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Girolamo Santo
Girolamo Santo (also called ''il Sordo'' or ''Girolamo da Padova'') was an Italian painter of the Renaissance, active in the 16th century. In Padua, he painted the facade of the Cornaro The House of Cornaro or Corner are a family in Venice who were patricians in the Republic of Venice and included many Doges and other high officials. The name ''Corner'', originally from the Venetian dialect, was adopted in the eighteenth centu ... Palace, several frescoes in S. Francesco, and, with Bernardo Parentino, scenes from the ''life of St. Benedict'' in S. Giustina. A curious picture of a genealogical tree in the Santo is also ascribed to him. He was still living in 1546. References * 16th-century Italian painters Italian male painters Painters from Padua Renaissance painters Fresco painters {{Italy-painter-16thC-stub ...
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Girolamo Del Santo, Madonna In Trono Tra Angeli E Santi, 1521 Ca
Girolamo is an Italian variant of the name Hieronymus. Its English equivalent is Jerome. It may refer to: * Girolamo Cardano (1501–1576), Italian Renaissance mathematician, physician, astrologer and gambler * Girolamo Cassar (c. 1520 – after 1592), Maltese architect and military engineer * Girolamo da Cremona ( fl. 1451–1483), Italian Renaissance painter * Girolamo della Volpaia, Italian clock maker * Girolamo Fracastoro (1478–1553), Italian physician, scholar, poet and atomist * Girolamo Frescobaldi (1583–1643), Italian musician * Girolamo Maiorica (c. 1591–1656), Italian Jesuit missionary to Vietnam * Girolamo Luxardo (1821–), Italian liqueur factory * Girolamo Masci (1227–1292), Pope Nicholas IV (1288–1292) * Girolamo Palermo, American mobster * Girolamo Porro (c. 1520 – after 1604), Italian engraver * Girolamo Riario (1443–1488), Lord of Imola and Forlì * Girolamo Romani (1485–1566), Italian High Renaissance painter * Girolamo Savonarola (1452–1498), ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione, Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Colli Euganei, Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley, Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden of Padua, Botanical Garden, the most anc ...
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Cornaro
The House of Cornaro or Corner are a family in Venice who were patricians in the Republic of Venice and included many Doges and other high officials. The name ''Corner'', originally from the Venetian dialect, was adopted in the eighteenth century. The older standard Italian ''Cornaro'' is no longer common in Italian sources referring to earlier members of the family, but remains so in English. History The family and name Cornaro are said to descend from the gens Cornelia, a patrician family of Ancient Rome. The Cornari were among the twelve tribunal families of the Republic of Venice and provided founding members of the Great Council in 1172. In the 14th century, the family separated into two distinct branches, Cornaro of the Great House and Cornaro Piscopia. The latter name derived from the 1363 grant of the fief of Piscopia in the Kingdom of Cyprus to Federico Cornaro. When Caterina Cornaro married king James II of Cyprus in 1468, the Lusignan royal arms were added to ...
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Bernardo Parentino
Bernardo Parentino, also known as Bernardo Parenzano (Italian; Croatian: ''Bernard Porečan'') (c. 1450 – c. 1500) was a painter of the Renaissance period born in the Republic of Venice, active mainly in Padua. To his detriment, he is still being confused and superimposed by another person with the same name, an Augustine monk who took the name Fra Lorenzo (c. 1437–1531) and who died in the Monastery of St. Michael in Vicenza. Born in Parenzo, then a Venetian town in Istria and died in Vicenza. He was influenced, if not a pupil, of the painter Andrea Mantegna. He painted ''Scenes of the life of San Benedetto'' for the cloister of Santa Giustina at Padua, and a ''Nativity'' once at the Accademia Gallery in Venice. An ''Adoration of the Magi'', more indebted to Giovanni Bellini is found at the Louvre Museum He painted a nightmarish ''Temptation of St Anthony Abbot'' found at the Doria Pamphilj Gallery The Doria Pamphilj Gallery is a large art collection housed in t ...
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16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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Painters From Padua
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Renaissance Painters
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ...
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