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Giulio Sabino
''Giulio Sabino'' ("Julius Sabinus") is a ''dramma per musica'' (opera seria) in three acts by Giuseppe Sarti. The libretto was by Pietro Giovannini. The opera, staged in six or seven European countries at the end of the 18th century, was the subject of a parody in Antonio Salieri's 1786 work ''Prima la musica e poi le parole''. Performance history It was first performed at the Teatro San Benedetto in Venice on 3 January 1781. The opera was revived at the Teatro Comunale Alighieri in Ravenna in 1999 (see recording section below). Roles Synopsis The opera is about the triumph of conjugal love. It is set in 1st-century Gaul in the time of the Emperor Vespasian. Recording There is a recording made in Ravenna in 1999 by the Accademia Bizantina under Ottavio Dantone with Alessandra Palomba (Arminio), Sonia Prina (Giulio Sabino), Donatella Lombardi (Voadice), Elena Monti (Epponina), Giuseppe Filianoti (Tito), Kremena Dilcheva (Annio) (Bongiovanni CD 1173251). References Furth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Per Musica
Dramma per musica (Italian, literally: ''drama for music'', plural: ''drammi per musica'') is a libretto. The term was used by dramatists in Italy and elsewhere between the mid-17th and mid-19th centuries. In modern times the same meaning of ''drama for music'' was conveyed through the Italian Greek-rooted word ''melodramma'' (from μέλος = song or music + δρᾶμα = scenic action). ''Dramma per musica'' never meant "drama ''through'' music", let alone music drama. A ''dramma per musica'' was thus originally (in Italy in the 17th century) a verse drama specifically written for the purpose of being set to music, in other words a libretto for an opera, usually a serious opera (a libretto meant for opera buffa, i.e. comic opera, would have been called a ''dramma giocoso''). By extension, the term came to be used also for the opera or operas which were composed to the libretto, and a variation, ''dramma in musica'', which emphasised the musical element, was sometimes preferre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaul
Gaul ( la, Gallia) was a region of Western Europe first described by the Romans. It was inhabited by Celtic and Aquitani tribes, encompassing present-day France, Belgium, Luxembourg, most of Switzerland, parts of Northern Italy (only during Republican era, Cisalpina was annexed in 42 BC to Roman Italy), and Germany west of the Rhine. It covered an area of . According to Julius Caesar, Gaul was divided into three parts: Gallia Celtica, Belgica, and Aquitania. Archaeologically, the Gauls were bearers of the La Tène culture, which extended across all of Gaul, as well as east to Raetia, Noricum, Pannonia, and southwestern Germania during the 5th to 1st centuries BC. During the 2nd and 1st centuries BC, Gaul fell under Roman rule: Gallia Cisalpina was conquered in 204 BC and Gallia Narbonensis in 123 BC. Gaul was invaded after 120 BC by the Cimbri and the Teutons, who were in turn defeated by the Romans by 103 BC. Julius Caesar finally subdued the remaining parts of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Giuseppe Sarti
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John A
Sir John Alexander Macdonald (January 10 or 11, 1815 – June 6, 1891) was the first prime minister of Canada, serving from 1867 to 1873 and from 1878 to 1891. The dominant figure of Canadian Confederation, he had a political career that spanned almost half a century. Macdonald was born in Scotland; when he was a boy his family immigrated to Kingston in the Province of Upper Canada (today in eastern Ontario). As a lawyer, he was involved in several high-profile cases and quickly became prominent in Kingston, which elected him in 1844 to the legislature of the Province of Canada. By 1857, he had become premier under the colony's unstable political system. In 1864, when no party proved capable of governing for long, Macdonald agreed to a proposal from his political rival, George Brown, that the parties unite in a Great Coalition to seek federation and political reform. Macdonald was the leading figure in the subsequent discussions and conferences, which resulted in the Brit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Filianoti
Giuseppe Filianoti (born 11 January 1974) is an Italian lyric tenor from Reggio Calabria. Early years Born in 1974, the Italian tenor obtained his degree in Literature from the Università Degli Studi di Messina, in the Sicilian town of Messina. In 1997, he graduated from the 'Francesco Cilea' Conservatory in his hometown, studying under Anna Vandi. Filianoti then won a prestigious two-year scholarship to the Accademia del Teatro alla Scala in Milan. It was during this time that he met Alfredo Kraus, who became his mentor and his decisive influence in artistic approach, nuance, technique, and style. Career Filianoti made his professional début in 1998 at Bergamo in the title role of ''Dom Sébastien'', by Gaetano Donizetti. In 1999, after singing Argirio in ''Tancredi'' at the Rossini Opera Festival in Pesaro, he was engaged by Riccardo Muti to sing in Paisello's '' Nina, o sia La pazza per amore'' with Teatro alla Scala ( La Scala). In 2003, again under Muti, he opened th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonia Prina
Sonia Prina (born 30 November 1975) is an Italian operatic contralto who has had an active career in concerts and operas since the mid-1990s. She is particularly known for her appearances in Baroque operas and for her performances of the Baroque concert repertoire. She has recorded works by composers George Frideric Handel and Antonio Vivaldi. Career Born in Magenta, Prina studied singing and the trumpet at the Music Conservatoire "Giuseppe Verdi", Milan and then pursued further studies at the La Scala Academy. She began performing in operas in the mid-1990s, first in the Italian repertoire of Rossini and Donizetti. By 1997 she had established herself as an artist in the Baroque repertoire. Some of the roles she has performed are Amastre in ''Serse'', Bradamante in ''Alcina'', Carilda in '' Arianna in Creta'', Cornelia in ''Giulio Cesare'', Ottone in ''L’Incoronazione di Poppea'', Penelope in '' Il ritorno d'Ulisse in patria'', Polinesso in ''Ariodante'', Valentiniano in '' E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottavio Dantone
Ottavio Dantone (born 9 October 1960) is an Italian conductor and keyboardist (primarily harpsichord and fortepiano) particularly noted for his performances of Baroque music. He has been the music director of the Accademia Bizantina in Ravenna since 1996. Career Dantone trained at the Conservatorio "Giuseppe Verdi" in Milan where he graduated in organ and harpsichord. In 1985 he was awarded the Basso Continuo prize at the International Paris Festival and was also a laureate in the 1986 International Bruges Festival. Dantone made his debut as an opera conductor in 1999 with the first performance in modern times of Giuseppe Sarti's '' Giulio Sabino'' at the Teatro Alighieri in Ravenna. He made his La Scala debut in 2005 conducting Handel's ''Rinaldo'', and would conduct performances of the same opera at Glyndebourne in 2011. Selected Recordings *Domenico Scarlatti: ''Complete Sonatas'' – Ottavio Dantone (harpsichord). Label: Stradivarius (CD) *''Settecento Veneziano'' – Accad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
