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Gianni Raimondi
Gianni Raimondi (17 April 1923 – 19 October 2008) was an Italian lyric tenor, particularly associated with the Italian repertory. Born in Bologna, Raimondi studied at the Conservatorio Giovanni Battista Martini in his native city with Antonio Melandri, and Gennaro Barra-Caracciolo and in Mantua with Ettore Campogalliani. He made his stage debut in 1947 in ''Rigoletto'' at the Teatro Consorziale in Budrio, a small town near Bologna. The following year he made his debut at the Teatro Comunale di Bologna, as Ernesto in Donizetti's ''Don Pasquale''. After singing throughout Italy (notably in Florence, in a rare 1952 revival of Rossini's ''Armida'', opposite Maria Callas), he made guest appearances in Nice, Marseille, Monte-Carlo, Paris, and London. His La Scala début occurred in 1956, as Alfredo in ''La Traviata'', again opposite Callas, in the famed Luchino Visconti production. He took part in another famous Visconti-Callas production, as Percy in Donizetti's ''Anna Bolena'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
GIANNI RAIMONDI
Gianni Raimondi (17 April 1923 – 19 October 2008) was an Italian lyric tenor, particularly associated with the Italian repertory. Born in Bologna, Raimondi studied at the Conservatorio Giovanni Battista Martini in his native city with Antonio Melandri, and Gennaro Barra-Caracciolo and in Mantua with Ettore Campogalliani. He made his stage debut in 1947 in ''Rigoletto'' at the Teatro Consorziale in Budrio, a small town near Bologna. The following year he made his debut at the Teatro Comunale di Bologna, as Ernesto in Donizetti's ''Don Pasquale''. After singing throughout Italy (notably in Florence, in a rare 1952 revival of Rossini's ''Armida'', opposite Maria Callas), he made guest appearances in Nice, Marseille, Monte-Carlo, Paris, and London. His La Scala début occurred in 1956, as Alfredo in ''La Traviata'', again opposite Callas, in the famed Luchino Visconti production. He took part in another famous Visconti-Callas production, as Percy in Donizetti's ''Anna Bolena'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. He was the recipient of many accolades, including the Palme d'Or and the Golden Lion, and many of his works are regarded as highly-influential to future generations of filmmakers. Born to a Milanese noble family, Visconti explored artistic proclivities from an early age, working as an assistant director to Jean Renoir. His 1943 directorial debut, ''Ossessione,'' was condemned by the Fascist regime for its unvarnished depictions of working-class characters resorting to criminality, but is today renowned as a pioneering work of Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Zeffirelli
Gian Franco Corsi Zeffirelli (12 February 1923 – 15 June 2019), was an Italian stage and film director, producer, production designer and politician. He was one of the most significant opera and theatre directors of the post-World War II era, gaining both acclaim and notoriety for his lavish stagings of classical works, as well as his film adaptations of the same. A member of the Forza Italia party, he served as the Senator for Catania between 1994 until 2001. Films he directed included the Shakespearean adaptations ''The Taming of the Shrew'' (1967), starring Elizabeth Taylor and Richard Burton; '' Romeo and Juliet'' (1968), for which he received a nomination for the Academy Award for Best Director; and ''Hamlet'' (1990), starring Mel Gibson and Glenn Close. His Biblical television miniseries '' Jesus of Nazareth'' (1977) won both national and international acclaim and is still frequently shown at Christmas and Easter in many countries. A Grande Ufficiale OMRI of the It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirella Freni
Mirella Freni, OMRI (, born Mirella Fregni, 27 February 1935 – 9 February 2020) was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses. She received international attention at the Glyndebourne Festival, where she appeared as Zerlina in Mozart's ''Don Giovanni'' and as Adina in Donizetti's ''L'elisir d'amore''. Freni is associated with the role of Mimi in Puccini's ''La bohème'', which featured in her repertoire from 1957 to 1999 and which she sang at La Scala in Milan and the Vienna State Opera in 1963, conducted by Herbert von Karajan. She also performed the role in a film of the production and as her debut at the Metropolitan Opera in New York City in 1965. In the earliest opera DVDs, she portrayed her characters convincingly in both acting and singing. Freni was married for many years to the Bulgarian bass Nicolai Ghiaurov, with whom she performed and recorded. Her obituary from ''The New York Times'' describes he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stockho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Favorita
''La favorite'' (''The Favourite'', sometimes referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le comte de Comminges'' by Baculard d'Arnaud with additions by Eugène Scribe based on the story of Leonora de Guzman. The opera concerns the romantic struggles of the King of Castile, Alfonso XI, and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on 2 December 1840 at the Académie Royale de Musique (Salle Le Peletier) in Paris. Background Originally, Donizetti had been composing an opera by the name of ''Le Duc d'Albe'' as his second work for the Opéra in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned ''Le Duc d' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on ''Têtes Rondes et Cavaliers'' (''Roundheads and Cavaliers''), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel ''Old Mortality,'' while others state that there is no connection. When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. Howe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian '' bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guglielmo Tell
''William Tell'' (french: Guillaume Tell, link=no; it, Guglielmo Tell, link=no) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play ''Wilhelm Tell,'' which, in turn, drew on the William Tell legend. The opera was Rossini's last, although he lived for nearly 40 more years. Fabio Luisi said that Rossini planned for ''Guillaume Tell'' to be his last opera even as he composed it. The often-performed overture in four sections features a depiction of a storm and a vivacious finale, the "March of the Swiss Soldiers". Paris Opéra archivist Charles Malherbe discovered the original orchestral score of the opera at a secondhand book seller's shop, resulting in its being acquired by the Paris Conservatoire. Performance history ''Guillaume Tell'' was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829, but within three performances cuts we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Sutherland
Dame Joan Alston Sutherland, (7 November 1926 – 10 October 2010) was an Australian dramatic coloratura soprano known for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s. She possessed a voice combining agility, accurate intonation, pinpoint staccatos,"Icons of Opera – Dame Joan Sutherland" ''Opera Britannia'' (6 July 2009). Retrieved 27 September 2010. a trill (music), trill and a strong upper register, although music critics complained about her poor diction. Sutherland was the first Australian to win a Grammy Award, for the year 1961 Grammy Award for Best Classical Vocal Solo, Best Classical Performance – Vocal Soloist (with or without orchestra) presented in 4th Annual Grammy Awards, 1962. Early and ...
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