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Ghulam Farid Sabri
Ghulam Farid Sabri (1930 – 5 April 1994) was a qawwali singer and member of the Sabri Brothers, a qawwali group in Pakistan in the 1970s, 1980s and 1990s. The Sabri Brothers received the Pride of Performance award by the President of Pakistan in 1978. (Ghulam Farid Sabri, Pride of Performance award info on Google Books website) Sabri was also a Sufi mystic connected to the Chishti Order. Early life Ghulam Farid Sabri was born in Kalyana, a village in the district of Rohtak in Punjab, British India in 1930. His family's musical lineage stretches back several centuries, to the age of the Mughal emperors. His family claims direct descent from Mian Tansen, the musician of the court of Akbar the Great, the Mughal emperor. Mehboob Baksh Ranji Ali Rang, his paternal grandfather, was a musician; Baqar Hussein Khan, his maternal grandfather, was a sitarist. His family belongs to the ''Sabriyya'' order of Sufism, hence the surname Sabri was adopted by them. Ghulam Farid Sabri was rai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabri Brothers
The Sabri Brothers ( Punjabi, ) were a musical band from Pakistan who were performers of Sufi qawwali music and were closely connected to the Chishti Order. They are considered as one of the greatest Sufi qawwali singers of all times. The Sabri Brothers were led by Ghulam Farid Sabri and his brother Maqbool Ahmed Sabri. They are often referred to as ''Shahenshah-e-Qawwali'' (the King of Kings of qawwali) and are also known as ''the roving ambassadors of Pakistan''. The band was initially founded by Maqbool Ahmed Sabri at the age of 11 years and was known as Bacha Qawwal Party. His elder brother Ghulam Farid Sabri joined after insistence from their father. He became the leader of the group and the band soon became known as the Sabri Brothers. They were the first-ever qawwali artists to perform qawwali in United States and other Western countries; they were also the first-ever Asian artists to perform at New York's Carnegie Hall in 1975. Original members * Ghulam Farid Sabri (b. 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pride Of Performance
The Pride of Performance ( ur, ), officially known as Presidential Pride of Performance, is an award bestowed by the Islamic Republic of Pakistan to recognize people with "notable achievements in the field of art, science, literature, sports, and nursing". The Pride of Performance is the highest national literary award of Pakistan conferred upon its citizens and, while it recognizes literary contribution, it can also be conferred upon foreign nationals. It is usually awarded by the president once a year at the Pakistan resolution day, but announcements are made at independence day ceremony held on 14 August. The award recommendations are made by the country's administrative units or respective ministry to the state governments where officials send it to the Cabinet Secretariat and then president or federal government for final approval. The president's Pride of Performance award which was possibly first awarded in 1958, can also be conferred posthumously under a constitutio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mian Tansen
Tansen ( – 26 April 1589), also referred to and commonly known as Sangeet Samrat () , was a Hindustani classical musician. Born in a Hindu Gaur Brahmin family, he learnt and perfected his art in the northwest region of modern Madhya Pradesh. He began his career and spent most of his adult life in the court and patronage of the Hindu king of Rewa, Raja Ramchandra Singh (r.1555–1592), where Tansen's musical abilities and studies gained widespread fame. This reputation brought him to the attention of the Mughal Emperor Akbar, who sent messengers to Raja Ramchandra Singh, requesting Tansen to join the musicians at the Mughal court. Tansen did not want to go, but Raja Ramchandra Singh encouraged him to gain a wider audience, and sent him along with gifts to Akbar. In 1562, about the age of 60, the Vaishnava musician Tansen joined the Akbar's court, and his performances became a subject of many court historians. Numerous legends have been written about Tansen, mixing facts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhikr
''Dhikr'' ( ar, ذِكْر}, , also spelled ''Zikr'', ''Thikr'', ''Zekr'', or ''Zikar'', literally meaning "remembrance, reminder" or "mention") is a form of Islamic meditation in which phrases or prayers are repeatedly chanted in order to remember God. It plays a central role in Sufi Islam, and each Sufi order has usually adopted a specific dhikr, typically accompanied by specific posture, breathing, and movement. In Sufi Islam, dhikr refers to both the act of this remembrance as well as the prayers used in these acts of remembrance. Dhikr can be performed in solitude or as a collective group. It can be counted on a set of prayer beads (''Misbaha'' ) or through the fingers of the hand. A person who recites the Dhikr is called a ''Dhakir (, )'', literally "he who remembers." The content of the prayers includes the names of God, or a ''dua'' (prayer of supplication) taken from the hadiths or the Quran. Importance There are several verses in the Quran that emphasize the impo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partition Of India
The Partition of British India in 1947 was the Partition (politics), change of political borders and the division of other assets that accompanied the dissolution of the British Raj in South Asia and the creation of two independent dominions: Dominion of India, India and Dominion of Pakistan, Pakistan. The Dominion of India is today the India, Republic of India, and the Dominion of Pakistan—which at the time comprised two regions lying on either side of India—is now the Pakistan, Islamic Republic of Pakistan and the Bangladesh, People's Republic of Bangladesh. The partition was outlined in the Indian Independence Act 1947. The change of political borders notably included the division of two provinces of British India, Bengal Presidency, Bengal and Punjab Province (British India), Punjab. The majority Muslim districts in these provinces were awarded to Pakistan and the majority non-Muslim to India. The other assets that were divided included the British Indian Army, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maqbool Ahmed Sabri
Maqbool Ahmed Sabri (12 October 1945 – 21 September 2011) was a Pakistani qawwali singer and a prominent member of the Sabri Brothers, one of the greatest qawwali groups of all times which belonged to Pakistan. The Sabri Brothers were honoured with the Pride of Performance Award in 1978. Early life Born in Kalyana in eastern Punjab, Maqbool Ahmed Sabri was initially educated in the Hindustani classical music tradition by his father Ustad Inayat Hussain Sabri and his beloved elder brother Ghulam Farid Sabri. Their family came from a musical background, and claimed direct descent from Mian Tansen, who had played at the court of the 16th-century Mughal emperor Akbar. Mehboob Baksh Ranji Ali Rang, his paternal grandfather, was a master musician of his time; Baqar Hussein Khan, his maternal grandfather, was a unique sitarist. His family belongs to the Sabriyya order of Sufism, hence the surname Sabri. The family made the perilous journey to Karachi during the partition of India ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muhammad Ghawth
Muhammad Ghawth (Ghouse, Ghaus or Gwath) Gwaliyari (1500–1562) was a 16th-century Sufi master of the Shattari order and Sufi saint, a musician, Segoogle book search and the author of ''Jawahir-i Khams'' (Arabic: ''al-Jawahir al-Khams'', The Five Jewels). The book mentioning the life and miracles of Gaus named " Heaven's witness" was written by Kugle. Biography Muhammad Ghawth was born in Gwalior, India in 1500; the name Gwaliyari means "of Gwalior". One of his ancestors was Fariduddin Attar of Nishapur. In the preface of ''al-Jawahir al-Khams'', he states that he wrote the book when he was 25 years old. In 1549 he travelled to Gujarat, when he was 50 years old. He stayed in Ahmedabad for ten years where he founded Ek Toda Mosque and preached. Ghawth translated the '' Amrtakunda'' from Sanskrit to Persian as the '' Bahr al-Hayat'' (The Ocean of Life), introducing to Sufism a set of yoga practices. According to the scholar Carl W. Ernst, in this "translation", Ghawth intenti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
North Indian Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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