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Giovanni Andrea Magliuolo
Giovanni Andrea Magliuolo (active 1580–1603) was an Italian people, Italian painter, active in Naples, Italy. Biography He was active in the decoration of Santa Maria Donnaromita, Naples, Santa Maria Donnaromita. He was a contemporary of Teodoro Errico, Cristiano de Noja, and Giovanni Vincenzo Forli. Volume 6, edited by Gaetano Angerio Guglielmo Filangieri (principe di Satriano), page 84-85. References {{DEFAULTSORT:Magliuolo, Giovanni Andrea Year of birth unknown Year of death unknown 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Naples ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian People
, flag = , flag_caption = The national flag of Italy , population = , regions = Italy 55,551,000 , region1 = Brazil , pop1 = 25–33 million , ref1 = , region2 = Argentina , pop2 = 20–25 million , ref2 = , region3 = United States , pop3 = 17-20 million , ref3 = , region4 = France , pop4 = 1-5 million , ref4 = , region5 = Venezuela , pop5 = 1-5 million , ref5 = , region6 = Paraguay , pop6 = 2.5 million , region7 = Colombia , pop7 = 2 million , ref7 = , region8 = Canada , pop8 = 1.5 million , ref8 = , region9 = Australia , pop9 = 1.0 million , ref9 = , region10 = Uruguay , pop10 = 1.0 million , r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Donnaromita, Naples
Santa Maria Donnaromita is a former church located on via Paladino in Naples. A church at the site was first founded by nuns putatively fleeing in 1025 from iconoclasm in Constantinople, and thus initially gave the monastery the title: ''Monasterium Monialum Santa Mariae de Percejo de Constantinopoli ordini Cisterciensium regulae San Bernardi''. In time this became the church of ''Santa Mariae dominarum de Romania de Neapolitanum ordinis Cisterciensis''. Volume 3, 1870, by Carlo Celano, Giovanni Battista Chiarini, page 648. By 14th century a church on the present plan was built, and refurbished in the 16th century by [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teodoro Errico
Dirck Hendricksz ( Amsterdam, 1544 – Amsterdam, 1618) was a Dutch- Italian painter. In Italy he was known as Teodoro d'Errico or Dirk Hendrici. He was engaged in painting mainly altarpieces and for churches in Naples from 1574 to 1606. Although born in Holland, he is referred in texts as a ''Flemish'' painter. Biography His style shows the influence of Pieter Aertsen and Franz Floris. His presence in Rome is documented by 1568, where they likely met Jean Soens and Bartholomeus Spranger, who worked for the Zuccari brothers. By 1573, he had painted the ''Madonna delle Grazie and Saints'' for the church of San Severo all Sanita. He was a witness at the marriage of the Flemish painter Cornelis Smet. Dirck participated in the decoration of the ceiling of San Gregorio Armeno. In the 1580s he painted a ''Last Supper'' for the church of Sant'Eligio ai Vergini. In 1587–1589, he helps decorate the ceiling of the church of Donnaromita Santa Maria Donnaromita is a former church l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Vincenzo Forli
Giovanni Vincenzo Forli (c. 1580 in Forlì del Sannio – c. 1625) was an Italian painter of the Baroque period, active in Naples. In 1607–1608, he painted a ''Good Samaritan'' for the Church of Pio Monte della Misericordia, where Caravaggio had just painted the main altarpiece of ''The Seven Works of Mercy''. Giovanni Vincenzo was clearly influenced by the tenebrism of Caravaggio, but his work has a Mannerist Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, ... air. Subsequently, Forli was to paint a Circumcision for the church of Santa Maria della Sanità. Dizionario Biografico degli Itali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Birth Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Death Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
