Gibson Falcon
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Gibson Falcon
The Falcon (GA-19RVT) was a guitar amplifier made by Gibson Guitar Corporation in 1961. With the Falcon and a few other models, Gibson was ahead of Fender in bringing an amplifier with reverb on the market. In addition, the Falcon also had tremolo. The Falcon got 14 watts out of two 6V6 tubes (the same tubes used in the comparable Fender Deluxe), and had a Jensen 12" speaker. The pre-amp was powered by three 6EU7 tubes, and a 7199 The 7199 is a vacuum tube, combining a pentode and triode. Typically, the pentode was used for the input stage, and the triode as a phase inverter. The tube was used in a number of American guitar amplifiers; the Gibson Guitar Corporation, for insta ... for the reverb circuit. It also has a 5V3GT rectifier tube in the V7 socket. Unlike Fender's later reverb amps (such as the Princeton Reverb), the Falcon had a fairly unusual placement of the reverb circuit: rather than being placed after the pre-amp section and having the wet signal mixed with the dry, ...
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Vacuum Tube Amplifier
A valve amplifier or tube amplifier is a type of electronic amplifier that uses vacuum tubes to increase the amplitude or power of a signal. Low to medium power valve amplifiers for frequencies below the microwaves were largely replaced by solid state amplifiers in the 1960s and 1970s. Valve amplifiers can be used for applications such as guitar amplifiers, satellite transponders such as DirecTV and GPS, high quality stereo amplifiers, military applications (such as radar) and very high power radio and UHF television transmitters. History Origins Until the invention of the transistor in 1947, most practical high-frequency electronic amplifiers were made using thermionic valves. The simplest valve (named diode because it had two electrodes) was invented by John Ambrose Fleming while working for the Marconi Company in London in 1904. The diode conducted electricity in one direction only and was used as a radio detector and a rectifier. In 1906 Lee De Forest added a third e ...
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Gibson Guitar Corporation
Gibson Brands, Inc. (formerly Gibson Guitar Corporation) is an American manufacturer of guitars, other musical instruments, and professional audio equipment from Kalamazoo, Michigan, and now based in Nashville, Tennessee. The company was formerly known as Gibson Guitar Corporation and renamed Gibson Brands, Inc. on June 11, 2013. Orville Gibson started making instruments in 1894 and founded the company in 1902 as the Gibson Mandolin-Guitar Mfg. Co. Ltd. in Kalamazoo, Michigan, to make mandolin-family instruments. Gibson invented archtop guitars by constructing the same type of carved, arched tops used on violins. By the 1930s, the company was also making flattop acoustic guitars, as well as one of the first commercially available hollow-body electric guitars, used and popularized by Charlie Christian. In 1944, Gibson was bought by Chicago Musical Instruments (CMI), which was acquired in 1969 by Panama-based conglomerate Ecuadorian Company Limited (ECL), that changed its name ...
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Fender Musical Instruments Corporation
The Fender Musical Instruments Corporation (FMIC, or simply Fender) is an American manufacturer of instruments and amplifiers. Fender produces acoustic guitars, bass amplifiers and public address equipment, however it is best known for its solid-body electric guitars and bass guitars, particularly the Stratocaster, Telecaster, Jaguar, Jazzmaster, Precision Bass, and the Jazz Bass. The company was founded in Fullerton, California by Clarence Leonidas "Leo" Fender in 1946. Its headquarters are in Los Angeles, California. The FMIC is a privately held corporation, with Andy Mooney serving as the Chief Executive Officer (CEO). The company filed for an initial public offering in March 2012, but this was withdrawn five months later. In addition to its Los Angeles headquarters, Fender has manufacturing facilities in Corona, California (US) and Ensenada, Baja California (Mexico). As of July 10, 2012, the majority shareholders of Fender were the private equity firm of Weston P ...
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Reverberation
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100  ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of t ...
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Tremolo
In music, ''tremolo'' (), or ''tremolando'' (), is a trembling effect. There are two types of tremolo. The first is a rapid reiteration: * Of a single Musical note, note, particularly used on String instrument#Bowing, bowed string instruments, by rapidly moving the bow back and forth; plucked strings such as on a harp, where it is called ''wikt:bisbigliando, bisbigliando'' () or "whispering". Tremolo picking, on traditionally plucked string instruments including guitar and mandolin, is the rapid articulation of single notes or a group of notes with a plectrum (pick) or with fingers. Tremolo playing sustains notes that would otherwise rapidly decay (fade to silence). * Between two notes or chords in alternation, an imitation (not to be confused with a trill (music), trill) of the preceding that is more common on keyboard instruments. Mallet instruments such as the marimba are capable of either method. * A drum roll, roll on any percussion instrument, whether tuned or untuned. ...
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Fender Deluxe
The Fender Deluxe guitar amplifier is a range of non-reverb guitar amplifiers produced by Fender. The amplifiers were originally produced from early 1948 to 1966 and reissues are in current production. Its predecessor was the Fender Model 26 "Woodie" produced from 1946 to 1948. Tweed Deluxe The Fender Deluxe amp of the 1950s was a medium-powered unit designed to let guitarists "hold their own" in a small group. As blues, western swing, Western, and rockabilly bands began getting louder, the overdriven tone of a cranked-up Deluxe found its way onto many live and recorded performances. The earliest version of the Deluxe was the 5A3, and is often referred to as having a TV Front appearance because the wide panels around the grill were like the television sets of the 1950s. This was true also of the smaller Fender Princeton student and studio amp introduced in 1946 and upgraded in 1948. Subsequent versions of the Deluxe were the "wide panel" cabinet design 5B3, 5C3, and 5D3, f ...
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7199
The 7199 is a vacuum tube, combining a pentode and triode. Typically, the pentode was used for the input stage, and the triode as a phase inverter. The tube was used in a number of American guitar amplifiers; the Gibson Guitar Corporation, for instance, used the 7199 in 1961's Falcon for the reverb circuit. Ampeg Ampeg is a manufacturer best known for its bass amplifiers. Originally established in 1946 in Linden, New Jersey by Everett Hull and Stanley Michaels as "Michael-Hull Electronic Labs," today Ampeg is part of the Yamaha Guitar Group. Although ... also used the 7199 extensively. Notable is the Dynaco ST-70 stereo amplifier introduced in 1959 which used a 7199 tube in the driver section of each channel. Over the next decade more than 350,000 of these amplifiers were produced. American 7199 production ended sometime in the 1980s while the Soviet tube company Sovtek produced one until roughly 2007. As a result the tube is becoming increasingly scarce. Another tube of the s ...
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Princeton Reverb
Fender Princeton Reverb The Fender Princeton Reverb is a guitar amplifier combo, essentially a Princeton with built-in reverb and vibrato. The 12 Watt Blackface version was introduced in 1964 and available until 1967; in 1968 it was changed to the Silverface version with a drip edge around the grill cloth. Amps produced after the end of 1969 saw a change in circuitry, the removal of the drip edge and a change in the rectifier from a 5AR4 to a 5U4GB along with a change in bias resistor value; a "boost" pull switch to the volume control pot was added in 1977. In 1980 and 1981 the Silverface version was cosmetically changed back to the Blackface. It was discontinued in 1981. Fender Princeton Reverb II This Paul Rivera-specified Fender guitar amplifier was introduced in 1982 to replace the Princeton Reverb. It was a completely different and significantly more powerful amplifier. Designed by Ed Jahns, it featured a built-in reverb, treble boost and mid boost controls, and a switchabl ...
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Vintage Guitar (magazine)
''Vintage Guitar'' is an American magazine that focuses on vintage and classic guitars, amplifiers, effects, and related equipment, as well as notable guitarists from all genres and eras. The publication's feature stories and monthly columns cover a diverse range of topics by contributors, including some of the biggest names in the industry and renowned authorities like Dan Erlewine, George Gruhn, Wolf Marshall, Richard Smith, and Seymour W. Duncan, as well as some of the best-known writers in the field, including Pete Prown, Walter Carter, Dan Forte, Dave Hunter, Rich Kienzle, Michael Dregni, John Peden, Greg Prato, and others. The magazine's classified-ad section provides readers with access to classic, used and new guitars, amps, accessories, books, videos, and more. Other editorial content focuses on reviews of music as well as informed, objective reviews of new gear. ''Vintage Guitar'' also includes monthly repair columns written by noted repair expert/luthier Dan Erlewine. ...
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