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''Odessa'' is the sixth studio album by the Bee Gees, a double vinyl LP released on 30 March 1969, initially in an opulent red flocked cover with gold lettering. Despite reaching the UK Top Ten and the US Top 20, the album was not particularly well-received, though now is regarded by many as the most significant of the group's Sixties albums. An ambitious project, originally intended as a concept album on the loss of a fictional ship in 1899, it created tension and disagreements in the band regarding the work's direction; finally, a dispute over which song to release as a single led to Robin Gibb temporarily leaving the group. Released by Polydor Records in the UK and Atco Records in the US, ''Odessa'' was the group's fourth album released internationally, and their only double album of original music. It would be the final Bee Gees album to include guitarist Vince Melouney. The album includes the 1969 hit single " First of May" (UK no. 6 / US no. 37) and notable tracks su ...
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Bee Gees
The Bee Gees were a musical group formed in 1958 by brothers Barry Gibb, Barry, Robin Gibb, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid-to-late 1970s. The group sang recognisable three-part Close and open harmony, tight harmonies; Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's Rhythm and blues, R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The group wrote all of their own original material, as well as writing and producing several major hits for other artists and have been regarded as one of the most important and influential acts in pop music history. They have been referred to in the media as Honorific nicknames in popular music, The Disco Kings, Britain's First Family of Harmony, and The Kings of Dance Music. Born on the Isle of Man to English parents, the Gibb br ...
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Double Album
A double album (or double record) is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions such as John Lennon's '' Some Time in New York City'' (which consisted of one studio record and one live album packaged together) and OutKast's ''Speakerboxxx/The Love Below'' (effectively two solo albums, one by each member of the duo). Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD ...
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Seven Seas Symphony
"Seven Seas Symphony" is an instrumental composed by Barry, Robin & Maurice Gibb, released on the Bee Gees album ''Odessa'' in March 1969. Recording This song was originally recorded on August 19, 1968, at Atlantic Studios in New York City and was completed in November at IBC Studios in London. Its demo version was released in 2009 on the ''Sketches for Odessa'' disc with the remastered edition of the album. On the demo, a piano played by Maurice was heard. On the originally released version Maurice's piano was heard again along with Bill Shepherd's orchestra – aside from this, the Bee Gees band did not participate on this track or the other instrumental tracks on the album. Personnel * Maurice Gibb – piano * Bill Shepherd – orchestral arrangement * P Sharp — sound engineer An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics pr ...
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Odessa (City On The Black Sea)
"Odessa (City on the Black Sea)" is a song by the English rock band the Bee Gees, written by Barry, Robin & Maurice Gibb in 1968 and released in early 1969. The song opened the album of the same name. The song was recorded twice. The first version of the song (without the orchestra) was later to appear on ''Sketches for Odessa'' and has a duration to 6:40. The song was about the survivor of a shipwreck, and was originally intended to form the basis of the whole album. Musically it was dominated by strings and acoustic guitar. It was originally proposed to be the first single of the album. In 2010, the song appeared on the 4CD compilation Mythology on the disc devoted to Robin's work with the group. Inspiration and recording Its title was inspired by a travel brochure Robin had seen. The geography of "Odessa" must not be taken too literally, although a man sailing in the Atlantic Ocean and the Baltic Sea is as far from the port of Odessa (then part of the USSR) as he seems to f ...
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I've Gotta Get A Message To You
"I've Gotta Get a Message to You" is a song by the Bee Gees. Released as a single on 1968, it was their second number-one single on the UK Singles Chart, and their first US Top 10 hit. Barry Gibb re-recorded the song with Keith Urban for his 2021 album ''Greenfields''. Writing and recording The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife.''Tales Of The Brothers Gibb'', First Edition, Omnibus Press, 2000. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, "This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing ...
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I Laugh In Your Face
"I Laugh in Your Face" is a ballad performed by the Bee Gees, written by Barry, Robin & Maurice Gibb and released in March 1969 on the album ''Odessa''. Most of the vocals are performed by Barry Gibb except for a short central section sung by Robin Gibb. It was recorded on July 12, 1968. the same day as the band recorded their hit song " I've Gotta Get a Message to You". The mono mix made at this time, when it was presumably intended as the B-side of "Message", was released in 2009 on the ''Sketches for Odessa'' disc that accompanied the remastered edition of the album. Its demo version, recorded the same day, also featured on the ''Sketches'' disc. Personnel * Barry Gibb — lead and harmony vocal, guitar * Robin Gibb — lead and harmony vocal * Maurice Gibb — bass, piano, guitar, harmony vocal * Colin Petersen — drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set u ...
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The Marbles (duo)
The Marbles were an English rock duo that consisted of Graham Bonnet and Trevor Gordon, who operated between 1968 and 1969. Their only well-known singles were "Only One Woman" and "The Walls Fell Down". They also became associated with the Bee Gees members Barry, Robin and Maurice Gibb at that time. "Only One Woman" reached number 5 in the UK Singles Chart in November 1968. The duo disbanded in 1969. Shortly after their split, in 1970, they released their only self-titled album. History Bonnet and Gordon are cousins. They were born in Skegness, Lincolnshire, England, although his webpage, In Memory Of, states Gordon was born 18 May 1948, in Blackpool, Lancashire, England. While Bonnet stayed in England, Gordon grew up in Australia where he met the Bee Gees for the first time in 1964, on which Gordon recorded "House Without Windows" and "And I'll Be Happy"; both songs were written by Barry Gibb. In 1965, Gordon recorded two other Barry Gibb compositions: "Little Miss Rhythm ...
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Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an Afric ...
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Country Music
Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, old-time, and American folk music forms including Appalachian, Cajun, Creole, and the cowboy Western music styles of Hawaiian, New Mexico, Red Dirt, Tejano, and Texas country. Country music often consists of ballads and honky-tonk dance tunes with generally simple form, folk lyrics, and harmonies often accompanied by string instruments such as electric and acoustic guitars, steel guitars (such as pedal steels and dobros), banjos, and fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history. The term ''country music'' gained popularity in the 1940s in preference to '' hillbilly music'', with "country music" being used today to describe many styles and subgenres. It came to ...
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1001 Albums You Must Hear Before You Die
''1001 Albums You Must Hear Before You Die'' is a musical reference book first published in 2005 by Universe Publishing. Part of the ''1001 Before You Die'' series, it compiles writings and information on albums chosen by a panel of music critics to be the most important, influential, and best in popular music between the 1950s and the 2010s. The book is edited by Robert Dimery, an English writer and editor who had previously worked for magazines such as ''Time Out'' and ''Vogue''. Each entry in the book's roughly chronological list of albums is accompanied by a short essay written by a music critic, along with pictures, quotes, and additional information (such as the album's running time and producer). Compilations of various artists, and most film soundtracks, are excluded. Selection and sorting methodology In the book's introduction, general editor Robert Dimery notes that the selections were also intended to bring attention to gifted songwriters. Joni Mitchell, Elvis Coste ...
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Best Of Bee Gees, Volume 2
''Best of Bee Gees Vol. 2'' is a compilation album of hits by the Bee Gees released in 1973. The album, briefly revived on CD in the late 1980s, went out of print, but was reissued by Rhino in November 2008. Whereas the original '' Best of Bee Gees'' had focused on songs that had been major hits for the group in America and/or the United Kingdom up to 1969, this follow-up collection featured 1969–72 chart hits and also album tracks from their late-1960s albums '' Horizontal'', ''Idea'' and ''Odessa'', plus " Morning of My Life" – which featured on the soundtrack of the 1971 film ''Melody'' – and Robin Gibb's big 1969 non-US solo hit Saved by the Bell. The album featured nothing from '' Bee Gees' 1st'', which had already been represented by five tracks on the earlier compilation. The front cover featured a group photograph from the same photoshoot that had been sourced for the front cover of their '' Life in a Tin Can'' album released earlier in 1973, despite the fact tha ...
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Melody Fair
A melody (from Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied elements ...
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