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Giuseppe Becce
Giuseppe Becce (3 February 1877 – 5 October 1973) was an Italian-born film score composer who enriched the German cinema. Biography Becce was born in Lonigo/Vicenza, Italy. He showed his musical talents early and was named the director of the student musical orchestra at the Padua University when he studied geography. In 1906 he moved to Germany and studied musical composition with Arthur Nikisch and Ferruccio Busoni. In the 1913 silent movie ''Richard Wagner'', directed by Carl Froelich, Becce played the title role and wrote the accompanying music. He continued to write such music for a series of subsequent movies. A collection of these pieces, the so-called " Kinothek" was published between 1919 and 1933 by the Verlag Schlesinger'sche Buchhandlung in Berlin. From 1915 to 1923, Becce was the director of the little orchestra of the Berlin Mozartsaal cinema, located upstairs at the Neues Schauspielhaus in the Nollendorfplatz. After World War I, he was named to direct the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Score
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nollendorfplatz
Nollendorfplatz (colloquially called ''Nolle'' or ''Nolli'') is a square in the central Schöneberg district of Berlin, Germany. History The place was named on 27 November 1864 after the village of ''Nollendorf'' ( cs, Nakléřov) near Petrovice in the present-day Czech Republic, a site of the 1813 Battle of Kulm where the united forces of the Sixth Coalition defeated a French army under Dominique Vandamme. The victorious Prussian troops were led by General Friedrich von Kleist, who in turn was elevated to a "Count of Nollendorf" by King Frederick William III. The adjacent Kleiststraße leads from Nollendorfplatz to Wittenbergplatz in the west. The extended square was laid out according to the Hobrecht-Plan of 1862, then part of a larger road link from Charlottenburg through Schöneberg to the Berlin district of Kreuzberg in the manner of a Parisian boulevard, named after victorious Prussian generals (therefore colloquially called ''Generalszug'' in German). During the Wilhel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Erdmann
Hans Erdmann (7 November 1882 – 21 November 1942) was a German composer. He produced several film scores for German films. Selected filmography * ''Nosferatu'' (1922) * '' Le testament du Dr. Mabuse''/''The Testament of Dr. Mabuse'' (1933) * ''Augustus the Strong Augustus II; german: August der Starke; lt, Augustas II; in Saxony also known as Frederick Augustus I – Friedrich August I (12 May 16701 February 1733), most commonly known as Augustus the Strong, was Elector of Saxony from 1694 as well as K ...'' (1936) Bibliography * Kester, Bernadette. ''Representations of the First World War in German Films of the Weimar Period (1919-1933)''. Amersterdam University Press, 2003. External links * 1882 births 1942 deaths German composers Artists from Wrocław People from the Province of Silesia {{Germany-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berthold Viertel
Berthold Viertel (28 June 1885 – 24 September 1953) was an Austrian screenwriter and film director, known for his work in Germany, the UK and the US. Early career Viertel was born in Vienna, the capital of the Austro-Hungarian Empire, but later went to work in Berlin. Viertel developed a reputation as a poet and theatre director, before moving into film work from 1922. As a screenwriter and director, he collaborated with some of the leading figures of the silent era of German cinema and worked on several influential films. '' Uneasy Money'' (1926) is a work of New Objectivity film movement. He was married to screenwriter and actress Salka Viertel from 30 April 1918 to 20 December 1947. Arrival in America Following the collapse of Viertel's theatre troupe, he faced severe financial difficulties and accepted an offer from the Fox Film Corporation. He came to Los Angeles in 1928 planning to stay for just three years. Viertel wanted to gain experience working for the booming Hollyw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe May
Joe May (born Joseph Otto Mandl; 7 November 1880 – 29 April 1954) was an Austrian film director and film producer and one of the pioneers of German cinema. Biography After studying in Berlin and a variety of odd jobs, he began his career as a stage director of operettas in Hamburg. In 1902 he had married the actress Mia May (born Hermine Pfleger) and took his stage name from hers. Continental-Kunstfilm As Joe May, he made ten films for Continental-Kunstfilm GmbH in Berlin; the first, ''In der Tiefe des Schachtes (In the Depths of the Pit)'' was released in November 1912, followed by ''Vorglühen des Balkanbrandes (The Balkan Traitors)'' (starring Ernst Reicher). In the spring of 1914 May directed the first three of the ' Stuart Webbs' films, a popular series in which Reicher played a gentleman detective modelled on Sherlock Holmes: ''Die geheimnisvolle Villa (The Black Triangle)''; ''Der Mann im Keller (The Man in the Cellar)''; and ''Der Spuk im Haus des Professors (T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Berger (director)
Ludwig Berger (born Ludwig Bamberger; 6 January 1892 – 18 May 1969) was a German-Jewish film director, screenwriter and theatre director. He directed more than 30 films between 1920 and 1969. Berger began working in the German film industry during the Weimar Republic. At Decla-Bioscop and later UFA he established a reputation as a leading director of silent films. He emigrated to Hollywood, but was unable to establish himself and returned to Europe. He subsequently worked both in France and Germany. He was a member of the jury at the 6th Berlin International Film Festival. Berger also translated a few plays of Shakespeare, including ''Cymbeline'', ''Hamlet'', and ''Timon of Athens''. His elder brother was the set designer Rudolf Bamberger who was killed in 1945. Selected filmography Film * ''The Mayor of Zalamea'' (1920) * ''The Story of Christine von Herre'' (1921) * '' A Glass of Water'' (1923) * ''The Lost Shoe'' (1923) * ''A Waltz Dream'' (1925) * '' The Master of N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Lubitsch
Ernst Lubitsch (; January 29, 1892November 30, 1947) was a German-born American film director, producer, writer, and actor. His urbane comedies of manners gave him the reputation of being Hollywood's most elegant and sophisticated director; as his prestige grew, his films were promoted as having "the Lubitsch touch". Among his best known works are '' Trouble in Paradise'', ''Design for Living'', ''Ninotchka'', ''The Shop Around the Corner'', ''To Be or Not to Be'' and '' Heaven Can Wait''. In 1946, he received an Honorary Academy Award for his distinguished contributions to the art of the motion picture. Early life Lubitsch was born in 1892 in Berlin, the son of Simon Lubitsch, a tailor, and Anna (née) Lindenstaedt. His family was Ashkenazi Jewish; his father was born in Grodno in the Russian Empire (now Belarus), and his mother was from Wriezen outside Berlin. He turned his back on his father's tailoring business to enter the theater, and by 1911 was a member of Max Reinhar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Wilhelm Pabst
Georg Wilhelm Pabst (25 August 1885 – 29 May 1967) was an Austrian film director and screenwriter. He started as an actor and theater director, before becoming one of the most influential German-language filmmakers during the Weimar Republic. Early years Pabst was born in Raudnitz, Bohemia, Austria-Hungary (today's Roudnice nad Labem, Czech Republic), the son of a railroad official. While growing up in Vienna, he studied drama at the Academy of Decorative Arts and initially began his career as a stage actor in Switzerland, Austria and Germany. In 1910, Pabst traveled to the United States, where he worked as an actor and director at the German Theater in New York City. In 1914, he decided to become a director, and he returned to recruit actors in Europe. Pabst was in France when World War I began, he was arrested and held as an enemy alien and interned in a prisoner-of-war camp near Brest. * * * While imprisoned, Pabst organised a theatre group at the camp and directed French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Wilhelm Murnau
Friedrich Wilhelm Murnau (born Friedrich Wilhelm Plumpe; December 28, 1888March 11, 1931) was a German film director, producer and screenwriter. He was greatly influenced by Schopenhauer, Nietzsche, Shakespeare and Ibsen plays he had seen at the age of 12, and became a friend of director Max Reinhardt. During World War I he served in the Imperial German Army, initially as an infantry company commander on the Eastern Front. Murnau later transferred to the German Army's Flying Corps, as an observer/ gunner, and survived several crashes without any severe injuries. One of Murnau's acclaimed works is the film ''Nosferatu'' (1922), an adaptation of Bram Stoker's ''Dracula''. Although not a commercial success, owing to copyright issues with Stoker's estate, the film is considered a masterpiece of German Expressionist cinema. He later directed the film '' The Last Laugh'' (1924), as well as a 1926 interpretation of Goethe's ''Faust''. He emigrated to Hollywood in 1926, where he joi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Lang
Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety'', August 4, 1976, p. 63. One of the best-known ''émigrés'' from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. He has been cited as one of the most influential filmmakers of all time. Lang's most celebrated films include the groundbreaking futuristic ''Metropolis'' (1927) and the influential '' M'' (1931), a film noir precursor. His 1929 film ''Woman in the Moon'' showcased the use of a multi-stage rocket, and also pioneered the concept of a rocket launch pad (a rocket standing upright against a tall building before launch having been slowly rolled into place) and the rocket-launch countdown clock. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ufa-Pavillon Am Nollendorfplatz
The Ufa-Pavillon am Nollendorfplatz was a cinema located at 4 Nollendorfplatz, Schöneberg, Berlin. Built in 1912–13 and designed and decorated by leading artistic practitioners of the day, it was the German capital's first purpose-built, free-standing cinema"Das erste freistehende Kinotheater war das Cines am Nollendorfplatz in Berlin, erbaut von Oskar Kaufmann ca. 1910–12 mit 678 Plätzen. (vgl. Boeger 1993: 9, Brauns 2007: 242, Gabler 1950: 6) Source: The first free-standing, purpose-built cinema in Germany was the in Burg (bei Magdeburg), which opened as Palast-Theater on 3 June 1911, followed by the in Cottbus, opened 4 October 1911. The Nollendorf-Theater opened 20 March 1913. Described as "historically, ..the most important cinema in Berlin", it incorporated a number of technical innovations such as an opening roof and a daylight projection screen, and opened as the Nollendorf-Theater in March 1913. The cinema was built by a group of US investors allied with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
