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Getz Gilberto
''Getz/Gilberto'' is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim (Tom Jobim), who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" ("The Girl from Ipanema") and "Corcovado". The artwork was done by artist Olga Albizu. ''Getz/Gilberto'' is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba. ''Getz/Gilberto'' is considered the record that popularized bossa nova worldwide and was one of the best-selling jazz albums of all time, over a million copies. It was included in ''Rolling Stone''s and ''Vibe'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Record Of The Year
The Grammy Award for Record of the Year is presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to sales or chart position." The Record of the Year award is one of the four "General Field" categories at the awards (alongside Best New Artist, Song of the Year and Album of the Year) presented annually since the 1st Annual Grammy Awards in 1959. According to the 54th Annual Grammy Awards description guide, the award is presented: Arrangers, songwriters, musicians and background singers of a winning recording can apply for a Winners Certificate. Songwriters can only apply for a certificate if it is a new song. Since the 55th Annual Grammy Awards in 2013, mastering engineers are considered nominees and award recipients in this category. Record of the Year is related to but is conceptually different from Song of the Year or Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canção Do Amor Demais
''Canção do Amor Demais'' is 1958 album by Elizete Cardoso. It is often considered the first bossa nova album, and contains the first recordings of João Gilberto's guitar beat, which would go on to become a staple of bossa nova. Gilberto played guitar on "Chega de Saudade" and "Outra Vez". The music was composed by Vinícius de Moraes and Tom Jobim. Despite its historical importance, and although it was noticed by prominent people in the recording industry, the album's commercial impact was limited. It was released on the small Festa label, which had previously primarily made recordings featuring spoken poetry, and only two thousand copies were initially pressed. Cardoso, already recognized as one of Brazil's best-ever singers, was never identified as a bossa singer, although she would be featured on the legendary Black Orpheus soundtrack, another bossa landmark. The album was listed by ''Rolling Stone Brazil'' as one of the 100 best Brazilian albums in history. Track listin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizeth Cardoso
Elizeth Moreira Cardoso (sometimes listed as Elisete Cardoso) (July 16, 1920 – May 7, 1990), was a singer and actress of great renown in Brazil. Biography Cardoso was born in Rio de Janeiro; her father was a serenader who played guitar, and her mother was an amateur singer. Elizeth began working at an early age and between 1930 and 1935 was a store clerk and hairdresser among other things. She was discovered by Jacob do Bandolim at her 16th birthday party, to which he was brought by her cousin Pedro, a popular figure among the musicians of the day. Jacó took her to ''Rádio Guanabara'' where, in spite of her father's initial opposition, she appeared on the ''Programa Suburbano'' with Vicente Celestino, Araci de Almeida, Moreira da Silva, Noel Rosa and Marília Batista on August 18, 1936. The week after she was hired by the station to appear on a weekly program. Following this, she continued to perform on various shows with multiple radio stations. In the 1960s she had her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chega De Saudade
"Chega de Saudade" (), also known as "No More Blues", is a bossa nova jazz standard. It is often considered to be the first bossa nova song to be recorded. Like "The Girl from Ipanema", the music for "Chega de Saudade" was composed by Antônio Carlos Jobim, with lyrics by Vinícius de Moraes. Overview The song was first recorded in 1957 by Brazilian singer Elizete Cardoso and released on her 1958 album, ''Canção Do Amor Demais''. However, people took little notice of her release of the song. João Gilberto included the second recorded version in 1958. Released as a single, the song became a hit and would consolidate bossa nova as a permanent genre in the Latin music lexicon. The song also appeared on Gilberto's first album ''Chega de Saudade''. The title can be translated roughly as "enough longing", though the Portuguese word, ''saudade'', carries a far more complex meaning. The word implies an intensity of heartfelt connection that is yearned for passionately, not unlike feeli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell (guitarist), Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova Dance Pattern
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to musicologist Gilberto Mende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Album Of The Year
The Grammy Award for Album of the Year is presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales, chart position, or critical reception." Album of the Year is the most prestigious award category at the Grammys, and it is one of the general field awards alongside Best New Artist, Record of the Year and Song of the Year, presented annually since the 1st Annual Grammy Awards in 1959. Frank Sinatra, Stevie Wonder, Paul Simon and Taylor Swift have each won this award three times, more than any other artists. Credit rules Over the years, the rules on who was presented with an award have changed: *1959–1965: Artist only. *1966–1998: Artist and producer. *1999–2002: Artist, producer, and recording engineer or mixer. *2003–2017: Artist, featured artist, producer, mastering engineer, and recording engineer or mixer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Best Engineered Album, Non-Classical
The Grammy Award for Best Engineered Album, Non-Classical has been awarded since 1959. The award had several minor name changes: * In 1959, the award was known as Best Engineered Record – Non-Classical * In 1960, it was awarded as Best Engineering Contribution – Other Than Classical or Novelty * From 1961 to 1962, it was awarded as Best Engineering Contribution – Popular Recording * In 1963, it was awarded as Best Engineering Contribution – Other Than Novelty and Other Than Classical * In 1964, it was awarded as Best Engineered Recording – Other Than Classical * From 1965 to 1991, it returned to the title Best Engineered Recording – Non-Classical * Since 1992, it has been awarded as Best Engineered Album, Non-Classical This award is presented alongside the Grammy Award for Best Engineered Album, Classical. From 1960 to 1965 a further award was presented for Best Engineered Recording – Special or Novel Effects. Years reflect the year in which the Grammy Awards were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Best Jazz Instrumental Album
The Grammy Award for Best Jazz Instrumental Album is an award that was first presented in 1959. History From 1959 to 2011, the Award was called Best Instrumental Jazz Album, Individual or Group. In 2012, it was shortened to Best Jazz Instrumental Album, encompassing albums that previously fell under the categories Best Contemporary Jazz Album and Best Latin Jazz Album (both defunct as of 2012). A year later, the Best Latin Jazz Album category returned, disallowing albums in that category to be nominated for Best Jazz Instrumental Album. This category is meant for albums containing greater than 50% playing time of new instrumental jazz recordings. Years listed indicate the year in which the Grammy Awards were presented, for works released in the previous year. Before 1962 and from 1972 to 1978, the award title did not specify instrumental performances and was presented for instrumental or vocal performances. The award has had several name changes. Name changes * 1959–1960: Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimal Music
Minimal music (also called minimalism)"Minimalism in music has been defined as an aesthetic, a style, and a technique, each of which has been a suitable description of the term at certain points in the development of minimal music. However, two of these definitions of minimalism—aesthetic and style—no longer accurately represent the music that is often given that label." Johnson 1994, 742. is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleological, and non- representational approach, and calls attention to the activity of listening by focu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groove (music)
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of " swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards). Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion. From a broader ethnomusicological perspective, groove has been described as "an unspecifiable but ordered sense of something that is sustained in a distinctive, regular and attractive way, working to draw the listener in." Musicologists and other scholars have analyzed the concept of "groove" since around the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and "an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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