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Giuseppe Carpani
Giuseppe Carpani (28 December 1751 – 22 January 1825) was an Italian man of letters. He is remembered in large part for his role in the history of classical music: he knew Haydn, Mozart, Salieri, Beethoven, and Rossini, and served them in various ways as poet, translator, and biographer. Life He was born at Vill'albese, in Brianza, Duchy of Milan (in what is now Lombardy) and was educated in Milan by the Jesuits. His father wanted him to study law, which he did in Pavia. Already during his studies, he turned to literature on his own time, writing poetry and plays, some in standard Italian and some in Milanese dialect. An early success (1780) was ''Gli antiquari in Palmira'', an opera composed by Giacomo Rust to Carpani's libretto, which led to his being invited to write libretti for the Milanese court, performed in the country residence at Monza. These were translations/revisions of French works, some of which appeared under Carpani's own name. From 1792 to 1796, Carpani e ...
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Giuseppe Carpani
Giuseppe Carpani (28 December 1751 – 22 January 1825) was an Italian man of letters. He is remembered in large part for his role in the history of classical music: he knew Haydn, Mozart, Salieri, Beethoven, and Rossini, and served them in various ways as poet, translator, and biographer. Life He was born at Vill'albese, in Brianza, Duchy of Milan (in what is now Lombardy) and was educated in Milan by the Jesuits. His father wanted him to study law, which he did in Pavia. Already during his studies, he turned to literature on his own time, writing poetry and plays, some in standard Italian and some in Milanese dialect. An early success (1780) was ''Gli antiquari in Palmira'', an opera composed by Giacomo Rust to Carpani's libretto, which led to his being invited to write libretti for the Milanese court, performed in the country residence at Monza. These were translations/revisions of French works, some of which appeared under Carpani's own name. From 1792 to 1796, Carpani e ...
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Monza
Monza (, ; lmo, label=Lombard language, Lombard, Monça, locally ; lat, Modoetia) is a city and ''comune'' on the River Lambro, a tributary of the Po River, Po in the Lombardy region of Italy, about north-northeast of Milan. It is the capital of the Province of Monza and Brianza. Monza is best known for its Grand Prix motor racing circuit, the Autodromo Nazionale di Monza, which hosts the Formula One Italian Grand Prix with a massive Italian support ''tifosi'' for the Scuderia Ferrari, Ferrari team. On 11 June 2004, Monza was designated the capital of the new province of Province of Monza e Brianza, Monza and Brianza. The new administrative arrangement came fully into effect in summer 2009; previously, Monza was a ''comune'' within the province of Milan. Monza is the third-largest city of Lombardy and is the most important economic, industrial and administrative centre of the Brianza area, supporting a textile industry and a publishing trade. Monza also hosts a Department of ...
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Luigia Polzelli
Luigia Polzelli (also Polcelli; c. 1760 – 5 October 1830) was an Italian mezzo-soprano, who sang at the Esterházy court in Hungary during the late 18th century. She was for a number of years the lover of the composer Joseph Haydn. Early years Luigia Polzelli was born Luigia Moreschi in Naples sometime around 1760. She married the violinist Antonio Polzelli some time before 1779. The couple apparently lived in Bologna. Relationship with Haydn Luigia arrived at the Esterházy court with her husband Antonio in 1779; both had two-year contracts. Luigia was nineteen years old at the time. Polzelli soon turned out not to be a particularly able singer. Moreover, her husband had difficulties in fulfilling his duties as a violinist, as he was in the initial stages of a long drawn out demise from tuberculosis. The reigning prince, Nikolaus Esterházy, was a great connoisseur of opera who was well acquainted with high-quality singing, and recognizing Luigia's mediocrity and Antoni ...
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Sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ...
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The Creation (Haydn)
''The Creation'' (german: Die Schöpfung) is an oratorio written between 1797 and 1798 by Joseph Haydn ( Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and bass soloists, chorus and a symphonic orchestra. In parts I and II, depicting the creation, the soloists represent the archangels Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve. The first public performance was held in Vienna at the old Burgtheater on 19 March 1799. The oratorio was published with the text in German and English in 1800. Inspiration Haydn was inspired to write a large oratorio during his visits to England in 1791–1792 and 1794–1795 when, alongside his close friend English music historian Charles Burney, he ...
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Gesellschaft Der Musikfreunde
The Gesellschaft der Musikfreunde in Wien (), also known as the Wiener Musikverein (German for 'Viennese Music Association'), is an Austrian music organization that was founded in 1812 by Joseph Sonnleithner, general secretary of the Court Theatre in Vienna, Austria. Overview Its official charter, drafted in 1814, stated that the purpose of the Gesellschaft was to promote music in all its facets. In early 1818, Franz Schubert was rejected for membership in the Gesellschaft as a professional musician, something that might have furthered his musical career. The Gesellschaft accomplished its goals by sponsoring concerts, founding the Vienna Conservatory in 1819, founding the Wiener Singverein in 1858, constructing the Musikverein building in 1870, and by systematically collecting and archiving noteworthy music-history documents. It is now one of the world's leading music archives. The first music director of the Gesellschaft was Carl Heissler, who was followed by Anton Rubinste ...
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Joseph Franz Von Lobkowitz
Joseph Franz Maximilian, 7th Prince of Lobkowitz (also spelled ''Lobkowicz'') (8 December 1772 – 16 December 1816Joseph Franz Maximilian, VII. Fürst zu Lobkowicz
Geni, accessed 31 December 2014.
) was an aristocrat of , from the . He is known particularly for his interest in music and as a patron of .


Family

He was ...
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Joseph Weigl
Joseph Weigl (28 March 1766 – 3 February 1846) was an Austrian composer and conductor, born in Eisenstadt, Hungary Hungary ( hu, Magyarország ) is a landlocked country in Central Europe. Spanning of the Carpathian Basin, it is bordered by Slovakia to the north, Ukraine to the northeast, Romania to the east and southeast, Serbia to the south, Croatia a ..., Austrian Empire. The son of Joseph Franz Weigl (1740–1820), the principal cellist in the orchestra of the House of Esterházy, Esterházy family, he studied music under Johann Georg Albrechtsberger Wolfgang Amadeus Mozart and Antonio Salieri. He became Kapellmeister at the court theatre in Vienna in 1792, and from 1827 to 1838 was vice-Kapellmeister of the court. Weigl composed a number of operas, both Italian and German and in various genres, although most of his late works are pieces of sacred music. His best known work was the opera ''Die Schweizerfamilie'' (1809). He also set Emanuel Schikaneder's li ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Stadtpalais Liechtenstein
The Liechtenstein City Palace (german: Stadtpalais Liechtenstein) is a residential building at 9, in the first Districts of Vienna, district of Vienna, Innere Stadt. The palace was built from 1692 to 1705 by the Italian architect Domenico Martinelli and the Swiss architect . The building is one of two palaces in Vienna belonging to the House of Liechtenstein, princely family of Liechtenstein. The other grand house still owned by the family in Vienna is the Liechtenstein Garden Palace. The palace escaped destruction during World War II, when bombs fell nearby. It is still used as a private residence by the princely family. After restoration in 2013, the building contains the 19th century portion of the Liechtenstein Museum, princely art collection, whereas artworks from the 16th to 18th centuries are displayed at the Liechtenstein Garden Palace. __NOTOC__ Gallery Image:Stadtpalais Liechtenstein Vienna Sept 2006 002.jpg, Exterior Image:Stadtpalais Liechteinstein Vienna Sept. 200 ...
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Anton Schindler
Anton Felix Schindler (13 June 1795 in Medlov – 16 January 1864 in Bockenheim (Frankfurt am Main)) was an Austrian law clerk and associate, secretary, and early biographer of Ludwig van Beethoven. Life Schindler moved to Vienna in 1813 to study law, and from 1817 to 1822 was a clerk in a law office there. He was a competent, though not an exceptional violinist, and played in various musical ensembles, first meeting Beethoven in 1814. He gave up his law career, becoming in 1822 first violinist at the Theater in der Josefstadt, and from 1825 first violinist at the Theater am Kärntnertor. His acquaintance with Beethoven continued, and from 1822, he lived in the composer's house, as his unpaid secretary.Paul Nettl. "Schindler, Anton Felix". ''Beethoven Encyclopedia''. Philosophical Library, New York, 1956.
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