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Giovanni Antonio
Giovanni Antonio is a masculine blended given name that is a combination of Giovanni and Antonio. Notable people known by this name include the following people: Given name *Giovanni Antonio Acquaviva d'Aragona (?? – 1525), Italian Roman Catholic prelate *Giovanni Antonio Amadeo (c. 1447 – 1522), Italian sculptor, architect, and engineer *Giovanni Antonio Amedeo Plana (1781 – 1864), Italian astronomer and mathematician *Giovanni Antonio Amato (c. 1475–1555), Italian painter *Giovanni Antonio Angrisani (1560–1641), Italian Roman Catholic prelate *Giovanni Antonio Antolini (1756 – 1841), Italian architect and writer *Giovanni Antonio Astorch (died 1567), Italian Roman Catholic prelate *Giovanni Antonio Battarra (1714 – 1789), Italian priest, naturalist, and mycologist *Giovanni Antonio Bazzi, known as Il Sodoma (1477 – 1549), Italian painter *Giovanni Antonio Bellinzoni da Pesaro (1415-1477), Italian painter *Giovanni Antonio Boltraffio (1466 or 1467 – 1516), Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Bellinzoni Da Pesaro
Giovanni Antonio Bellinzoni da Pesaro (1415-1477) was an Italian painter of the Renaissance. Bellinzoni was born in Pesaro to the painter Giliolo di Giovanni Bellinzoni. He was taught by his father, and was influenced by Bartolomeo di Tommaso. There is evidence that he worked with his father on a church commission in Gradara (1429), and continued working with him through at least 1437. After his father died, Bellinzoni came into his own right, and was in high demand. He executed frescoes depicting ''Our Lady of Mercy'' and ''Our Lady Enthroned'' in the Church of the Blessed Sacrament, Saltara. He painted a polyptych found in the collegiate church of Sant'Esuperanzio in Cingoli. He continued working steadily in and around Pesaro until his death in 1477. A biography written about his life won the Salimbeni Prize The Salimbeni Prize (''Il Premio Salimbeni per la Storia e la Critica d'Arte'') is awarded by the Fondazione Salimbeni per le Arti Figurative of San Severino Marche to h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Given Name
A given name (also known as a forename or first name) is the part of a personal name quoted in that identifies a person, potentially with a middle name as well, and differentiates that person from the other members of a group (typically a family or clan) who have a common surname. The term ''given name'' refers to a name usually bestowed at or close to the time of birth, usually by the parents of the newborn. A ''Christian name'' is the first name which is given at baptism, in Christian custom. In informal situations, given names are often used in a familiar and friendly manner. In more formal situations, a person's surname is more commonly used. The idioms 'on a first-name basis' and 'being on first-name terms' refer to the familiarity inherent in addressing someone by their given name. By contrast, a surname (also known as a family name, last name, or ''gentile name, gentile'' name) is normally inherited and shared with other members of one's immediate family. Regnal names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Cucchi
Giovanni Antonio Cucchi ( Campiglia Cervo, active 1750) was an Italian painter. Volume 1, by Stefano Ticozzi, page 150. Biography He was active in painting for the . He also painted for the Palazzo Brentano in Corbetta, alongside |
Pope Innocent IX
Pope Innocent IX ( la, Innocentius IX; it, Innocenzo IX; 20 July 1519 – 30 December 1591), born Giovanni Antonio Facchinetti, was head of the Catholic Church and ruler of the Papal States from 29 October to 30 December 1591. Prior to his short papacy, he had been a canon lawyer, diplomat, and chief administrator during the reign of Pope Gregory XIV (r. 1590–1591). Biography Early life and priesthood Giovanni Antonio Facchinetti, whose family came from Crodo, in the diocese of Novara, northern Italy, was born in Bologna on 20 July 1519. He was the son of Antonio Facchinetti and Francesca Cini. He studied at the University of Bologna - which was pre-eminent in jurisprudence — where he obtained a doctorate in both civil and canon law in 1544. He was later ordained to the priesthood on 11 March 1544 and was appointed a canon of the church of Saints Gervasio and Protasio of Domodossola in 1547. He travelled to Rome and he became the secretary to Cardinal Nicolò ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Emanueli
Giovanni Antonio Emanueli (Brescia, 1817 – Milan, 1894) was an Italian painter. Biography Emanueli enrolled at the Milan Academy of Fine Arts in 1831 and attended Antonio Durelli’s course of figure studies but was enabled to complete his training under the sculptor Abbondio Sangiorgio from 1833 on by a grant from the Brescia City Council. His youthful work shows the influence of the classically inspired models of his master and Rodolfo Vantini, with whom he collaborated repeatedly on important building projects in Brescia. He settled in Milan in 1842 but continued to send works from his repertoire of religious and funerary subjects, portraits and genre compositions to his hometown. He produced some sculptures for Milan Cathedral and the church of San Carlo al Corso in the period 1857–69 and took part in the 4th Esposizione Nazionale di Belle Arti in Turin in 1880. The works of the artist’s mature period show the adoption of a naturalistic approach under the influence o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Dosio
Giovanni Antonio Dosio (1533–1611) was an Italian architect and sculptor. Biography Dosio was born in San Gimignano. A student of Ammanati, with whom he realized the Villa dell'Ambrogiana, Dosio worked primarily in Rome (1548–75) and Florence (1575–89), with some commissions that took him to Naples. During his early years in Rome, where he arrived at the age of fifteen, Dosio produced numerous drawings of the ancient and modern city, and developed a reputation as an antiquary while he was still a young man. He worked in the atelier of Raffaello da Montelupo until 1551. His first important Roman commission was the tomb for his friend, the humanist poet Annibale Caro, in 1567; in the interim, he scratched out a miserable living doing restorations of fragments of Roman sculpture. In 1562 he was carrying out an excavation on behalf of the papal ''condottiere'' Torquato Conti, who had extensive contacts among humanist and antiquarian circles in Rome and knew Dosio's good fri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Di Amato The Younger
Giovanni Antonio d'Amato the younger (''il giovane'') (c. 1535–1598) was an Italian painter of the Renaissance period, active mainly in his natal city of Naples. Born to the brother of painter Giovanni Antonio d'Amato ''il vecchio''; he married the painter Mariangiola Criscuolo Mariangiola Criscuolo (c. 1548–1630) was an Italian painter of the Renaissance period, active mainly in her native city of Naples. She is known for portraiture and history painting, and excelled in painting altarpieces. She was also involved in .... Upon his uncle's death, he entered the studio of Giovanni Bernardo Lama, also his uncle's pupil. He had two daughters and one son. References * 1530s births 1598 deaths 16th-century Neapolitan people 16th-century Italian painters Italian male painters Painters from Naples Italian Mannerist painters {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio De' Vecchi
Giovanni Antonio de' Vecchi (died 1672) was a Roman Catholic prelate who served as Bishop of Ischia (1663–1672). ''(in Latin)'' ''(in Latin)'' Biography On 12 Feb 1663, Giovanni Antonio de' Vecchi was appointed during the papacy of Pope Alexander VII as Bishop of Ischia. On 18 Feb 1663, he was consecrated bishop by Giulio Cesare Sacchetti, Cardinal-Bishop of Sabina Sabina may refer to: Places and jurisdictions * Sabina (region), region and place in Italy, and hence: * the now Suburbicarian Diocese of Sabina (-Poggio Mirteto), Italy * Magliano Sabina, city, Italy * Pozzaglia Sabina, city, Italy *Fara Sab .... He served as Bishop of Ischia until his death in Apr 1672. References External links and additional sources * (for Chronology of Bishops) * (for Chronology of Bishops) 17th-century Italian Roman Catholic bishops Bishops appointed by Pope Alexander VII 1672 deaths {{17C-Italy-RC-bishop-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Pordenone
Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis (c. 1484 – 14 January 1539), an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovanni Antonio Licinio. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock". He appears to have visited Rome, and learnt from its High Renaissance masterpieces, but lacked a good training in anatomical drawing. Like Polidoro da Caravaggio, he was one of the artists often commissioned to paint the exteriors of buildings; of such work at most a shadow survives after centuries of weather. Michelangelo is said to have approved of one palace facade in 1527; it is now only known from a preparatory drawing. Much of his work was lost when the Doge's Palace in Venice was largely destroyed by fires in 1574 and 1577. A number of fresco cycles survive, for example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovan Antonio De' Rossi
Giovanni Antonio de' Rossi (1616–1695) was an Italian architect of the Baroque period, active mainly in Rome. Life He was a contemporary of Carlo Rainaldi. In 1657, he completed the sacristy of Tivoli Cathedral. That same year, he designed the renovations to Chiesa di San Rocco all'Augusteo, adding a dome, the sacristy and a new chapel. He created the shrine over the high altar, designed by Rainaldi, in Santa Maria in Campitelli to house the icon of Santa Maria in Portico. At about the time he became the architect of the Monte di Pietà in Rome until his death and built its oval chapel from the 1650s onwards. For Pope Clement X he carried out an extensive and hurried refurbishment (1670–76) of the family's Palazzo Altieri near the Church of Il Gesù . He erected the church of Santa Maria in Campo Marzio in 1682-1685 and was involved in the design of the ''Cappella Lancellotti'' in St John Lateran. His Palazzo D'Aste-Bonaparte on Piazza Venezia influenced the later des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio De Pieri
Giovanni Antonio De Pieri, known as ''il Zoppo Vicentino'' (1671–1751) was an Italians, Italian painter of the Baroque art, Baroque style, born and active in Vicenza. He was prolific locally in painting sacred subjects. He was dismissed by the art historian Luigi Lanzi, Lanzi as having an ''easy brush but less decisive.'' An inventory of art in Vicenza in 1769, cites the following works by Pieri: by Francesco Vendramini Mosca, page 142. *''God the Father and Saints'', ''Education of the Virgin'', ''Flight to Egypt'', and ''Madonna and Child'' at San Bartolomeo *''Judith decapitates Holofernes'' at Santa Maria in Araceli (Vicenza), Santa Maria in Araceli *''Canon Lateran Priest and Soldier'' at Corpus Domine church of Canons Lateran *''St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
