"), ...
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