Ghastly Funeral Theatre
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Ghastly Funeral Theatre
''Ghastly Funeral Theatre'' (Japanese 葬式劇場, ''Sōshiki gekijō'') is an EP by the band Sigh. ''Ghastly Funeral Theatre'' marked the beginning of Sigh's progressive and avant-garde experimentation prior to the release of ''Hail Horror Hail ''Hail Horror Hail'' is the third studio album by the band Sigh. It was released by Cacophonous Records originally in 1997. The album is the band's first full-length release to feature an avant-garde/experimental sound not normally associated wi ...''. The album was reissued on vinyl on January 26, 2010 by The Crypt, and included the Tragedies demo from 1990. It was limited to 500 copies: 250 of which were in black, the other 250 were in green. Track listing # "Intro: Soushiki" ("葬式") – 1:18 # "Shingontachikawa" ("真言立川") – 5:26 # "Doman Seman" ("ドーマン・セーマン") – 5:32 # "Imiuta" ("忌み歌") – 3:14 # "Shikigami" ("式神") – 6:21 # "Outro: Higeki" ("悲劇") – 1:31 Personnel * Mirai: vocals, ...
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Sigh (band)
is a Japanese experimental metal band from Tokyo, formed in 1989. They gradually shifted from a traditional extreme metal sound to a more experimental, avant-garde style employing symphonic, world music, and progressive elements. Their most recent album, ''Shiki'', was released in 2022. History Sigh was founded as a Nordic-influenced black metal band in 1989, with bassist/vocalist/keyboardist Mirai Kawashima, guitarist Satoshi Fujinami, and drummer Kazuki. The band has since experienced many lineup changes, but Kawashima and Fujinami remain in the band to the present day and each has played many different instruments. The band's first demos were recorded in 1990. Their first EP ''Requiem for the Fools'' attracted the attention of Norwegian black metal musician and producer Euronymous, who signed Sigh to his label Deathlike Silence Records. That label released Sigh's first full-length album ''Scorn Defeat'' in 1993, shortly after Euronymous's murder. The album has since been p ...
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Black Metal
Black metal is an extreme metal, extreme subgenre of heavy metal music. Common traits include Tempo#Beats per minute, fast tempos, a Screaming (music)#Black metal, shrieking vocal style, heavily distorted Electric guitar, guitars played with tremolo picking, raw (Lo-fi music, lo-fi) recording, unconventional song structures, and an emphasis on atmosphere. Artists often appear in corpse paint and adopt pseudonyms. During the 1980s, several thrash metal and death metal bands formed a prototype for black metal. This "first wave" included bands such as Venom (band), Venom, Bathory (band), Bathory, Mercyful Fate, Hellhammer and Celtic Frost. A second wave arose in the early 1990s, spearheaded by Norwegian bands such as Mayhem (band), Mayhem, Darkthrone, Burzum, Immortal (band), Immortal, Emperor (band), Emperor, Satyricon (band), Satyricon and Gorgoroth. The early Norwegian black metal scene developed the style of their forebears into a distinct genre. Norwegian-inspired black metal ...
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Avant-garde Metal
Avant-garde metal (also known as avant-metal, experimental metal, and experimental) is a subgenre of heavy metal music loosely defined by use of experimentation and innovative, avant-garde elements, including non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. Avant-garde metal is influenced by progressive rock and extreme metal, particularly death metal, and is closely related to progressive metal. Some local scenes include Los Angeles, the San Francisco Bay Area, Boston, and Seattle in the United States, Oslo in Norway, and Tokyo in Japan. Characteristics "Avant-garde metal" is interchangeable with "experimental metal" and "avant-metal", and may also refer to a separate genre of "atmospheric metal" or "post-metal", which was named in reference to post-rock. Avant-garde metal is related to progressive metal, but avant-garde metal often has more experimentation, while progressive metal usually has a tighter focus on traditio ...
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Infidel Art
''Infidel Art'' is the second studio album by the Japanese black metal band Sigh Paralanguage, also known as vocalics, is a component of meta-communication that may modify meaning, give nuanced meaning, or convey emotion, by using techniques such as prosody, pitch, volume, intonation, etc. It is sometimes defined as relatin .... Considered a maturation of their overall sound the songs on this album are longer and more atmospheric than those on Sigh's previous effort '' Scorn Defeat''; five of the album's six songs exceed the eight-minute mark. Track listing Reissue On June 17, 2013, the album was reissued by Canadian label Virus Production on cassette as part of a boxed set that also included three cassettes of live recordings from early 1990s Sigh shows. ;Tape I – Infidel Art #"Izuna" – 8:16 #"The Zombie Terror" – 9:43 #"Desolation" – 8:03 #"The Last Elegy" – 10:30 #"Suicidogenic" – 4:46 #"Beyond Centuries" – 9:38 ;Tape II – Nishi-ogikubo Turning, Tokyo ...
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Hail Horror Hail
''Hail Horror Hail'' is the third studio album by the band Sigh. It was released by Cacophonous Records originally in 1997. The album is the band's first full-length release to feature an avant-garde/experimental sound not normally associated with black metal music. A message written in the album's liner notes dictates the following: "''This album is way beyond the conceived notion of how metal, or music, should be. In essence it is a movie without pictures; a celluloid phantasmagoria. Accordingly, the film jumps, and another scene, seemingly unconnected with the previous context, is suddenly inserted in between frames. Every sound on this album is deliberate, and if you find that some parts of this album are strange, it isn't because the music is in itself strange, but because your conscious self is ill-equipped to comprehend the sounds produced on this recording.''" ''Hail Horror Hail'' was listed in the British extreme music magazine ''Terrorizer Terrorizer is an Amer ...
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The Crypt Records
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic ...
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Acoustic Guitar
An acoustic guitar is a musical instrument in the string family. When a string is plucked its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. The original, general term for this stringed instrument is ''guitar'', and the retronym 'acoustic guitar' distinguishes it from an electric guitar, which relies on electronic amplification. Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings are tuned (low to high) E2 A2 D3 G3 B3 E4. Guitar strings may be plucked individually with a pick (plectrum) or fingertip, or strummed to play chords. Plucking a string causes it to vibrate at a fundamental pitch determined by the string's length, mass, and tension. (Overtones are also pres ...
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Sigh (band) Albums
Paralanguage, also known as vocalics, is a component of meta-communication that may modify meaning, give nuanced meaning, or convey emotion, by using techniques such as prosody, pitch, volume, intonation, etc. It is sometimes defined as relating to nonphonemic properties only. Paralanguage may be expressed consciously or unconsciously. The study of paralanguage is known as paralinguistics and was invented by George L. Trager in the 1950s, while he was working at the Foreign Service Institute of the U.S. Department of State. His colleagues at the time included Henry Lee Smith, Charles F. Hockett (working with him on using descriptive linguistics as a model for paralanguage), Edward T. Hall developing proxemics, and Ray Birdwhistell developing kinesics. Trager published his conclusions in 1958, 1960 and 1961. His work has served as a basis for all later research, especially those investigating the relationship between paralanguage and culture (since paralanguage is learned, it ...
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