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Giuseppe Valdengo
Giuseppe Valdengo (May 24, 1914, Turin – October 3, 2007, Aosta) was an Italian operatic baritone. ''Opera News'' said that, "Although his timbre lacked the innate beauty of some of his baritone contemporaries, Valdengo's performances were invariably satisfying — bold and assured in attack but scrupulously musical." Biography Valdengo first studied the cello and oboe before turning to vocal studies with Accoriti in his native Turin. He made his operatic debut as Figaro in ''Il barbiere di Siviglia'', at the Teatro Regio di Parma in 1936. Shortly thereafter he made his Teatro alla Scala debut, as Germont in ''La traviata''. He was drafted into military service in 1939 by the Italian government and did not appear on the stage for the next three years. His opera career recommenced in 1942 with a lauded performance of Marcello in ''La bohème'' at Parma. Valdengo made his American debut at the New York City Opera as Sharpless in ''Madama Butterfly'' in 1946. He remained on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Valdengo
Giuseppe Valdengo (May 24, 1914, Turin – October 3, 2007, Aosta) was an Italian operatic baritone. ''Opera News'' said that, "Although his timbre lacked the innate beauty of some of his baritone contemporaries, Valdengo's performances were invariably satisfying — bold and assured in attack but scrupulously musical." Biography Valdengo first studied the cello and oboe before turning to vocal studies with Accoriti in his native Turin. He made his operatic debut as Figaro in ''Il barbiere di Siviglia'', at the Teatro Regio di Parma in 1936. Shortly thereafter he made his Teatro alla Scala debut, as Germont in ''La traviata''. He was drafted into military service in 1939 by the Italian government and did not appear on the stage for the next three years. His opera career recommenced in 1942 with a lauded performance of Marcello in ''La bohème'' at Parma. Valdengo made his American debut at the New York City Opera as Sharpless in ''Madama Butterfly'' in 1946. He remained on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra De Paris
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Peerce
Jan Peerce (born Yehoshua Pinkhes Perelmuth; June 3, 1904 December 15, 1984) was an American operatic tenor. Peerce was an accomplished performer on the operatic and Broadway theatre, Broadway concert stages, in solo recitals, and as a recording artist. He is the father of film director Larry Peerce. Family life Jan Peerce was born Jacob Pincus Perelmuth (though his Hebrew gravestone gives his first name as יהושע, or Joshua, not Jacob), to a American Jews, Jewish family. His parents, Louis and Henya Perelmuth, came from the village of :be:Вёска Гарадзец, Кобрынскі раён, Horodetz, formerly in Poland, now Belarus.Biographical sketcnarrated by Jan's friend Isaac Stern/ref> Their first child, a daughter, died in an epidemic. In 1903 they emigrated to America along with their second child, a boy named Mottel. A year later, on June 3, 1904, their third child, Jacob Pincus, was born in a cold water flat in the Lower East Side, Manhattan, New York (state ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Fenn
Jean Fenn (born May 10, 1930) is an American soprano who had an active opera career in North America during the 1950s through the 1970s. Fenn was a disciplined, well-schooled singer with an excellent technique, wide range, and a highly polished sound. She was notably a regular performer at the Metropolitan Opera in New York City between 1953 and 1970. A lyric soprano, she particularly excelled in portraying roles from the operas of Giacomo Puccini, Jules Massenet, and Charles Gounod. In spite of her talent, Fenn never achieved star level status; a fact which prevented her from making any commercial audio recordings with the exception of one film soundtrack. At the Met she performed with many of the giants of the opera world, and standing in such a crowd she never managed to distinguish herself. In his book ''The Last Prima Donnas'', music critic Lanfranco Rasponi included Fenn in his list of American divas "who showed so much promise (all were talented and had good basic vocal r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Boccanegra
''Simon Boccanegra'' () is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play ''Simón Bocanegra'' (1843) by Antonio García Gutiérrez, whose play ''El trovador'' had been the basis for Verdi's 1853 opera, ''Il trovatore''. ''Simon Boccanegra'' was first performed at Teatro La Fenice in Venice on 12 March 1857. Given the complications of the original plot and the generally poor popular response – although the critical one was more encouraging – the opera dropped out of favour after 1866. Finally, 23 years later, Verdi's publisher persuaded the composer to revise the opera, with text changes to be prepared by Arrigo Boito, the librettist who aspired to work with the aging composer on a project which eventually became a new opera, ''Otello'', but to which Verdi had not totally committed at that time. The revised version of ''Simon Boccanegra'', with the now-famous Council Chamber scene, was first perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Boheme
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * '' L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon Lescaut (Puccini)
''Manon Lescaut'' () is an Italian-language opera in four acts composed by Giacomo Puccini between 1889 and 1892 to a libretto by Luigi Illica, Marco Praga and , based on the 1731 novel '' Histoire du Chevalier des Grieux, et de Manon Lescaut'' by the Abbé Prévost. The opera was first performed in 1893 in Turin, at the Teatro Regio. Composition history The libretto is in Italian, and was cobbled together by five librettists whom Puccini employed: Ruggero Leoncavallo, Marco Praga, Giuseppe Giacosa, and Luigi Illica. The publisher, Giulio Ricordi, and the composer himself also contributed to the libretto. So confused was the authorship of the libretto that no one was credited on the title page of the original score. However, it was Illica and Giacosa who completed the libretto and went on to contribute the libretti to Puccini's next three – and most successful – works, ''La Bohème'', ''Tosca'' and ''Madama Butterfly''. Puccini took some musical elements in ''Manon Lesca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raoul Jobin
Raoul Jobin, (April 8, 1906 – January 13, 1974) was a French-Canadian operatic tenor, particularly associated with the French repertory. Life and career Born Joseph Roméo Jobin in Quebec City, Quebec, where he first took private voice lessons before studying with Emile Larochelle at the Laval University. He then went to Paris to continue his studies with Mme d'Estainville-Rousset (singing) and Abby Chéreau (stage skills), his exceptional voice quickly captured attention and he made his debut at the Palais Garnier, Paris Opéra on July 3, 1930, as Tybalt in ''Roméo et Juliette''. From then on, his career made rapid progress. He quickly sang principal tenor roles at both the Opéra and the Opéra-Comique, as well as in many cities throughout France, Lyons, Toulouse, Bordeaux, Marseilles, etc. He sang mainly the French repertoire, with occasional incursions into the Italian repertoire. In 1939 he created the role of Fabrice Del Dongo in ''La chartreuse de Parme (opera), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Licia Albanese
Licia Albanese (July 22, 1909 – August 15, 2014) was an Italian-born American operatic soprano. Noted especially for her portrayals of the lyric heroines of Verdi and Puccini, Albanese was a leading artist with the Metropolitan Opera from 1940 to 1966. She also made many recordings and was chairwoman of The Licia Albanese-Puccini Foundation, which is dedicated to assisting young artists and singers. Life and career Felicia Albanese was born in July 1909 in Torre Pelosa, (a subdivision of Noicattaro, Italy). Later she went to Torre a Mare, a quarter of Bari (the chief town of the Apulia region). She made her unofficial debut in Milan in 1934, when she replaced another soprano in Puccini's ''Madama Butterfly'', the role for which she would be celebrated. Over 40 years, she sang more than 300 performances of Cio-Cio-San. Although she has been praised for many of her roles, including Mimì, Violetta, Liù and Manon Lescaut, it is her portrayal of the ''geisha'' which has remain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
