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Gilles (stock Character)
Gilles ()—sometimes Gille—is a stock character of French farce and ''commedia dell'arte''. He enjoyed his greatest vogue in 18th-century France, in entertainments both at the fairgrounds of the capital and in private and public theaters, though his origins can be traced back to the 17th century and, possibly, the century previous. A Zanni, or comic servant, he is a type of bungling clown, stupid, credulous, and lewd—a character that shares little, problematically, with the sensitive figure in Watteau's famous portrait that, until the latter half of the 20th century, bore his name alone. Gilles fades from view in the 19th century, to persist in the 20th and 21st as the Belgian Gilles of Binche Carnival. 16th–17th centuries Gilles' origins are obscure. There was a Zanni Giglio in the Italian troupe of the academic ''Intronati'' as early as 1531, and some historians link him to Gilles. But no line of succession has been traced. The French expression "''faire gilles''", meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilles Le Niais, C
The Gilles are the oldest and principal participants in the Carnival of Binche in Belgium. They go out on Shrove Tuesday from 4 am until late hours and dance to traditional songs. Other cities, such as La Louvière and Nivelles, have a tradition of Gilles at carnival, but the Carnival of Binche is by far the most famous. In 2003, the Carnival of Binche was proclaimed one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations (UN) aimed at promoting world peace and security through international cooperation in education, arts, sciences and culture. It ....Logan p.223 Costume Around 1000 Gilles, all male, some as young as three years old, wear the traditional costume of the Gille on Shrove Tuesday. The outfit features a linen suit with red, yellow, and black heraldic designs (the colours of the Belgian flag), trimmed with large white ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Parfaict
François Parfaict, (10 May 1698 in Paris – 25 October 1753) was an 18th-century French theatre historian. His brother was Claude Parfaict (1701–1777), also a theatre historian. Their most notable works were collaborations, including ''Histoire du théâtre françois depuis son origine jusqu’à présent'' (15 volumes, 1734-1749) and ''Dictionnaire des théâtres de Paris'' (7 volumes, 1756).''Dictionnaire des théâtres de Paris''1756an1767editions at Hathitrust. Works * ''Le Dénouement imprévu'', comedy, with Marivaux, 1724, in-12 * ''La Fausse suivante ou le Fourbe puni'', comedy, 1724, in-12 * ''Le Quart-d’heure amusant'', January–May 1727, in-12 * ''Étrennes calotines, par le sieur Perd-la-raison'', 1729 * ''Notes'' de l’édition des ''Bains des Thermopyles par Mlle Scudéry'', 1730, in-12 * ''Aurore et Phœbus'', 1734, in-12 * ''Agenda historique et chronologique des théâtres de Paris pour l’année 1735'', in-24 * ''Histoire générale du Théâtre françai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puck (A Midsummer Night's Dream)
Puck, or Robin Goodfellow, is a character in William Shakespeare's play, ''A Midsummer Night's Dream''. Based on the Puck of English mythology and the púca of Celtic mythology, Puck is a mischievous fairy, sprite, or jester. He is the first of the main fairy characters to appear, and he significantly influences events in the play. He delights in pranks such as replacing Bottom's head with that of an ass. Appearances in the play The audience is introduced to Puck in 2.1: FAIRY: Either I mistake your shape and making quite, Or else you are that shrewd and knavish sprite Call'd Robin Goodfellow: are you not he That frights the maidens of the villagery; Skim milk, and sometimes labour in the quern, And bootless make the breathless housewife churn; And sometime make the drink to bear no barm; Mislead night wanderers, laughing at their harm? Those that Hobgoblin call you and sweet Puck, You do their work, and they shall have good luck: Are you not he? PUCK: Fairy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariel (The Tempest)
Ariel is a spirit who appears in William Shakespeare's play '' The Tempest''. Ariel is bound to serve the magician Prospero, who rescued him from the tree in which he was imprisoned by Sycorax, the witch who previously inhabited the island. Prospero greets disobedience with a reminder that he saved Ariel from Sycorax's spell, and with promises to grant Ariel his freedom. Ariel is Prospero's eyes and ears throughout the play, using his magical abilities to cause the tempest in Act One which gives the play its name, and to foil other characters' plots to bring down their master. Ariel means "Lion of God" in the Hebrew language. Ariel may also be a simple play on the word "aerial". Scholars have compared Ariel to spirits depicted in other Elizabethan plays, and have managed to find several similarities between them, but one thing which makes Ariel unique is the human edge and personality given to Ariel by Shakespeare. The name is also phonetically similar to the word "areal", m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedrolino
Pedrolino is a ''primo zanni'', or comic servant, of the ''Commedia dell'Arte''; the name is a hypocorism of ''Pedro'' (Peter), via the suffix ''-lino''. The character made its first appearance in the last quarter of the 16th century, apparently as the invention of the actor with whom the role was to be long identified, Giovanni Pellesini. Contemporary illustrations suggest that his white blouse and trousers constituted "a variant of the typical ''zanni'' suit", and his Bergamasque dialect marked him as a member of the "low" rustic class. But if his costume and social station were without distinction, his dramatic role was certainly not: as a multifaceted "first" ''zanni'', his character was—and still is—rich in comic incongruities. Many Commedia historians make a connection between the Italian Pedrolino and the later Pierrot of the French Comédie-Italienne, and, although a link between the two is possible, it remains unproven and seems unlikely, based on the scant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlequin
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque dialect, Bergamasque pronunciation ) is the best-known of the ''zanni'' or comic servant characters from the Italian language, Italian ''commedia dell'arte'', associated with the city of Bergamo. The role is traditionally believed to have been introduced by Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterized by his checkered costume. His role is that of a light-hearted, nimble, and Tricky slave, astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Salons And Private Theaters
IN, In or in may refer to: Places * India (country code IN) * Indiana, United States (postal code IN) * Ingolstadt, Germany (license plate code IN) * In, Russia, a town in the Jewish Autonomous Oblast Businesses and organizations * Independent Network, a UK-based political association * Indiana Northeastern Railroad (Association of American Railroads reporting mark) * Indian Navy, a part of the India military * Infantry, the branch of a military force that fights on foot * IN Groupe , the producer of French official documents * MAT Macedonian Airlines (IATA designator IN) * Nam Air (IATA designator IN) Science and technology * .in, the internet top-level domain of India * Inch (in), a unit of length * Indium, symbol In, a chemical element * Intelligent Network, a telecommunication network standard * Intra-nasal ( insufflation), a method of administrating some medications and vaccines * Integrase, a retroviral enzyme Other uses * ''In'' (album), by the Outsiders, 1967 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', Oxford University Press, accessed 16 February 2011 The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian burlesque, Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Geoffrey Chaucer, Chaucer and William Shakespeare, Shakespeare and to the Graeco-Roman classics.Baldick, Chris [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mock-heroic
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd. History Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain. The earliest example of the form is the ''Batrachomyomachia'' ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great. A longstanding assumption on the origin of the mock-heroic in the 17th century is that epic and the pastoral genres had become used up and exhausted,Griffin,Dustin H. (1994) ''Satire: A Critical Reintroduction'p.135/ref> and so they got parodically reprised. In the 17th century the epic genre was heavily criticized, bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pleonasm
Pleonasm (; , ) is redundancy in linguistic expression, such as "black darkness" or "burning fire". It is a manifestation of tautology by traditional rhetorical criteria and might be considered a fault of style. Pleonasm may also be used for emphasis, or because the phrase has become established in a certain form. Tautology and pleonasm are not consistently differentiated in literature. Usage Most often, ''pleonasm'' is understood to mean a word or phrase which is useless, clichéd, or repetitive, but a pleonasm can also be simply an unremarkable use of idiom. It can aid in achieving a specific linguistic effect, be it social, poetic or literary. Pleonasm sometimes serves the same function as rhetorical repetition—it can be used to reinforce an idea, contention or question, rendering writing clearer and easier to understand. Pleonasm can serve as a redundancy check; if a word is unknown, misunderstood, misheard, or if the medium of communication is poor—a wireless telephone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malapropism
A malapropism (also called a malaprop, acyrologia, or Dogberryism) is the mistaken use of an incorrect word in place of a word with a similar sound, resulting in a nonsensical, sometimes humorous utterance. An example is the statement attributed to baseball player Yogi Berra, regarding switchhitters, "He hits from both sides of the plate. He's amphibious." Malapropisms often occur as errors in natural speech and are sometimes the subject of media attention, especially when made by politicians or other prominent individuals. Philosopher Donald Davidson has said that malapropisms show the complex process through which the brain translates thoughts into language. Humorous malapropisms are the type that attract the most attention and commentary, but bland malapropisms are common in speech and writing. Etymology The word "malapropism" (and its earlier form, "malaprop") comes from a character named "Mrs. Malaprop" in Richard Brinsley Sheridan's 1775 play ''The Rivals''. Mrs. Malapro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
