|
Giovanni Bertati
Giovanni Bertati (10 July 1735 – 1 March 1815) was an Italian librettist. Bertati was born in Martellago, Italy. In 1763, he wrote his first libretto, ''La morte di Dimone'' ("The Death of Dimone"), set to music by Antonio Tozzi. Two years later, ''L'isola della fortuna'' ("The Island of Fortune"), based on Bertati's libretto and Andrea Luchesi's music, was performed in Vienna. During 1770, Bertati visited Vienna several times, where he collaborated with Baldassare Galuppi. Emperor Leopold II gave Bertati the title of ''Poeta Cesareo'' ("Imperial Poet") of the Italian Opera in Vienna, previously held by Lorenzo Da Ponte, who, a year earlier, fell in disgrace with the emperor. He died in Venice, Italy. During his career as a librettist, Bertati was almost exclusively devoted to writing drammi giocosi. His most celebrated libretto is ''Il matrimonio segreto'' ("The Secret Marriage"), set to the music of Domenico Cimarosa, and premiered on 7 February 1792, in Vienna. Libretti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Sacchini
Antonio Maria Gasparo Gioacchino Sacchini (14 June 1730 – 6 October 1786) was an Italian composer, best known for his operas. Sacchini was born in Florence, but raised in Naples, where he received his musical education. He made a name for himself as a composer of serious and comic opera in Italy before moving to London, where he produced works for the King's Theatre. He spent his final years in Paris, becoming embroiled in the musical dispute between the followers of the composers Gluck and Niccolò Piccinni. His early death in 1786 was blamed on his disappointment over the apparent failure of his opera '' Œdipe à Colone''. However, when the work was revived the following year, it quickly became one of the most popular in the 18th-century French repertoire. Life Childhood and education Sacchini was the son of a humble Florentine cook (or coachman), Gaetano Sacchini. At the age of four, he moved with his family to Naples as part of the entourage of the infante Charles of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Valentini (classical Era Composer)
Giovanni Valentini (c. 1750 – 1804) was an Italian classical era composer, poet and painter. He is best remembered for his innovative instrumental music. Among his many works are two operas, ''La statua matematica'' and ''Le nozze in contrasto'', the latter of which premiered at the Teatro San Moisè, Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The isla ..., in November 1774. References 1750s births 1804 deaths Italian Classical-period composers Italian male classical composers Italian opera composers Male opera composers 19th-century Italian male musicians {{italy-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felice Alessandri
Felice Alessandri (24 November 1747 – 15 August 1798) was an Italian keyboardist and composer who was internationally active; working in Berlin, London, Paris, St. Petersburg, and Turin.Pratt, Waldo Selden. ''The History of Music''. New York: G. Schirmer, Inc., 1907. 359. He is best known for his stage works, and he produced a total of 32 operas between 1764 and 1794. His other compositions include 6 symphonies, 6 trio sonatas for 2 violins with basso continuo, a ballet, and an oratorio. Life and career Born in Rome, Alessandri was trained at the Naples Conservatory. After completing his studies he became maestro di cappella at the Turin Cathedral. He then moved to Paris, France where he lived for 4 years. After a brief return to Italy, he came to London in 1768 where he was active as a concert pianist and two of his comic operas were staged: ''La moglie fedete'' and ''Re alia caccia''. He then spent time in various cities in Italy and in St. Petersburg, Russia. He came to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Orlandi
Ferdinando Orlandi (7 October 1774 – 5 January 1848), also referred to as Orland and Orlando. Little is known of his early life and his year of birth is also cited as 1777. He was an Italian musician and teacher of singing who composed cantatas and sacred music (including four masses), but was particularly known for his operas, not all of which have survived. He was born and died in Parma. Life Orlandi studied music with Gaspare Rugarli, organist at the ducal chapel of Colorno, then in Parma with Gaspare Ghiretti and probably with Ferdinando Paer. In 1793 he entered the Conservatorio della Pietà della Turchini in Naples, where he studied counterpoint with Nichola Sala and Giacomo Tritto. In 1799 he returned to Parma, where he was appointed choirmaster. In 1801, his theatrical career began with the comic opera ''The Scottish Pupil'' (''La pupilla scozzese'') based on a libretto by Lorenzo Da Ponte that had earlier been set by Antonio Salieri in Vienna in 1789. When the Duchy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'avaro (Anfossi)
''L'avaro'' ("The Miser"), is an opera (''dramma giocoso'') in three acts composed by Pasquale Anfossi. The libretto by Giovanni Bertati is based on Molière's 17th-century comedy ''The Miser''. Considered one of Anfossi's best operas, it premiered at the Teatro San Moisè in Venice in the autumn season of 1775 and was subsequently performed throughout Italy and in other European cities. Background and performance history Anfossi was a prolific composer. ''L'avaro'' was the 25th of his 70 or more operas and one of the three which he had composed for the 1775 season at Venice's Teatro San Moisè. His librettist Giovanni Bertati was equally prolific, having written at least 70 libretti in his lifetime, almost all of them in the ''dramma giocoso'' genre. The premiere production of ''L'avaro'' had sets designed by Domenico and Gerolamo Mauri and costumes by Giuseppe Tadio. The performance was accompanied by a ballet, ''La serenata interrotta, o sia Il triplice matrimonio'' ("The Seren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasquale Anfossi
Pasquale Anfossi (5 April 1727 – February 1797) was an Italian opera composer. Born in Taggia, Liguria, he studied with Niccolò Piccinni and Antonio Sacchini, and worked mainly in London, Venice and Rome. He wrote more than 80 operas, both '' opera seria'' and ''opera buffa'', although he concentrated on church music, especially oratorios, during his last years. Anfossi died in Rome in 1797. Career Aiming at first to become a performer, he studied violin at the Neapolitan Loreto Conservatorium from 1744 to 1752, and played in an opera orchestra for ten years. He then turned to composing, studying with Sacchini and Piccinni. The first performance of his own work, the ''opera buffa'' ''La Serva Spiritosa'' was at the Rome Carnival in 1763, though his authorship of the work was not clearly established at the time. It appears he preferred to work under his teacher Sacchini, supplementing his tutor's works. Nevertheless, he made a breakthrough with his '' dramma giocoso'' '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Lorenzi
Giovanni Battista Lorenzi (or ''Giambattista''; 1721–1807) was an Italian librettist. He was born in Puglia and died in Naples and was a friend of Giovanni Paisiello, with whom he collaborated on numerous operas. Libretti *''Fra i due litiganti il terzo gode'' (set by Giovanni Battista Pescetti, 1749) *''Le gelosie'' (set by Niccolò Piccinni, 1755) *''L'idolo cinese'' (set by Giovanni Paisiello, 1767; set by Giacomo Rust, 1773; set by Joseph Schuster, 1776) *''Il furbo malaccorto'' (set by Giovanni Paisiello, 1767) *''La luna abitata'' (set by Giovanni Paisiello, 1768) *''La finta maga per vendetta'' (set by Giovanni Paisiello, 1768) *'' Il Don Chisciotte della Mancia'' (set by Giovanni Paisiello; set by Marcello Bernardini, 1769; set by Niccolò Piccinni, 1770; set by Giovanni Paisiello e Florian Leopold Gassmann, 1771, as ''Don Quischott von Mancia'') *''Gelosia per gelosia'' (set by Niccolò Piccinni, 1770) *''La corsara'' (set by Niccolò Piccinni, 1771) *''Gli amant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Fabrizi
Vincenzo Fabrizi (1764 – c. 1812) was an Italian composer of opera buffa. Little is known of Fabrizi's life, perhaps because of his many journeys to various parts of Italy and Europe. He was born in Naples in 1764 and studied under the guidance of Giacomo Tritto. The Neapolitan Carnival of 1783 saw his first premiere: the intermezzo ''I tre gobbi rivali''. In 1786 he was appointed maestro di cappella at the University of Rome and later, in the same city, became director of the Teatro Capranica. Some three years later Fabrizi began to travel further afield to put on his works, spending time in Dresden, Lisbon, London and Madrid. Of his works about fifteen opera buffe are known, largely composed during the years 1783–1788. Like Wolfgang Amadeus Mozart, Giuseppe Gazzaniga and Francesco Gardi he composed a version of ''Don Giovanni''. It premiered in Rome in 1787 under the title ''Il convitato di pietra''. Works ''A list of Fabrizi’s known works, together with genre, libr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Caruso
is a fictional character featured in video games and related media released by Nintendo. Created by Japanese video game designer Shigeru Miyamoto, Luigi is portrayed as the younger fraternal twin brother and sidekick of Mario, Nintendo's mascot. Luigi appears in many games throughout the Mario (franchise), ''Mario'' franchise, oftentimes accompanying his brother. Luigi first appeared in the 1983 Game & Watch game ''List of LCD games featuring Mario#Mario Bros., Mario Bros.'', where he is the character controlled by the second player. He would retain this role in many future games, including ''Mario Bros.'', ''Super Mario Bros.'', ''Super Mario Bros. 3'', ''Super Mario World'', among other titles. He was first available as a primary character in ''Super Mario Bros. 2''. In more recent appearances, Luigi's role became increasingly restricted to spinoffs, such as the ''Mario Party'' and ''Mario Kart'' series; however, he has been featured in a starring role in ''Nelsonic Industr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Alessandro Guglielmi
Pietro Alessandro Guglielmi (9 December 1728 – 19 November 1804) was an Italian opera composer of the classical period. Biography Guglielmi was born into the Guglielmi family of musicians in Massa. His father, Jacopo Guglielmi, was a composer and conductor of the orchestra in the court of the Duke of Massa. Pietro received his first musical education from his father who taught him to play bassoon and the viola; eventually becoming a musician under his father at court while still a boy. Pietro's brother, Abate Domenico, was the maestro di cappella at the Massa Cathedral, and Pietro studied the organ under him. A child prodigy, Guglielmi's talent as a musician earned him the favor of the Duke of Massa who took an interest in supporting his musical development. The Duke initially paid for Guglielmi to have formal musical training with Jacopo Puccini in Massa, and afterwards paid his tuition for his education at the Conservatorio di Santa Maria di Loreto in Naples which he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Rudolf Zumsteeg
Johann Rudolf Zumsteeg (10 January 1760 – 27 January 1802) was a German composer and conductor. Zumsteeg championed the operas of Mozart in Stuttgart, staging the first performances there of ''Die Zauberflöte,'' ''Don Giovanni,'' and ''Cosi fan tutte''. He also was a prolific composer of ''lieder'' and ballads. His ballads had a great influence on the young Franz Schubert, who imitated a number of Zumsteeg's as studies (some even in exactly the same keys) while he was a teenager. Life and early career Zumsteeg was born in Sachsenflur, Lauda-Königshofen, in a military camp to his father Rudolph Zum Steeg. He received an education at the Karlschule in Stuttgart after the passing of both parents. Zumsteeg was initially admitted as a stucco worker, however his musical aptitude soon allowed him transfer to the music department. There Zumsteeg became intimate friends with Friedrich Schiller. A setting for Schiller's drama, ''Die Räuber'', 1782, is an example of the type of cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
