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Giovanni Antonio Antolini
Giovanni Antonio Antolini (Castel Bolognese, 1756 – Bologna 1841) was an Italian architect and writer. Biography From 1803 to 1815, he was professor of architecture at the University of Bologna and thereafter at Milan's Brera Academy. He designed grandiose Neoclassical projects such as the Foro Bonaparte in Milan, which was never executed, and plans for the Procuratie buildings on St Mark's Square in Venice, which were modified and completed by others. He was also active in the field of hydraulics. His written works include ''Idee elementari di architettura civile'' (Elementary concepts of civil architecture, 1813) and ''Osservazioni ed aggiunte ai Principii di architettura civile di Francesco Milizia'' (Observations and additions concerning the Principles of civil architecture by Francesco Milizia, 1817).Mario Pepe, "Antolini, Giovanni Antonio" in ''Dizionario Biografico degli Italiani III'', Istituto della enciclopedia italiana, 1961. Early life When still quite young, he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Monti - Servizio Fotografico (Castel Bolognese, 1968) - BEIC 6330462
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art * Paolo Alboni (1671–1734), Italian painter *Paolo Abbate (1884–1973), Italian-American sculptor * Paolo Antonio Barbieri (1603–1649), Italian painter * Paolo Buggiani (born 1933), Italian contemporary artist * Paolo Carosone (born 1941), Italian painter and sculptor * Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter * Paolo Fiammingo (c. 1540–1596), Flemish painter * Paolo Domenico Finoglia (c. 1590–1645), Italian painter *Paolo Grilli (1857–1952), Italian sculptor and painter *Paolo de Matteis (1662–1728), Italian painter * Paolo Monaldi, Italian painter * Paolo Pagani (1655–1716), Italian painter *Paolo Persico (c. 1729–1796), Italian sculptor * Paolo Pino (1534–1565), Italian painter *Paolo Gerolamo Piola (1666–1724), Italian painter *Paolo Porpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Nicolas Ledoux
Claude-Nicolas Ledoux (21 March 1736 – 18 November 1806) was one of the earliest exponents of French Neoclassical architecture. He used his knowledge of architectural theory to design not only domestic architecture but also town planning; as a consequence of his visionary plan for the Ideal City of Chaux, he became known as a utopian. His greatest works were funded by the French monarchy and came to be perceived as symbols of the Ancien Régime rather than Utopia. The French Revolution hampered his career; much of his work was destroyed in the nineteenth century. In 1804, he published a collection of his designs under the title ''L'Architecture considérée sous le rapport de l'art, des mœurs et de la législation'' (Architecture considered in relation to art, morals, and legislation). In this book he took the opportunity of revising his earlier designs, making them more rigorously neoclassical and up to date. This revision has distorted an accurate assessment of his role in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Città Di Castello
Città di Castello (); "Castle Town") is a city and ''comune'' in the province of Perugia, in the northern part of Umbria. It is situated on a slope of the Apennines, on the flood plain along the upper part of the river Tiber. The city is north of Perugia and south of Cesena on the motorway SS 3 bis. It is connected by the SS 73 with Arezzo and the A1 highway, situated 38 km (23 mi) west. The ''comune'' of Città di Castello has an exclave named Monte Ruperto within Marche. History The town was founded by the ancient Umbri, an Italic tribe, on the left bank of the Tiber River. The town may have come into conflict with the nearby Etruscans. Beginning in the third century BC it became a ''civitates federata'' of Rome and was subsequently inserted into the ''Sexta Regio'' of Roman Italy. The Romans knew it as ''Tifernum Tiberinum'' ("Tifernum on the Tiber"). Nearby Pliny the Younger built his '' villa in Tuscis'', which is identified with walls, mosaic floors and marble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiber
The Tiber ( ; it, Tevere ; la, Tiberis) is the third-longest river in Italy and the longest in Central Italy, rising in the Apennine Mountains in Emilia-Romagna and flowing through Tuscany, Umbria, and Lazio, where it is joined by the River Aniene, to the Tyrrhenian Sea, between Ostia and Fiumicino. It drains a basin estimated at . The river has achieved lasting fame as the main watercourse of the city of Rome, which was founded on its eastern banks. The river rises at Mount Fumaiolo in central Italy and flows in a generally southerly direction past Perugia and Rome to meet the sea at Ostia. Known in ancient times (in Latin) as ''flavus'' ("the blond"), in reference to the yellowish colour of its water, the Tiber has advanced significantly at its mouth, by about , since Roman times, leaving the ancient port of Ostia Antica inland."Tiber River". ''Encyclopædia Britannica''. 2006 However, it does not form a proportional delta, owing to a strong north-flowing sea current ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umbria
it, Umbro (man) it, Umbra (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-55 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €22.5 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €25,400 (2018) , blank2_name_sec1 = HDI (2018) , blank2_info_sec1 = 0.884 · 12th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ITE , web ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topino
The Topino is a river in Umbria, central Italy. It was known in ancient times as ''Supunna'' by Umbri and later in Latin as ''Tinia'' and is mentioned by Dante Alighieri in the ''Canto'' XI of the ''Paradise''. It is the main tributary of the Chiascio, in the Tiber basin. It is about 50 km long, and its drainage basin covers 1,234 km2.Agenzia regionale di protezione ambientale dell'UmbriaCaratterizzazione dei bacini idrografici e dei corpi idrici superficiali Sottobacino Topino Marroggia, p. 9 of 22. Its spring is on the slopes of the Monte Pennino, at , in the territory of Nocera Umbra. Topino's tributaries include the Menotre, the Clitunno (known as Timia past its confluence with Marroggia creek) and the Ose. After passing through the ''comuni'' of Valtopina, Foligno, Bevagna, Cannara and Bettona, it joins the Chiascio at Passaggio Passaggio () is a term used in classical singing to describe the transition area between the vocal registers. The ''passaggi'' (plura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Maria Soli
Giuseppe Maria Soli (23 June 1747 – 20 October 1822) was an Italian architect. Biography He was born in Vignola to a peasant family, and after taking note of his talent, Count Malvasia patronized his education at the Academy of Fine Arts of Bologna. From there, the city of Modena awarded him a scholarship to study in Rome. He returned to Modena to found and direct their Academy of Fina Arts. he was made architect to the court of Modena. Upon the Napoleonic reorganization of northern Italy into the Cisalpine Republic, he was named professor of design for the military school of Modena. He was recruited to design various defensive works in Milan, Mantua, and Venice. Upon the Ducal restoration, he remained at his court position. He designed the Palazzo Bellucci in Vignola; the church in Carbognano near Rome; the bridges across the Panaro river between Modena and Bologna and a bridge in Rimini; and three of the facades and two staircases of the Ducal Palace of Modena. He also lent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Procuratie Nuove
The Procuratie (English: Procuracies) are three connected buildings along the perimeter of Saint Mark's Square in Venice, Italy. Two of the buildings, the Procuratie Vecchie (Old Procuracies) and the Procuratie Nuove (New Procuracies), were constructed by the procurators of Saint Mark, the second-highest dignitaries in the government of the Republic of Venice, who were charged with administering the treasury of the Church of Saint Mark as well as the financial affairs of state wards and trust funds established on behalf of religious and charitable institutions. The Procuratie Vecchie on the northern side of the square was built during the War of the League of Cambrai in the early sixteenth century to replace an earlier structure, damaged by fire. Although the war imposed financial constraints and limited innovation, it was nevertheless the first major public building in Venice to be erected in a purely classical style. It always contained apartments that were rented by the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Procuratie Vecchie
The Procuratie (English: Procuracies) are three connected buildings along the perimeter of Saint Mark's Square in Venice, Italy. Two of the buildings, the Procuratie Vecchie (Old Procuracies) and the Procuratie Nuove (New Procuracies), were constructed by the procurators of Saint Mark, the second-highest dignitaries in the government of the Republic of Venice, who were charged with administering the treasury of the Church of Saint Mark as well as the financial affairs of state wards and trust funds established on behalf of religious and charitable institutions. The Procuratie Vecchie on the northern side of the square was built during the War of the League of Cambrai in the early sixteenth century to replace an earlier structure, damaged by fire. Although the war imposed financial constraints and limited innovation, it was nevertheless the first major public building in Venice to be erected in a purely classical style. It always contained apartments that were rented by the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Geminiano, Venice
San Geminiano was a Roman Catholic church (building), church located in Piazza San Marco in Venice, Italy, dedicated to Saint Geminianus. It is believed to have been founded by the Byzantine Empire, Byzantines in the 6th century AD and it was destroyed and rebuilt several times over subsequent centuries. The last reconstruction began in 1505 to designs of the architect Cristoforo da Legname, and it was completed by Jacopo Sansovino in 1557. This church was a significant example of Venetian Renaissance architecture, and it was well-known for being ornate and richly decorated. The building was demolished in 1807 in order to make way for the Napoleonic wing of the Procuratie, and many of the artworks it contained were distributed among other churches and museums. History According to tradition, the first church of Saint Geminianus in Venice was established in around 554 to 564 AD by the Byzantine Empire, Byzantine general Narses. It is said to have been built in order to thank the Ven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francesco Di Paola (Naples)
San Francesco di Paola is a prominent church located to the west in Piazza del Plebiscito, the main square of Naples, Italy. In the early 19th century, King Joachim Murat of Naples (Napoleon's brother-in-law) planned the entire square and the large building with the colonnades as a tribute to the emperor. When Napoleon was finally dispatched, the Bourbons were restored to the throne of Naples. Ferdinand I continued the construction - finished in 1816 - but converted the final product into the church one sees today. He dedicated it to Saint Francis of Paola, who had stayed in a monastery on this site in the 16th century. The church is reminiscent of the Pantheon in Rome. The façade is fronted by a portico resting on six columns and two Ionic pillars. Inside, the church is circular with two side chapels. The dome is high. The portico is by Neapolitan architect Leopoldo Laperuta, while the main building is by the Swiss architect . Interior The interior has a number of statues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza Del Plebiscito
Piazza del Plebiscito (; nap, Chiazza d''o Plebbiscito) is a large public square in central Naples, Italy. History Named after the plebiscite taken on October 21, 1860, that brought Naples into the unified Kingdom of Italy under the House of Savoy, the piazza is very close to the gulf of Naples and bounded by the Royal Palace (east) and the church of San Francesco di Paola (west) with its hallmark twin colonnades extending to each side. Other noted adjacent buildings include the Palazzo Salerno and, its mirror, the Prefecture Palace (on the left arm of the church). In the first years of the 19th century, the King of Naples, Murat (Napoleon's brother-in-law), planned the square and building as a tribute to the emperor Soon after Napoleon was finally dispatched to St Helena, the Bourbons were restored to the throne, and Ferdinand I continued the construction but converted the finished product into the church one sees today. He dedicated it to Saint Francis of Paola, who had sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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