|
Gilles Reingot
Gilles Reingot (French: ''Gillequin de Bailleul''; fl. 1501–1530) was a Franco-Flemish composer of the Renaissance, associated with the Habsburg court of Philip I of Castile. He was a close associate of composer Pierre de La Rue.Sherr, Grove online Life After first serving as a ''sommelier'' for Charles V, Holy Roman Emperor, then an infant, Reingot became part of the ''grande chapelle'' of Philip I. He first appears in the records of the Habsburg chapel singers in November 1501, in a master list of singers compiled prior to Philip's first trip to Spain. Reingot went on the trip, as part of the musical ensemble which was one of the most distinguished in Europe; they were in Spain for part of 1502, and singing again in France later that year. Reingot went on Philip's second trip to Spain as well, the infamous trip which was to prove fatal to Philip, and fatal to the sanity of his wife, Joanna the Mad. In September 1506, when Philip died of a fever in Spain, many of the singers of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco-Flemish School
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote sacred music, primarily masses, motets, and hymns. Term and controversy Several generations of Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Northern France, Belgium and the Southern Netherlands—are grouped under "Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salve Regina
The "Salve Regina" (, ; meaning 'Hail Queen'), also known as the "Hail Holy Queen", is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church. The Salve Regina is traditionally sung at Compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. The ''Hail Holy Queen'' is also the final prayer of the Rosary. The work was composed during the Middle Ages and originally appeared in Latin, the prevalent language of Western Christianity until modern times. Though traditionally ascribed to the eleventh-century German monk Hermann of Reichenau, it is regarded as anonymous by most musicologists. Traditionally it has been sung in Latin, though many translations exist. These are often used as spoken prayers. Background and history Marian antiphons have been sung, since the thirteenth century, at the close of Compline, the last Office of the day. Peter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belgian Male Classical Composers
Belgian may refer to: * Something of, or related to, Belgium * Belgians, people from Belgium or of Belgian descent * Languages of Belgium, languages spoken in Belgium, such as Dutch, French, and German *Ancient Belgian language, an extinct language formerly spoken in Gallia Belgica *Belgian Dutch or Flemish, a variant of Dutch *Belgian French, a variant of French *Belgian horse (other), various breeds of horse *Belgian waffle, in culinary contexts * SS ''Belgian'', a cargo ship in service with F Leyland & Co Ltd from 1919 to 1934 *''The Belgian'', a 1917 American silent film See also * *Belgica (other) Gallia Belgica was a province of the Roman Empire in present-day Belgium, Luxembourg, and the Netherlands. Belgica may also refer to: Places * Belgica Glacier, Antarctica * Belgica Guyot, an undersea tablemount off Antarctica * Belgica Mountain ... * Belgic (other) {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belgian Classical Composers
Belgian may refer to: * Something of, or related to, Belgium * Belgians, people from Belgium or of Belgian descent * Languages of Belgium, languages spoken in Belgium, such as Dutch, French, and German *Ancient Belgian language, an extinct language formerly spoken in Gallia Belgica *Belgian Dutch or Flemish, a variant of Dutch *Belgian French, a variant of French *Belgian horse (other), various breeds of horse *Belgian waffle, in culinary contexts * SS ''Belgian'', a cargo ship in service with F Leyland & Co Ltd from 1919 to 1934 *''The Belgian'', a 1917 American silent film See also * *Belgica (other) Gallia Belgica was a province of the Roman Empire in present-day Belgium, Luxembourg, and the Netherlands. Belgica may also refer to: Places * Belgica Glacier, Antarctica * Belgica Guyot, an undersea tablemount off Antarctica * Belgica Mountain ... * Belgic (other) {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Deaths
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Births
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superius
In early music polyphony, ''superius'' or cantus is the Latin language-derived name given to the highest voice or part.Arnold D. (ed), ''New Oxford Companion to Music'', Oxford, (1983) See also * Voice type * Quintus (vocal music) The Latin word quintus, also ''quinta'' or ''quinta vox'', refers to the fifth voice in addition to the ''superius'', ''altus'', ''tenor'' and '' bassus'' in a piece of vocal polyphony. In Baroque vocal music, this fifth voice was added to the prin ... References External links * {{Music-theory-stub Vocal music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottaviano Petrucci
Ottaviano Petrucci (born in Fossombrone on 18 June 1466 – died on 7 May 1539 in Venice) was an Italian printer. His ''Harmonice Musices Odhecaton'', a collection of chansons printed in 1501, is commonly misidentified as the first book of sheet music printed from movable type. Actually that distinction belongs to the Roman printer Ulrich Han's ''Missale Romanum'' of 1476. Nevertheless, Petrucci's later work was extraordinary for the complexity of his white mensural notation and the smallness of his font, and he did in fact print the first book of polyphony using movable type. He also published numerous works by the most highly regarded composers of the Renaissance, including Josquin des Prez and Antoine Brumel. Life He was born in Fossombrone (Pesaro), and probably was educated at Urbino. Around 1490 he went to Venice to learn the art of printing, and in 1498 he petitioned the Doge for the exclusive right to print music for the next 20 years. The right was very probably granted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was the most influential European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—the leading European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other leading composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well known ''Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and less than 10 motets—though the exact numbers vary due to attribution uncertainties. His be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fors Seulement
Fors seulement is a French chanson, popular as a basis for variations and as a cantus firmus. An early version, attributed to Johannes Ockeghem, is sometimes called ''Fors seulement l'attente'' to distinguish it from his similarly titled ''Fors seulement contre''. Brumel wrote a polytextual version, combining a tenor setting of '' Du tout plongiet'' with the words and ''superius'' from Ockeghem's ''Fors seulement l'attente'' for baritone. Lyrics Versions and settings Many versions of the chanson were produced including those by Johannes Ockeghem, Josquin des Prez, Pierre de La Rue, Matthaeus Pipelare, Johannes Ghiselin, Jacob Obrecht, Antoine Brumel, Jheronimus Vinders and Alexander Agricola. Mass settings include those by Vinders, Ockeghem, Obrecht, Pipelare, and Carpentras Carpentras (, formerly ; Provençal Occitan: ''Carpentràs'' in classical norm or ''Carpentras'' in Mistralian norm; la, Carpentoracte) is a commune in the Vaucluse department in the Provence-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette'', ''chanson pour boire'', ''pastourelle'', and vaudeville; art song of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
