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Giove In Argo
(''Jupiter in Argos'', HWV A14) is an Italian opera by George Frideric Handel. It is one of Handel's three pasticcio works made up of music and arias from his previous operas. The libretto was written by Antonio Maria Lucchini. The opera was first performed at the King's Theatre, Haymarket, London, on 1 May 1739. History The libretto by the Venetian poet Lucchini had been written for a setting by Antonio Lotti in Dresden in 1717. Handel might have heard Lotti's opera on his visit to Dresden in 1719, where the famous Senesino sang the part of Jupiter. Probably Handel took a copy of the text to England and remembered it in 1739 when he was looking for a libretto for a short ''pasticcio'' opera with three female characters in it. Handel brought several ''pasticci'' to the London stage. In most cases he adapted successful works of Italian composers for London, but he wrote three ''pasticci'' in which he re-used music from his own earlier works. They are the well known ''Oreste'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Bass (conductor)
Robert H Bass (4 August 1953 – 25 August 2008) was an American conductor who notably served as the music director of the Collegiate Chorale in New York City for almost three decades. Bass studied conducting at Mannes College The New School for Music under Richard Westenburg, who was the Collegiate Chorale's director at that time. In 1979, at the age of 26, he succeeded Westenburg in the position, making his conducting debut at Carnegie Hall with the choir that year. Bass continued leading the Collegiate Chorale up until his death. During his tenure he conducted the ensemble in several noteworthy performances at Carnegie Hall, including the New York premiere of Richard Strauss's ''Friedenstag'' with the Orchestra of St. Luke's in 1997, the United States premiere of Dvořák's ''Dimitrij'', and the American premiere of Handel's ''Giove in Argo''. Other notable works he presented to New York audiences with the Collegiate Chorale included Respighi's ''La fiamma'' and Puccini's ''Tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Curtis (harpsichordist)
Alan Curtis (November 17, 1934July 15, 2015) was an American harpsichordist, musicologist, and conductor of baroque opera. Born in Mason, Michigan, Curtis graduated from studies at the University of Illinois, and received his PhD in 1960 with a dissertation on the keyboard music of Sweelinck. He then relocated to Amsterdam to work with Gustav Leonhardt, with whom he subsequently recorded a number of Bach's concerti for harpsichord. In the 1960s and 1970s, he made a number of recordings of solo harpsichord music including albums dedicated to the keyboard music of Rameau and the works of Johann Sebastian Bach, such as his recording of the ''Goldberg Variations'' made on a 1728 Christian Zell harpsichord. Following an academic career divided between UC Berkeley and Europe, Curtis devoted his time to performing dramatic music from Monteverdi to Mozart. As a student in the 1950s, he was the first modern harpsichordist to examine problems surrounding Louis Couperin's unmeasured pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Gustavus Waltz
Gustavus Waltz ( fl. 1732–1759) was a German bass opera singer. Basing himself in England from 1732, he collaborated with Handel from 1733 when he appeared in ''La Semiramide riconosciuta'', an opera pasticcio. Like Handel, Waltz took British nationality.. Waltz created roles in the oratorio ''Athalia'' (1733); and in the operas '' Arianna in Creta'' (1734), ''Ariodante'' (1735), ''Alcina'' (1735), and ''Atalanta'' (1736). As well as being a soloist, he sang in the chorus (for the last time in a 1754 performance of ''Messiah'' at the Foundling Hospital). He also taught singing: his students included Isabella Young. Waltz as a cook Some sources state that in addition to his musical activities, he worked for Handel as a cook, perhaps before gaining recognition as a singer. |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurence Cummings
Laurence Cummings (born 1968, Birmingham) is a British harpsichordist, organist, and conductor. He is currently music director of the Academy of Ancient Music. Biography Cummings was educated at Solihull School, Christ Church, Oxford and the Royal College of Music. His teachers have included Jill Severs. Cummings has played harpsichord and organ continuo with many leading period instrument groups, including Les Arts Florissants, The Sixteen Choir, the Gabrieli Consort and the Orchestra of the Age of Enlightenment. Cummings was Head of Historical Performance at the Royal Academy of Music from 1997–2012. He has served as Musical Director of the London Handel Orchestra and the London Handel Festival (since 1999), Musical Director of the Tilford Bach Society, a founding member of the London Handel Players, and a Trustee of the Handel House Museum. In September 2011, he became the artistic director of the Göttingen International Handel Festival. He has also conducted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal College Of Music
The Royal College of Music is a music school, conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the Undergraduate education, undergraduate to the Doctorate, doctoral level in all aspects of Western Music including performance, composition, conducting, music theory and history. The RCM also undertakes research, with particular strengths in performance practice and performance science. The college is one of the four conservatories of the ABRSM, Associated Board of the Royal Schools of Music and a member of Conservatoires UK. Its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis. History Background The college was founded in 1883 to replace the short-lived and unsuccessful National Training School for Music (NTSM). The school was the result of an earlier proposal by the Albert, Prince Consort, Prince Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
