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Glide (music Synthesis)
In music, portamento (plural: ''portamenti'', from old it, portamento, meaning "carriage" or "carrying") is a pitch sliding from one note to another. The term originated from the Italian expression "''portamento della voce''" ("carriage of the voice"), denoting from the beginning of the 17th century its use in vocal performances and emulation by members of the violin family and certain wind instruments, and is sometimes used interchangeably with anticipation. It is also applied to one type of glissando on, e.g., slide trombones, as well as to the "glide" function of steel guitars and synthesizers; in the latter it is often used to add a melancholic effect to the overall melody. Vocal portamento In the first example, Rodolfo's first aria in ''La Sonnambula'' (1831), the portamento is indicated by the slur between the third and fourth notes. The second example, Judit's first line in ''Duke Bluebeard's Castle'' (1912), employs an inclining, wavy line between the fourth and fif ...
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The Drums
The Drums are an American indie pop band from New York City. Formation Founding members Jonathan (Jonny) Pierce and Jacob Graham became friends as children, having met at Bible camp at age 11 or 12. Some years later, they formed a short-lived electro-pop group initially named Goat Explosion, eventually renamed Elkland. They released one album, ''Golden'', in 2005 and garnered interest with the single "Apart". In 2008, Pierce and Graham came up with the concept for The Drums, and Pierce moved to Kissimmee, Florida, where Graham resided at the time, so that they could more readily collaborate. They then moved to Brooklyn, in the spring of 2009, where drummer Connor Hanwick and former Elkland guitarist Adam Kessler joined the band to complete their live sound. The band had their first gig within a week of arriving in Brooklyn at Cake Shop NYC as part of the NYC Pop Fest. In October 2009, the band released their first EP, '' Summertime!''. Career In December 2009 the band was s ...
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Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have run u ...
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Articulations (music)
Articulation may refer to: Linguistics * Articulatory phonetics, the study of how humans produce speech sounds via the interaction of physiological structures ** Manner of articulation, how speech organs involved in making a sound make contact ** Place of articulation, positions of speech organs to create distinctive speech sounds * Articulatory gestures, the actions necessary to enunciate language * Articulatory phonology, a theory that attempts to unify phonetics and phonology * Articulatory speech recognition, the recovery of speech from acoustic signals * Articulatory synthesis, computational techniques for synthesizing speech based on models of human articulation processes * Topic–focus articulation, a field of study concerned with marking old and new information in a clause Engineering * Articulated vehicle, which have a pivoted joint allowing them to turn more sharply * Articulation score, in telecommunications, a subjective measure of the intelligibility of a voice ...
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Knud Jeppesen
Knud Jeppesen (15 August 1892 – 14 June 1974) was a Danish musicologist and composer. He was the leading scholar of the composer Giovanni Pierluigi da Palestrina, about whose life and music he wrote numerous studies. Biography Jeppesen demonstrated early musical talent at age 10 when he was first encouraged by Hakon Andersen and Paul Hellmuth, although he was largely self-taught. Completing primary education in 1911, he first worked in Elbing and Liegnitz (Eastern Germany) as an opera coach and conductor. He found employment in Berlin in 1914, but returned to Denmark because of the outbreak of war. In Copenhagen he became a pupil of prominent Danish composers Carl Nielsen and Thomas Laub, and studied musicology at Copenhagen University with Angul Hammerich. He passed the organist exam at the Royal Danish Conservatory of music in 1916. Owing to Hammerich's retirement, there was nobody on the faculty of the university to examine Jeppesen's work; therefore, he submitted his disse ...
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John Tyrrell (professor Of Music)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his career. ...
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ...
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Prentice Hall
Prentice Hall was an American major educational publisher owned by Savvas Learning Company. Prentice Hall publishes print and digital content for the 6–12 and higher-education market, and distributes its technical titles through the Safari Books Online e-reference service. History On October 13, 1913, law professor Charles Gerstenberg and his student Richard Ettinger founded Prentice Hall. Gerstenberg and Ettinger took their mothers' maiden names, Prentice and Hall, to name their new company. Prentice Hall became known as a publisher of trade books by authors such as Norman Vincent Peale; elementary, secondary, and college textbooks; loose-leaf information services; and professional books. Prentice Hall acquired the training provider Deltak in 1979. Prentice Hall was acquired by Gulf+Western in 1984, and became part of that company's publishing division Simon & Schuster. S&S sold several Prentice Hall subsidiaries: Deltak and Resource Systems were sold to National Education ...
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Robert Gauldin
Robert Luther Gauldin, Jr. (born 1931) is an American composer. He is Professor Emeritus of Music Theory at the Eastman School of Music. Career Robert Gauldin was born to Robert Luther Gauldin (1905–1959) and Lula Mae Self (1905–1977). He graduated in 1949 from Vernon High School, Vernon, Texas. During his senior year, he was Vice President of the Honor Society and, as clarinetist, President of the Band. In the 1949 Vernon High School Yearbook, he was labeled "the BEBOP man." Gauldin, in 1952, earned a Bachelor of Music degree in Composition, with High Honors, from the University of North Texas College of Music. He went on to study at the Eastman School of Music where, in 1956, he earned a Master of Music degree in Music Theory, and in 1959, a PhD in Music Theory. From 1959 to 1963 he served as professor of theory at William Carey College. For the next thirty-four years – from 1963 to 1997 – he was a professor at Eastman School of Music. Compositions *''Movement for Wi ...
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Portato
Portato (; Italian past participle of ''portare'', "to carry"), also mezzo-staccato, French notes portées, in music denotes a smooth, pulsing articulation and is often notated by adding dots under slur markings. Portato is also known as articulated legato. Description Portato is a bowing technique for stringed instruments, in which successive notes are gently re-articulated while being joined under a single continuing bow stroke. It achieves a kind of pulsation or undulation, rather than separating the notes. It has been notated in various ways. One early 19th-century writer, Pierre Baillot (''L’art du violon'', Paris, 1834), gives two alternatives: a wavy line, and dots under a slur. Later in the century a third method became common: placing "legato" dashes (tenuto) under a slur. The notation with dots under slurs is ambiguous, because it is also used for very different bowings, including staccato and flying spiccato. Currently, portato is sometimes indicated in words, b ...
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Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, es ...
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Pitch Wheel
In electronic music, a pitch wheel, pitch bend or bender is a control on a synthesizer to vary the pitch in a continuously variable manner (portamento). The first synthesizer with a pitch wheel was the Minimoog, in 1970. Alternatively, pitch bend controllers on synthesizers may be implemented as a joystick, knob, or touch-sensitive ribbon. MIDI represents pitch bend as a 14-bit integer, allowing for 16,384 possible values. General MIDI implementations default to a range of ±2 semitones. See also *Glissando In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the co ... References Synthesizers Continuous pitch instruments {{electronic-musical-instrument-stub ...
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