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Gloriæ Dei Cantores
(Latin for "Singers to the Glory of God") is a 40-voice choir based in Orleans, Massachusetts under the direction of artistic director and principal conductor Richard K. Pugsley. History "Gloriæ Dei Cantores" was founded in 1988 by Elizabeth C. Patterson who served as its Director/Conductor until 2012. It is based at the Community of Jesus#Church of the Transfiguration, Church of the Transfiguration in Orleans,_Massachusetts, Orleans, Massachusetts. The "Gloriæ Dei Cantores Schola" specializes in Gregorian chant. The choir sings in 18 languages and has appeared on the concert stage and in recordings with such artists as Gerre Hancock, Keith Lockhart, John Williams, Samuel Adler (composer), Samuel Adler, Mark O'Connor, Stephen Cleobury, George Guest, Daniel Pinkham, and Margaret Hillis. It has toured in 23 countries in Europe, Asia, and North America. Highlights of the choir's career under Elizabeth Patterson and current artistic director and principal conductor Richard K. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich Symphony Orchestra
The Munich Symphony Orchestra (Münchner Symphoniker) is a German orchestra based in Munich but active statewide in Bavaria. It gives subscription concerts at the Herkulessaal and the Prinzregententheater and, to a lesser degree, at the Philharmonie am Gasteig. Kurt Graunke founded the ensemble as the “Graunke Symphony Orchestra” in 1945 and led its first concert on September 25 of that year as a benefit for the Bavarian Red Cross. Regular subscription concerts began four years later. In 1990 the orchestra adopted its current name. The chief conductor since 2014 has been Kevin John Edusei, whose contract was extended in 2016 through the 2021–2022 season. Philippe Entremont holds the title of ''Ehrendirigent'', or honorary conductor, and since 2011 the principal guest conductor has beeKen-David Masur The Münchner Symphoniker has recorded music for more than 500 films, including George Bruns' adaptation of Tchaikovsky's ballet score for Walt Disney's ''Sleeping Beauty'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Hovhaness
Alan Hovhaness (; March 8, 1911 – June 21, 2000) was an American-Armenian composer. He was one of the most prolific 20th-century composers, with his official catalog comprising 67 numbered symphonies (surviving manuscripts indicate over 70) and 434 opus numbers. The true tally is well over 500 surviving works, since many opus numbers comprise two or more distinct works. ''The Boston Globe'' music critic Richard Buell wrote: "Although he has been stereotyped as a self-consciously Armenian composer (rather as Ernest Bloch is seen as a Jewish composer), his output assimilates the music of many cultures. What may be most American about all of it is the way it turns its materials into a kind of exoticism. The atmosphere is hushed, reverential, mystical, nostalgic." Early life He was born as Alan Vaness Chakmakjian ( hy, Ալան Յարութիւն Չաքմաքճեան)Julia Michaelyan"An Interview with Alan Hovhaness" ''Ararat'' 45, v. 12, no. 1 (Winter 1971), pp. 19–31. Reprinted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dona Nobis Pacem (Vaughan Williams)
''Dona nobis pacem'' ( en, Grant us peace) is a cantata written by Ralph Vaughan Williams in 1936 and first performed on 2 October of that year. The work was commissioned to mark the centenary of the Huddersfield Choral Society. Vaughan Williams produced his plea for peace by referring to recent wars during the growing fears of a new one. His texts were taken from the Mass, three poems by Walt Whitman, a political speech, and sections of the Bible. A.V. Butcher has analysed Vaughan Williams' use of the Whitman poems in this composition. The work is scored for chorus and large orchestra, with soprano and baritone soloists. The phrase ''Dona nobis pacem'' ("Give us peace"), in different settings, punctuates the entire piece. Sections The work is in five continuous movements: # Agnus Dei, whose Latin text comes from the last movement in the Roman Catholic Mass. The soprano introduces the theme, singing it over the orchestra and choir. The text translates as "Lamb of Go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Mass In C Minor, K
Great may refer to: Descriptions or measurements * Great, a relative measurement in physical space, see Size * Greatness, being divine, majestic, superior, majestic, or transcendent People * List of people known as "the Great" *Artel Great (born 1981), American actor Other uses * ''Great'' (1975 film), a British animated short about Isambard Kingdom Brunel * ''Great'' (2013 film), a German short film * Great (supermarket), a supermarket in Hong Kong * GReAT, Graph Rewriting and Transformation, a Model Transformation Language * Gang Resistance Education and Training Gang Resistance Education And Training, abbreviated G.R.E.A.T., provides a school-based, police officer instructed program that includes classroom instruction and various learning activities. Their intention is to teach the students to avoid gang ..., or GREAT, a school-based and police officer-instructed program * Global Research and Analysis Team (GReAT), a cybersecurity team at Kaspersky Lab *'' Great!'', a 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (Duruflé)
The Requiem, Op.9, is a 1947 (revised 1961) setting of the Latin Requiem by Maurice Duruflé for a solo voice, mixed choir, and organ, or orchestra with organ. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant. The Requiem was first published in 1948 by Durand in an organ version. History Maurice Duruflé was among French composers commissioned in May 1941 by the collaborationist Vichy regime to write extended works for a monetary award, such as 10,000 francs for a symphonic poem, 20,000 for a symphony, and 30,000 for an opera. Duruflé, commissioned to compose a symphonic poem, decided to compose a Requiem and was still working on it in 1944 when the regime collapsed. He completed it in September 1947. He set the Latin text of the Requiem Mass, omitting certain parts in the tradition of Gabriel Fauré's Requiem and structuring it in nine movements. At the time of the commission, he was working on an organ suite using themes from Gregorian c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Duruflé
Maurice Gustave Duruflé (; 11 January 1902 – 16 June 1986) was a French composer, organist, musicologist, and teacher. Life and career Duruflé was born in Louviers, Eure in 1902. He became a chorister at the Rouen Cathedral Choir School from 1912 to 1918, where he studied piano and organ with Jules Haelling, a pupil of Alexandre Guilmant. The choral plainsong tradition at Rouen became a strong and lasting influence. At age 17, upon moving to Paris, he took private organ lessons with Charles Tournemire, whom he assisted at Basilique Ste-Clotilde, Paris until 1927. In 1920 Duruflé entered the Conservatoire de Paris, eventually graduating with first prizes in organ with Eugène Gigout (1922), harmony with Jean Gallon (1924), fugue with Georges Caussade (1924), piano accompaniment with César Abel Estyle (1926) and composition with Paul Dukas (1928). In 1927, Louis Vierne nominated him as his assistant at Notre-Dame. Duruflé and Vierne remained lifelong friends, and Duruflé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gloria (Poulenc)
The Gloria by Francis Poulenc, FP 177, scored for soprano solo, large orchestra, and chorus, is a setting of the Gloria text from the mass ordinary. One of Poulenc's most celebrated works, it was commissioned by the Koussevitsky Foundation in honor of Sergei Koussevitzky and his wife Natalia, the namesakes of the foundation. Background Poulenc would later claim that the idea for the Gloria began while he worked on his opera, ''Dialogues des Carmélites'', although it has been impossible to establish the dating of his initial sketches with certainty. He also said that the “Laudamus te” had been inspired by the sight of Benedictine monks playing soccer. On April 18, 1961 the composer wrote to Bernard Gavoty that he was “back at work” and had “just begun a Gloria for chorus, soloist, and orchestra in the Vivaldi style.” Despite being commissioned by the Koussevitzky Foundation, the composition of Poulenc’s Gloria was not a direct result of their involvement. In spring 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the '' Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as ''Les Six''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pilgrim's Progress (opera)
''The Pilgrim's Progress'' is an opera by Ralph Vaughan Williams, based on John Bunyan's 1678 allegory ''The Pilgrim's Progress''. The composer himself described the work as a 'Morality' rather than an opera. Nonetheless, he intended the work to be performed on stage, rather than in a church or cathedral. Vaughan Williams himself prepared the libretto, with interpolations from the Bible and also text from his second wife, Ursula Wood. His changes to the story included altering the name of the central character from 'Christian' to 'Pilgrim', so as to universalise the spiritual message. The musical gestation of this opera was protracted, and was reflected in a number of musical projects in Vaughan Williams' life. For example, his earlier one-act opera ''The Shepherds of the Delectable Mountains'' from 1921 was incorporated into Act 4, Scene 2 of the later opera. His Symphony No. 5 also made use of themes originally conceived for his John Bunyan project. In 1940 he wrote a motet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Music of Germany, Teutonic influences. Vaughan Williams i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
