Gino Romiti
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Gino Romiti
Gino Romiti (1881–1967) was an Italian painter, active in Livorno. Biography He was born in Livorno, and trained under Guglielmo Micheli, along with Manlio Martinelli, Llewelyn Lloyd, Amedeo Modigliani, and Aristide Sommati. In 1898, he exhibited at the Permanente di Milano nel 1898, and at the Venetian Esposizione d’Arte in 1908 and 1912, returning to the Biennale in 1952. A member of the Gruppo Labronico of painters that met in the Caffè Bardi, he decorated the meeting room with a canvas of the ''Birth of Venus''. Among the painters of the group, he had affinities with Symbolist Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realis ... styles of the times, depicting some underwater marine subjects. The Gruppo Labronico was founded in his studio on July 15, 1920. He was president ...
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Autoritratto Romiti
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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