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Giovanni Migliara
Giovanni Migliara (October 15, 1785 in Alessandria – April 18, 1837 in Milan), was a nobleman and Italian painter active at the beginning of the 19th century, painting vedute and history paintings. Biography Born to artisan parents of limited means, he was apprenticed to the sculptor Giuseppe Maria Bonzanigo. He also studied at the Brera Academy with Giocondo Albertolli and began his career as a set designer in the Teatro Carcano (1804) and La Scala (1805 - 1809), under the direction of Alessandro Sanquirico. Due to a serious lung disorder, he stopped working for a time. Then, from 1810, he began painting again (mostly miniatures) in watercolours and oils on different media, (canvas, silk, and ivory). He made his return to the art world with an exhibition of four cityscapes at the Brera Academy in 1812. While the Milanese painting scene was dominated by neoclassic painters Andrea Appiani and Luigi Sabatelli, Giovanni Migliara stayed with the historical themes and mediev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Molteni
Giuseppe Molteni (Affori, Milan, 1800 – Milan, 1867) was an Italian painter. Biography Forced to abandon his studies at the Brera Academy for financial reasons, Molteni took up the restoration of ancient paintings as a pupil of Giuseppe Guizzardi in Bologna. On his return to Milan, he soon became one of the most sought-after restorers of the day, a consultant to the Louvre and the British Museum as well as the leading collectors and connoisseurs in Milan and Europe as a whole. He also devoted his energies to painting. In 1828 that he inaugurated a genre of portraiture characterised by the meticulous depiction of sumptuous costumes and settings, which proved an extraordinary success and brought him into direct competition with Francesco Hayez. The period spent at the court in Vienna in 1837 to paint the portrait of Emperor Ferdinand I led to an appreciation of Biedermeier painting and friendship with the painter Friedrich von Amerling, and the style of Johann Friedrich Overbec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Court Painter
A court painter was an artist who painted for the members of a royal or princely family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Painters were the most common, but the court artist might also be a court sculptor. In Western Europe, the role began to emerge in the mid-13th century. By the Renaissance, portraits, mainly of the family, made up an increasingly large part of their commissions, and in the Early Modern period one person might be appointed solely to do portraits, and another for other work, such as decorating new buildings. Especially in the Late Middle Ages, they were often given the office of valet de chambre. Usually they were given a salary and formal title, and often a pension for life, though arrangements were highly variable. But often the artist was paid only a retainer, and paid additionally for works he or, less often, she produced for the monarch. For the artist, a court appointment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Alessandria
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fondazione Cariplo
Fondazione Cariplo is a charitable foundation in Milan, Italy. It was created in December 1991 when the Amato law, Law no. 218 of 30 July 1990, came into force. Under this law, saving banks were required to separate into a not-for-profit foundation and a commercial banking arm. The Cassa di Risparmio delle Provincie Lombarde, commonly known as Cariplo, was divided into the Fondazione Cariplo and Cariplo SpA, the bank, which merged with Ambroveneto in 1998. As at 31 December 2014, the organisation had a shareholders equity of €6,889,487,562. Fondazione Cariplo is part of the Partner Circle of the Foundations Platform F20, a global network of foundations and other philanthropic organizations. Bank ownership At the end of year 2000, the foundation held 9.87% shares of Banca Intesa (fell from 18.55% circa before the merger of Intesa with Banca Commerciale Italiana) as well as 2.77% shares of Sanpaolo IMI. on 31 December 2006, the day before the merger of Intesa and Sanpaolo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of The Risorgimento (Turin)
The National Museum of the Italian Risorgimento ( it, Museo nazionale del Risorgimento italiano) is the first, the biggest and the most important among the 23 museums in Italy dedicated to the Risorgimento; and the only one which can be considered "national" according to a 1901 law, and due to its rich and great collections. It is housed in the Palazzo Carignano in Turin. History The museum was established in 1878, shortly after Italian unification, even though it only had its first permanent exhibition in 1908. Originally located in the Mole Antonelliana The Mole Antonelliana () is a major landmark building in Turin, Italy, named after its architect, Alessandro Antonelli. A ''mole'' in Italian is a building of monumental proportions. Construction began in 1863, soon after Italian unification, an ..., in 1938 it was moved to its current site (which had previously housed the Subalpine Chamber of Deputies, from 1848 to 1860, and then the first Italian Chamber of Deputies, from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Lorenzo, Milan
The Basilica of San Lorenzo Maggiore is a church in Milan, northern Italy. Located within the city's ring of canals, it was originally built in Roman times and subsequently rebuilt several times over a number of centuries. It is close to the mediaeval Ticino gate and is one of the oldest churches in Milan. It is near the city park called Basilicas Park, which includes both the Basilica of San Lorenzo and the Basilica of Sant'Eustorgio, as well as the Roman Colonne di San Lorenzo. History Origins The basilica was built between the late fourth and early fifth centuries. The exact date is uncertain, as are the name of who commissioned it and the circumstances of its foundation. According to some scholars San Lorenzo was erected to coincide with the “Basilica Portiana”, which was built by the “Augustus of the West” (Valentinian I or Valentinian II) to please the Bishop of Milan Auxentius (355–372) of the Arian faith. If this is true, San Lorenzo would have preceded the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritratto Di Giovanni Migliara, 1840 - Accademia Delle Scienze Di Torino - Ritratti 0089 B
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of Saint Anthony Of Padua
The Pontifical Basilica of Saint Anthony of Padua ( it, Basilica Pontificia di Sant'Antonio di Padova) is a Catholic church and minor basilica in Padua, Veneto, Northern Italy, dedicated to St. Anthony of Padua. Although the basilica is visited as a place of pilgrimage by people from all over the world, it is not the cathedral of the city, a title belonging to the Cathedral-Basilica of St. Mary of Padua. The basilica is known locally as "il Santo". It is one of the national shrines recognized by the Holy See. History Construction of the Basilica probably began around 1232, just one year after the death of St. Anthony. It was completed in 1310 although several structural modifications (including the falling of the ambulatory and the construction of a new choir screen) took place between the end of the 14th and the mid-15th century. The Saint, according to his will, had been buried in the small church of ''Santa Maria Mater Domini'', probably dating from the late 12th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan Cathedral
Milan Cathedral ( it, Duomo di Milano ; lmo, Domm de Milan ), or Metropolitan Cathedral-Basilica of the Nativity of Saint Mary ( it, Basilica cattedrale metropolitana di Santa Maria Nascente, links=no), is the cathedral church of Milan, Lombardy, Italy. Dedicated to the Nativity of St Mary (''Santa Maria Nascente''), it is the seat of the Archbishop of Milan, currently Archbishop Mario Delpini. The cathedral took nearly six centuries to complete: construction began in 1386, and the final details were completed in 1965. It is the largest church in the Italian Republic—the larger St. Peter's Basilica is in the State of Vatican City, a sovereign state—and possibly the second largest in Europe and the third largest in the world (its size and position remain a matter of debate). History Milan's layout, with streets either radiating from the Duomo or circling it, reveals that the Duomo occupies what was the most central site in Roman Mediolanum, that of the public bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Moja
Federico Moja (October 20, 1802 – March 29, 1885) was an Italian people, Italian painter, known best for his vedute and views of interior architecture. Biography Born in Milan into a family of artists, Moja began studying at the Brera Academy of Fine Arts in 1818 and became a pupil of Giovanni Migliara at the same time. His early work is characterised by perspective urban views, monastery interiors and subjects of a historical and literary nature addressed in strict accordance with his master's teachings. A stay in Paris and trips to France between 1830 and 1834 provided new subjects, including the church of Sant Germaine that were painted repeatedly, sometimes at intervals of many years. In 1841, when Luigi Bisi established his position on the Milanese art scene, Moja moved to Venice, where he was appointed professor of perspective at the Academy of Fine Arts, Venice, Academy of Fine Arts in 1845. He replaced Tranquillo Orsi at that position. He began to specialise in vedute of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Bisi
Luigi Bisi (10 May 1814 – 11 November 1886) was an Italian architect and painter. He was the most notable member of an artistic family. Life Bisi was born in Milan on 10 May 1814, the son of the painter Michele Bisi. He studied under his father and his uncle Giuseppe Bisi, and then under Francesco Durelli at the Accademia di Belle Arti di Brera. It is sometimes suggested that he also studied under Giovanni Migliara. Bisi succeeded Durelli as teacher of perspective at the Accademia, and taught there for more than 30 years. In 1879 he became president of that academy. He died in Milan on 11 November 1886. Work As a young man Bisi painted airy ''vedute'', but most of his paintings are of interiors, mostly churches, and most particularly the Duomo di Milano, which he claimed to have painted eighty-seven times. His interest in perspective led him to architecture. From 1857 he worked with Giovanni Brocca, Friedrich von Schmidt and Giuseppe Pestagalli on the long-drawn-out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Renica
Giovanni Renica (1808 – 1884) was an Italian painter, active in a Romantic style. He was born in Montirone in the province of Brescia, and died in Brescia. He was a pupil of Giovanni Migliara. He became a teacher at the Brera Academy The Accademia di Belle Arti di Brera ("academy of fine arts of Brera"), also known as the or Brera Academy, is a state-run tertiary public academy of fine arts in Milan, Italy. It shares its history, and its main building, with the Pinacoteca di .... He made a trip to the Orient, which gave him inspiration. He left his notes to the Atheneum of Brescia. Tipografia Capriolo e Massimino, 1900, page 48. Among his pupils was Gaetano Fasanotti. |
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