Giacomo Da Vignola
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Giacomo Da Vignola
Giacomo Barozzi da Vignola ( , , ; 1 October 15077 July 1573), often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era. Biography Giacomo Barozzi was born at Vignola, near Modena (Emilia-Romagna). He began his career as architect in Bologna, supporting himself by painting and making perspective templates for inlay craftsmen. He made a first trip to Rome in 1536 to make measured drawings of Roman temples, with a thought to publish an illustrated Vitruvius. Then François I called him to Fontainebleau, where he spent the years 1541–1543. Here he probably met his fellow Bolognese, the architect Sebastiano Serlio and the ...
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Vignola
Vignola ( Modenese: ; Bolognese: ) is a city and ''comune'' in the province of Modena (Emilia-Romagna), Italy. Its economy is based on agriculture, especially fruit farming, but there are also mechanical industries and service companies. The city is mostly known as the birthplace of the Renaissance architect Jacopo Barozzi da Vignola. History Vignola, whose name derives from the Latin ''vineola'' ("small vine") is located near an ancient Etruscan road connecting Bologna to Parma. However it is mentioned in the Middle Ages as having been founded in 826 as, according to the legend, a castle to protect the lands of the nearby Abbey of Nonantola. Vignola was a possession of those bishops until 1247; during the wars between Guelphs and Ghibellines its territory was contented between the communes of Modena and Bologna, until the Grassoni family installed their seigniory in Vignola. This lasted until 1399, when it was acquired by the House of Este; two years later it was conceded as ...
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Inlay
Inlay covers a range of techniques in sculpture and the decorative arts for inserting pieces of contrasting, often colored materials into depressions in a base object to form Ornament (art), ornament or pictures that normally are flush with the matrix. A great range of materials have been used both for the base or matrix and for the inlays inserted into it. Inlay is commonly used in the production of decorative furniture, where pieces of colored wood, precious metals or even diamonds are inserted into the surface of the carcass using various matrices including clear coats and varnishes. Lutherie inlays are frequently used as decoration and marking on musical instruments, particularly the smaller strings. Perhaps the most famous example of furniture inlay is that of Andre-Charles Boulle (11 November 1642 – 28 February 1732) which is known as Boulle Work and evolved in part from inlay produced in Italy during the late 15th century at the '' Studiolo'' for Federico da Monte ...
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Ottavio Farnese, Duke Of Parma
Ottavio Farnese (9 October 1524 – 18 September 1586) reigned as Duke of Parma and Piacenza from 1547 until his death and Duke of Castro from 1545 to 1547 and from 1553 until his death. Biography Born in Valentano, Ottavio was the second son of Pier Luigi Farnese, Duke of Parma and Piacenza and Gerolama Orsini. His father was the grandson of Pope Paul III, and brother to Cardinal Ranuccio Farnese. On 4 November 1538 Ottavio married Margaret of Austria, the illegitimate daughter of Charles V, Holy Roman Emperor. Ottavio was 14 years old, while Margaret, recently widowed by the death of Alessandro de' Medici, was 15. At first she disliked her youthful bridegroom, but when he returned wounded from an expedition to Algiers in 1541 her aversion was turned to affection. Ottavio had become lord of Camerino in 1540, but he gave up that fief when his father became duke of Parma in 1545. After the Parmesan nobility assassinated Pierluigi Farnese in 1547, troops of the Emperor o ...
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