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Gianna Galli
Gianna Galli (29 April 1935 – 22 December 2010) was an Italian operatic soprano who had an active international career from the 1950s through the 1970s. She specialized in the lyric soprano repertoire and was particularly known for her portrayals of Puccini heroines. Singing career Born in Modena, Galli began studying singing in her youth. In 1952, at the age of 17, she won the international singing competition in Spoleto. Later that year, she made her professional opera debut at the Teatro Comunale Modena. Her career progressed rapidly, and she was soon heard in major opera houses internationally. She became particularly associated with the operas of Giacomo Puccini, with her signature roles being Mimì in ''La Bohème'', Minnie in ''La fanciulla del West'', and the title roles in ''Manon Lescaut'' and ''Tosca''. She made her United States debut in 1958 at the New York City Opera as Mimì. In 1961 Galli created the role of Catherine in the world premiere of Renzo Rossellini's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianna Galli
Gianna Galli (29 April 1935 – 22 December 2010) was an Italian operatic soprano who had an active international career from the 1950s through the 1970s. She specialized in the lyric soprano repertoire and was particularly known for her portrayals of Puccini heroines. Singing career Born in Modena, Galli began studying singing in her youth. In 1952, at the age of 17, she won the international singing competition in Spoleto. Later that year, she made her professional opera debut at the Teatro Comunale Modena. Her career progressed rapidly, and she was soon heard in major opera houses internationally. She became particularly associated with the operas of Giacomo Puccini, with her signature roles being Mimì in ''La Bohème'', Minnie in ''La fanciulla del West'', and the title roles in ''Manon Lescaut'' and ''Tosca''. She made her United States debut in 1958 at the New York City Opera as Mimì. In 1961 Galli created the role of Catherine in the world premiere of Renzo Rossellini's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A View From The Bridge
''A View from the Bridge'' is a play by American playwright Arthur Miller. It was first staged on September 29, 1955, as a one-act verse drama with ''A Memory of Two Mondays'' at the Coronet Theatre on Broadway. The run was unsuccessful, and Miller subsequently revised and extended the play to contain two acts; this version is the one with which audiences are most familiar. The two-act version premiered in the New Watergate theatre club in London's West End under the direction of Peter Brook on October 11, 1956. The play is set in 1950s America, in an Italian-American neighborhood near the Brooklyn Bridge in New York. It employs a chorus and narrator in the character of Alfieri. Eddie, the tragic protagonist, has an improper love of, and almost obsession with Catherine, his wife Beatrice's orphaned niece, so he does not approve of her courtship of Beatrice's cousin Rodolpho. Miller's interest in writing about the world of the New York docks originated with an unproduced s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vito Molinari
Vito is an Italian name that is derived from the Latin word "''vita''", meaning "life". It is a modern form of the Latin name Vitus, meaning "life-giver," as in San Vito or Saint Vitus, the patron saint of dogs and a heroic figure in southern Italian folklore. There is also a Slavic name " Vitomir" that is shortened to "Vito", but has a different etymology. The name "Vito" is sometimes confused with the German name "Wido," which is derived from Ancient Germanic. People People with this name include: * San Vito dei Normanni, Saint Vito Protector of the Normans at sea, since medieval times * Vito F. Cinfio, Italian-American Structural Engineer * Vito R. Bertoldo, American Medal of Honor recipient * Vito Dimitrijević, a Yugoslavian former professional footballer * Vito Dumas, Argentine sailor and travel-writer, who sailed solo around the world * Vito Fossella, American politician from New York * Vito Genovese, Italian-American mob boss * Vito LoGrasso, American professional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Paese Dei Campanelli
''The Country of the Campanelli'' ( it, Il paese dei campanelli, french: Ces voyous d'hommes, also known as ''Town of Bells'') is a 1954 Italian-French comedy film directed by Jean Boyer and starring Sophia Loren. It is loosely based on the operetta "Il paese dei campanelli" by Carlo Lombardo. The film's sets were designed by the art director Piero Filippone. Plot A fraudulent travelling magician convinces the inhabitants of a town that they can make the bells ring whenever someone is unfaithful to another. Cast * Sophia Loren as Bonbon * Carlo Dapporto as Lt. La Gaffe * Mario Riva as Tarquinio the Magician * Alda Mangini as Tenerina * Luisella Beghi as Candida * Sergio Tofano as Dr. Pott * Achille Togliani as René * Giuseppe Addobbati as Tom * Rosita Pisano as Annie * Alberto Talegalli as Bruto * Charles Fawcett as Admiral * Diana Dei as Admiral's wife * Alberto Sorrentino as The Stupid Sailor * Riccardo Billi Riccardo Billi (22 April 1906 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgilio Ranzato
Virgilio Ranzato (May 7, 1882 in Venice – April 20, 1937 in Como) was an Italian composer and violinist.Guido Ceriotti -Storia sociale e culturale d'Italia: Lo spettacolo 1987 - Page 276 "Molto numerosa è la produzione del più giovane Virgilio Ranzato (1883-1937), che, insieme al Paese dei campanelli, scrisse, ancora su testo di Lombardo, Cin-Ci-Là (1928), operetta di ambientazione esotica e soffusa d'ingenuo erotismo, ..." Biography Ranzato began his career firstly as violin player on the Conservatory in Venezia and Milan. Later he studied musical composition as well. Than he worked mostly as chamber music player or conductor. From around 1910 he worked mostly as a composer, and besides others he wrote an opera ''Campane di guerra'' (1933, Milan), and several operettas. Ranzato served as concertmaster for the LaScala Orchestra under Arturo Toscanini. He made several recordings on the Pathe label. Works * :it:Il paese dei campanelli (Milan, 1923) libretto Carlo Lombardo * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Lombardo
Carlo Lombardo dei Baroni Lombardo di San Chirico (Naples, 28 November 1869 – Milan, 19 December 1959) known also under the composer-pseudonyms Léon Bard, Leo Bard, Leblanc and M. Fernandez, was an Italian operetta impresario, comedian, librettist, publisher and "composer" of pasticcio productions of other composers' music. He is regarded in Italy as the father of the late 19th and early 20th Century revival in Italian operetta. Lombardo was responsible, in a somewhat debatable manner, for getting Pietro Mascagni to write the operetta '' Sì''. His brother was the conductor and composer Costantino Lombardo. His publishing house, Lombardo Editore, continues to publish sheet music for operettas. Operettas and pasticcios *''La Regina del Fonografo (The Queen of the Phonograph)'', music Carlo Lombardo (Leon Bard), libretto Carlo Lombardo e Gil Blas, ca. 1915 *''La duchessa del Bal Tabarin'', 1917 *''Madama di Tebe'', libretto and music by Lombardo, Milan, 7 March 1918 *'' Sì'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Manzoni
Giacomo Manzoni (born Milan 26 September 1932) is an Italian composer. He studied composition from 1948 in Messina with Gino Contilli, and continued his studies from 1950 to 1956 at the Milan Conservatory. In 1955 he obtained a doctorate in foreign languages from the Bocconi University in Milan. He taught on the faculty of the Conservatorio Giovanni Battista Martini in Bologna Bologna (, , ; egl, label=Emilian language, Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 1 .... He wrote the music for the film '' Malina'' (1991). References {{DEFAULTSORT:Manzoni, Giacomo 1932 births Italian composers Italian male composers Living people Bocconi University alumni Conservatorio Giovanni Battista Martini faculty Milan Conservatory alumni Musicians from Milan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Massimo
The Teatro Massimo Vittorio Emanuele is an opera house and opera company located on the Piazza Verdi in Palermo, Sicily. It was dedicated to King Victor Emanuel II. It is the biggest in Italy, and one of the largest of Europe (at the time of its inauguration, it was - with its area of 7730 m² - the third largest opera house in Europe after the Palais Garnier in Paris, and the K. K. Hof-Opernhaus in Vienna), renowned for its perfect acoustics. Construction and opening An international competition for the creation of the opera house was announced by the Palermo Council in 1864 at the instigation of the mayor, Antonio Starrabba di Rudinì. For many years there had been talk of building a large new theatre in Palermo, worthy of the second biggest city in southern Italy (after Naples) and designed to promote the image of the city following the unification of Italy in 1861. The opera house was designed, and overseen by the Italian architect Giovan Battista Filippo Basile, who was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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