Giovanni Battista Scultori
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Giovanni Battista Scultori
Giovanni Battista Scultori (1503 – 29 December 1575), also Giovanni Battista Mantovano or Mantuana, was an Italian Mannerist painter, sculptor and engraver. Scultori was born in Mantua. He was a pupil of Giulio Romano, and supported himself through work in the Palazzo del Te. Most of what is known about him is through the 20 or so engravings of his that have survived. His son Adamo Scultori and daughter Diana Scultori also became engravers. Scultori died in Mantua in 1575.Page
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David And Goliath LACMA M
David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". was, according to the Hebrew Bible, the third king of the United Kingdom of Israel. In the Books of Samuel, he is described as a young shepherd and harpist who gains fame by slaying Goliath, a champion of the Philistines, in southern Canaan. David becomes a favourite of Saul, the first king of Israel; he also forges a notably close friendship with Jonathan, a son of Saul. However, under the paranoia that David is seeking to usurp the throne, Saul attempts to kill David, forcing the latter to go into hiding and effectively operate as a fugitive for several years. After Saul and Jonathan are both killed in battle against the Philistines, a 30-year-old David is anointed king over all of Israel and Judah. Following his rise to power, David c ...
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Mannerist
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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Mantua
Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the m ...
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Giulio Romano
Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the renown Renaissance artist, Raphael. He was an important member of Raphael's studio. He worked on the frescos in the Vatican loggias using designs by Raphael and, in Raphael's ''Stanze'' in the Vatican, painted a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly he became ...
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Palazzo Del Te
or is a palace in the suburbs of Mantua, Italy. It is a fine example of the mannerist style of architecture, and the acknowledged masterpiece of Giulio Romano. Although formed in Italian, the usual name in English of Palazzo del Te is not that now used by Italians. The official modern name, and by far the most common name in Italian, is . The English name arises because the art historian, Vasari, calls it the "", - all quotations from Vasari's "Vita di Giulio Romano, Pittore" and English-speaking writers, especially art historians, still most often call it "Palazzo del Te". History Palazzo del Te was constructed 1524–34 for Federico II Gonzaga, Marquess of Mantua, as a palace of leisure. The site chosen was that of the family stables at , on the edge of the marshes just outside Mantua's city walls. The name comes from , the grove that once grew on what was then an islet in the marshlands around the core of the city. Giulio Romano, a pupil of Raphael, was commissione ...
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Adamo Scultori
Adamo Scultori (c.1530 – 1585), also referred to as Adamo Ghisi, was an Italian engraver, sculptor and artist. Scultori was born in Mantua. He came from an artistic family: his father Giovanni Battista Scultori and sister Diana Scultori were both artists. Because of his family's close association with the artist Giorgio Ghisi, his sister and he were sometimes referred to by the Ghisi surname. He died in 1585.Johann David Passavant, Adam von Bartsch, Jean Duchesne, ''Le peintre-graveur: Suite des maîtres italiens du XVe. et XVIe. siècle...'', 1864, pp. 134–137online version Some of his works can be seen at the Cleveland Museum of Art. and the Slovak National Gallery. References Further reading

*Paolo Bellini, ''L'Opera incisa di Adamo e Diana Scultori'', Vicenza 1991 *M. Bury, ''The Print in Italy 1550-1625'', British Museum, London 2001, p. 233 1486 births Italian engravers 1557 deaths Artists from Mantua Italian male sculptors 16th-century Ita ...
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