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Giovio Series
The Giovio Series, also known as the Giovio Collection or Giovio Portraits, is a series of 484 portraits assembled by the 16th-century Italian Renaissance historian and biographer Paolo Giovio. It includes portraits of literary figures, rulers, statesmen and other dignitaries, many of which were done from life. Intended by Giovio as a public archive of famous men, the collection was originally housed in a specially-built museum on the shore of Lake Como. Although the original collection has not survived intact, a set of copies made for Cosimo I de' Medici now has a permanent home in Florence's Uffizi Gallery. Origins and history Giovio first began collecting portraits around 1512, soon after leaving his hometown of Como to pursue his career in Rome. Initially focused on men of letters, the collection grew to include military figures, kings, popes, artists and even a few renowned women. The series included illustrious men of ages past alongside those of his own day. Giovio intend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uffizi Hallway
The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christiane Joost-Gaugier
Christiane L. Joost-Gaugier (born 1934) is a French-born American art history scholar whose research has included work on the art of the Italian Renaissance and on the influence of Pythagoras on art and philosophy into the Middle Ages and Renaissance. She is also known for bringing the first class action against an American university for its discriminatory treatment of women faculty. Education and career Joost-Gaugier was born in 1934 in France. She graduated with honors from Radcliffe College in 1955, earned an A.M. there in 1959 and a PhD from Harvard University in 1973. She taught at Michigan State University in the early 1960s, and in the late 1960s joined the Tufts University faculty,. In 1970 she initiated a class action lawsuit against Tufts University for unequal treatment of women. The case was taken up by the Equal Employment Opportunity Commission The U.S. Equal Employment Opportunity Commission (EEOC) is a federal agency that was established via the Civil Right ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni De' Medici (1360–1429)
Giovanni di Bicci de' Medici (c. 1360 – February 1429) was an Italian banker and founder of the Medici Bank. While other members of the Medici family, such as Chiarissimo di Giambuono de' Medici, who served in the Signoria of Florence in 1201, and Salvestro de' Medici, who was implicated in the Ciompi Revolt of 1378, are of historical interest, it was Giovanni's founding of the family bank that truly initiated the family's rise to power in Florence. He was the father of Cosimo de' Medici and of Lorenzo the Elder; grandfather of Piero di Cosimo de' Medici; great-grandfather of Lorenzo de' Medici (the Magnificent); and the great-great-great-grandfather of Cosimo I de' Medici, Grand Duke of Tuscany. Biography Giovanni di Bicci de' Medici was born in Florence, Italy. He was the son of Averardo de' Medici and Jacopa Spini. His father, Averardo died in 1363 with a respectable amount of wealth. This inheritance was divided among Giovanni and his four brothers, leaving Giovanni wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ismail I
Ismail I ( fa, اسماعیل, Esmāʿīl, ; July 17, 1487 – May 23, 1524), also known as Shah Ismail (), was the founder of the Safavid dynasty of Safavid Iran, Iran, ruling as its King of Kings (''Shahanshah'') from 1501 to 1524. His reign is often considered the beginning of History of Iran, modern Iranian history, as well as one of the gunpowder empires. The rule of Ismail I is one of the most vital in the history of Iran. Before his accession in 1501, Iran, since its Muslim conquest of Persia, conquest by the Arabs eight-and-a-half centuries earlier, had not existed as a unified country under native Iranian peoples, Iranian rule, but had been controlled by a series of Arab Caliphate, caliphs, Seljuk Empire, Turkic sultans, and Ilkhanate, Mongol Khan (title), khans. Although many Iranian dynasties rose to power amidst this whole period, it was only under the Buyid dynasty, Buyids that a vast part of Iran properly returned to Iranian rule (945–1055). The dynasty foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayezid I
Bayezid I ( ota, بايزيد اول, tr, I. Bayezid), also known as Bayezid the Thunderbolt ( ota, link=no, یلدیرم بايزيد, tr, Yıldırım Bayezid, link=no; – 8 March 1403) was the Ottoman Sultan from 1389 to 1402. He adopted the title of ''Sultan-i Rûm'', ''Rûm'' being an old Islamic name for the Roman Empire. He decisively defeated the Crusaders at Nicopolis (in modern Bulgaria) in 1396. Bayezid unsuccessfully besieged Constantinople and later was defeated and captured by Timur at the Battle of Ankara in 1402 and died in captivity in March 1403, triggering the Ottoman Interregnum. Biography Bayezid was the son of Murad IRunciman, Steven ''The Fall of Constantinople''. Cambridge: Cambridge University Press, p. 36 and his Greek wife, Gülçiçek Hatun.Lowry, Heath W. (2003) ''The Nature of the Early Ottoman State''. Albany, NY: State University of New York Press, p. 153 His first major role was as governor of Kütahya, a city that he earned by marrying the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Alighieri
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristofano Dell'Altissimo
Cristofano dell'Altissimo (c. 1525–1605) was an Italian painter in Florence. For duke Cosimo I de' Medici he copied in Como at least 280 of the portraits from the Collection of Paolo Giovio known as the Giovio Series (484 in total). Most of them can be seen at the Uffizi Gallery in Florence. Bibliography * Aleci, Linda Kinger. "Images of Identity: Italian Portrait Collections of the Fifteenth and Sixteenth Centuries." "The Image of the Individual: Portraits in the Renaissance" Eds. Nicholas Mann and Luke Syson Luke Syson is an English museum curator and art historian. Since 2019, he has been the director of the Fitzwilliam Museum at the University of Cambridge, prior to which he held positions at the British Museum (1991–2002), the Victoria and Albe .... London: British Museum Press, 1998. 67–79. * Campbell, Lorne. ''Renaissance Portraits: European Portrait-Painting in the 14th, 15th and 16th Centuries.'' New Haven: Yale University Press, 1990. * Fossi, Glori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacoteca Civica Di Palazzo Volpi, Como
The Pinacoteca Civica di Palazzo Volpi is the town art gallery on Via Diaz 84 in the town of Como, Lombardy, Italy. It is housed in the 17th-century Palazzo Volpi. History The palace was erected from 1610 to 1630 by the Catholic nuncio and bishop of Novara, Ulpiano Volpi. He commissioned the sober Renaissance-style design from the architect Sergio Venturi. The building in the 20th century served as a courthouse until the 1970s. Presently it is a civic art gallery. It houses collections whose core pre-19th-century works come from suppressed ecclesiastic institutions. For example, it houses Carolingian sculptures from the church of Sant'Abbondio as well as Romanesque and Gothic sculptures and frescoes. It contains a display of Paolo Giovio's portraits of illustrious men. It houses items from the Como Cathedral, including stained glass windows, sculptures, tapestries and wooden models. Among the paintings are: [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varro
Marcus Terentius Varro (; 116–27 BC) was a Roman polymath and a prolific author. He is regarded as ancient Rome's greatest scholar, and was described by Petrarch as "the third great light of Rome" (after Vergil and Cicero). He is sometimes called Varro Reatinus to distinguish him from his younger contemporary Varro Atacinus. Biography Varro was born in or near Reate (now Rieti) to a family thought to be of equestrian rank, and always remained close to his roots in the area, owning a large farm in the Reatine plain, reported as near Lago di Ripasottile, until his old age. He supported Pompey, reaching the office of praetor, after having been tribune of the people, ''quaestor'' and ''curule aedile''. It is probable that Varro was discontented with the course on which Pompey entered when the First Triumvirate was formed, and he may thus have lost his chance of rising to the consulate. He actually ridiculed the coalition in a work entitled the ''Three-Headed Monster'' ( in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost Work
A lost work is a document, literary work, or piece of multimedia produced some time in the past, of which no surviving copies are known to exist. It can only be known through reference. This term most commonly applies to works from the classical world, although it is increasingly used in relation to modern works. A work may be lost to history through the destruction of an original manuscript and all later copies. Works—or, commonly, small fragments of works—have survived by being found by archaeologists during investigations, or accidentally by anybody, such as, for example, the Nag Hammadi library scrolls. Works also survived when they were reused as bookbinding materials, quoted or included in other works, or as palimpsests, where an original document is imperfectly erased so the substrate on which it was written can be reused. The discovery, in 1822, of Cicero's ''De re publica'' was one of the first major recoveries of a lost ancient text from a palimpsest. Another famous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Fulvio
Andrea Fulvio (in his Latin publications and correspondence Andreas Fulvius; c. 1470–1527) was an Italian Renaissance humanist, poet and antiquarian active in Rome, who advised Raphael in the reconstructions of ancient Rome as settings for his frescoes. Fulvio was Raphael's companion and ''cicerone'' as they explored the ruins, Fulvio showing Raphael what was essential to be drawn and ex temporising on them. Fulvio published two volumes. One contained the first attempts at identifying famous faces of classical antiquity, Antiquity from numismatics, numismatic evidence, his richly illustrated ''Illustrium imagines'' of 1517, the portrait heads possibly by Giovanni Battista Palumba. The other was a guide to the city's antiquities, ''Antiquitates Urbis'', published in Sack of Rome (1527), the disastrous year 1527. For a more popular market, his ''Antiquitates Urbis'' were translated into Italian by Paolo Del Rosso and published at Venice in 1543 with the title '' Opera delle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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