Giuliano Ciannella
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Giuliano Ciannella
Giuliano Ciannella (25 October 1943 – 10 January 2008) was an Italian operatic tenor who had a major international career from the mid-1970s through the late 1990s. He was notably a regular performer at the Metropolitan Opera in New York City from 1979 through 1986, the Lyric Opera of Chicago between 1982 and 1988, and at the Vienna State Opera from 1985 up until the end of his career. Ciannella mostly performed roles from the Italian repertory, particularly excelling in the operas of Giuseppe Verdi and Giacomo Puccini. Biography Born in Campi Salentina (Lecce), Ciannella initially studied engineering at the University of Bologna until a chance encounter with Mirella Freni led him to his being encouraged towards an opera career. He entered the Bologna Conservatory where he studied under Leone Magiera. After he graduated he continued with further training under Carlo Bergonzi before making his professional opera debut in 1974 at the Teatro Nuovo in Milan as Edgardo in Gaetan ...
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Giuliano Ciannella
Giuliano Ciannella (25 October 1943 – 10 January 2008) was an Italian operatic tenor who had a major international career from the mid-1970s through the late 1990s. He was notably a regular performer at the Metropolitan Opera in New York City from 1979 through 1986, the Lyric Opera of Chicago between 1982 and 1988, and at the Vienna State Opera from 1985 up until the end of his career. Ciannella mostly performed roles from the Italian repertory, particularly excelling in the operas of Giuseppe Verdi and Giacomo Puccini. Biography Born in Campi Salentina (Lecce), Ciannella initially studied engineering at the University of Bologna until a chance encounter with Mirella Freni led him to his being encouraged towards an opera career. He entered the Bologna Conservatory where he studied under Leone Magiera. After he graduated he continued with further training under Carlo Bergonzi before making his professional opera debut in 1974 at the Teatro Nuovo in Milan as Edgardo in Gaetan ...
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Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ...
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Gilda Cruz-Romo
Gilda Cruz-Romo (née Gilda Cruz, born February 12, 1940) is a Mexican operatic soprano, particularly associated with dramatic roles of the Italian repertory, notably ''Aida'' and ''Tosca''. Born in Guadalajara, Jalisco, she studied at the Mexico City Conservatory with Angel Esquivel. She made her debut in Mexico City, as Ortlinde in ''Die Walküre'', in 1962. Her international career took off with her debut at the New York City Opera in 1969, as Margherita in ''Mefistofele'', opposite Norman Treigle. The following year, on December 18, 1970, she made her debut at the Metropolitan Opera in New York, as Cio-Cio-San in ''Madama Butterfly'', and remained at the Met until 1984. Her roles there included; Nedda, Violetta, Manon Lescaut, Suor Angelica, Tosca, Aida, Elisabeth de Valois, Desdemona, Amelia, both Verdi's Leonoras, from ''Il trovatore'' and ''La forza del destino''. She also appeared at the opera houses of Chicago, Houston, Dallas, San Francisco, New Orleans, Boston, Ph ...
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Plácido Domingo
José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a ''lirico-spinto'' tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, most notably Simon Boccanegra. As of 2020, he has performed 151 different roles. Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platinum an ...
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Staten Island
Staten Island ( ) is a borough of New York City, coextensive with Richmond County, in the U.S. state of New York. Located in the city's southwest portion, the borough is separated from New Jersey by the Arthur Kill and the Kill Van Kull and from the rest of New York by New York Bay. With a population of 495,747 in the 2020 Census, Staten Island is the least populated borough but the third largest in land area at . A home to the Lenape indigenous people, the island was settled by Dutch colonists in the 17th century. It was one of the 12 original counties of New York state. Staten Island was consolidated with New York City in 1898. It was formally known as the Borough of Richmond until 1975, when its name was changed to Borough of Staten Island. Staten Island has sometimes been called "the forgotten borough" by inhabitants who feel neglected by the city government. The North Shore—especially the neighborhoods of St. George, Tompkinsville, Clifton, and Stapleton—i ...
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Clove Lakes Park
Clove Lakes Park is a public park in the Sunnyside neighborhood of Staten Island in New York City. Clove Lakes Park has a rich natural history with valuable ecological assets and a few remnants of the past. Chief among them are the park's lakes and ponds, outcroppings of serpentine rocks, and Staten Island's largest living thing, a tulip tree. Clove Lakes Park is home to many species of indigenous wildlife. Visitors can see fish such as black crappie, brown bullhead, bluegill, emerald shiner, pumpkinseed, largemouth bass, and carp; birds such as red-tailed hawk, belted kingfisher, double-crested cormorant, red-winged blackbird, Canada goose, heron, egret and mallard; as well as reptiles and amphibians, like the common snapping turtle, eastern painted turtle, red-eared slider, and occasionally even the red-backed salamander. The park is also home to mammals such as eastern gray squirrel, muskrat, eastern cottontail, and eastern chipmunk. The park is known for its ...
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Eugenia Moldoveanu
''Eugenia'' is a genus of flowering plants in the myrtle family Myrtaceae. It has a worldwide, although highly uneven, distribution in tropical and subtropical regions. The bulk of the approximately 1,100 species occur in the New World tropics, especially in the northern Andes, the Caribbean, and the Atlantic Forest (coastal forests) of eastern Brazil. Other centers of diversity include New Caledonia and Madagascar. Many of the species that occur in the Old World have received a new classification into the genus '' Syzygium''. All species are woody evergreen trees and shrubs. Several are grown as ornamental plants for their attractive glossy foliage, and a few produce edible fruit that are eaten fresh or used in jams and jellies. Taxonomy The genus was named in honor of Prince Eugene of Savoy. Many species new to science have been and are in the process of being described from these regions. For example, 37 new species of ''Eugenia'' have been described from Mesoameri ...
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La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ...
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La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ...
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Teatro Regio Di Parma
Teatro Regio di Parma, originally constructed as the Nuovo Teatro Ducale (New Ducal Theatre),Martini, "Before the Teatro Regio", pp. 56 is an opera house and opera company in Parma, Italy. Replacing an obsolete house, the new Ducale achieved prominence in the years after 1829, and especially so after the composer Giuseppe Verdi, who was born near Busseto, some thirty kilometres away, had achieved fame. Also well known in Parma was the conductor Arturo Toscanini, born there in 1867. As has been noted by Lee Marshall, "while not as well known as La Scala in Milan or La Fenice in Venice, the city’s Teatro Regio....is considered by opera buffs to be one of the true homes of the great Italian tradition, and the well-informed audience is famous for giving voice to its approval or disapproval – not just from the gallery." The 1,400-seat auditorium, with four tiers of boxes topped by a gallery, was inaugurated on 16 May 1829 when it presented the premiere of Vincenzo Bellini's ...
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Teatro Carlo Felice
The Teatro Carlo Felice is the principal opera house of Genoa, Italy, used for performances of opera, ballet, orchestral music, and recitals. It is located on the side of Piazza De Ferrari. The hall is named for King Carlo Felice, and dates from 24 December 1824, when the Most Excellent Department of Theatres was established. On 31 January 1825, local architect Carlo Barabino submitted his design for the opera house which was to be built on the site of the church of San Domenico. The Dominican friars were moved elsewhere without delay or ceremony, and the first stone of the new building was laid on 19 March 1826. The inaugural performance of Bellini's ''Bianca e Fernando'' took place on 7 April 1828, even though the structure and decoration were not quite finished. The auditorium accommodated an audience of about 2,500 in five tiers (each with 33 boxes), a gallery above, and standing room in the orchestra pit. The acoustics were considered among the best of the time. For ne ...
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