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Getting Sentimental
''Getting Sentimental'' is a live album by jazz pianist Bill Evans with Michael Moore and Philly Joe Jones recorded at the Village Vanguard in 1978 but not released until 2003 on the Milestone label.Bill Evans discography accessed April 8, 2010 Reception The Allmusic review by Alex Henderson awarded the album 3 stars and states "''Getting Sentimental'' isn't essential and isn't recommended to casual listeners; nonetheless, Evans' more obsessive fans will welcome this enjoyable, if imperfect, release with open arms".Henderson, A. Allmusic Reviewaccessed April 8, 2010 The[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suicide Is Painless
"Suicide Is Painless" (or "Song from M*A*S*H") is a song written by Johnny Mandel (music) and Michael Altman (lyrics) for the 1970 film ''M*A*S*H''. In addition to being performed by characters in the film, it plays during the title sequence as sung by The Ron Hicklin Singers. An instrumental version is likewise the theme music for the TV series based on the film, playing over the opening and closing credits. Background The song was written for Ken Prymus, the actor playing Private Seidman, to sing during the faux-suicide of Walter "Painless Pole" Waldowski (John Schuck) in the film's "Last Supper" scene. Director Robert Altman had two stipulations about the song for composer Johnny Mandel: it had to be called "Suicide Is Painless" and it had to be the "stupidest song ever written". Altman attempted to write the lyric himself, but, upon finding it too difficult for his "45-year-old brain" to write something "stupid" enough, he gave the task to his 15-year-old-son Michael, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mandel
John Alfred Mandel (November 23, 1925June 29, 2020) was an American composer and arranger of popular songs, film music and jazz. The musicians he worked with include Count Basie, Frank Sinatra, Peggy Lee, Anita O'Day, Barbra Streisand, Tony Bennett, Diane Schuur and Shirley Horn. He won five Grammy Awards - from 17 nominations; his first nomination was for his debut film score for the multi-nominated 1958 film ''I Want to Live!'' Early life Mandel was born in the borough of Manhattan in New York City on November 23, 1925. His father, Alfred, was a garment manufacturer who ran Mandel & Cash; his mother, Hannah (Hart-Rubin), had aimed to be an opera singer and discovered her son had perfect pitch at the age of five. His family was Jewish. They moved to Los Angeles in 1934, after his father's business collapsed during the Great Depression. Mandel was given piano lessons, but switched to the trumpet and later the trombone. Career Mandel studied at the Manhattan School of Music and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emily (Johnny Mandel And Johnny Mercer Song)
"Emily" is a popular song composed by Johnny Mandel, with lyrics by Johnny Mercer. It was the title song to the 1964 film ''The Americanization of Emily.'' (The song wasn't sung in the movie, which is the reason that it couldn't be nominated for an Academy Award.) It has since been recorded by numerous artists, notably Bill Evans, Tony Bennett, and Barbra Streisand. Frank Sinatra recorded it twice, for his 1964 album '' Softly, as I Leave You'' and again in the 1970s for an unreleased album. His second recording was released on '' The Complete Reprise Studio Recordings''. Andy Williams released a version in 1964 as the B-side to his hit "Dear Heart" and it was also included in his album ''Andy Williams' Dear Heart'' (1965). Jack Jones for his album ''Dear Heart and Other Great Songs of Love'' (1965). Paul Desmond recorded the piece on his album '' Summertime''. "Emily" became particularly associated with Bill Evans, who recorded it for the first time for his 1967 album ''F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Rowles
James George Hunter (August 19, 1918 – May 28, 1996), known professionally as Jimmy Rowles (sometimes spelled Jimmie Rowles), was an American jazz pianist, vocalist, and composer. As a bandleader and accompanist, he explored multiple styles including swing and cool jazz. Music career Rowles was born in Spokane, Washington, United States, and attended Gonzaga University in that city. After moving to Los Angeles, he joined Lester Young's group in 1942. He also worked with Benny Goodman, Woody Herman, Les Brown, Tommy Dorsey, Tony Bennett, and as a studio musician. With female singers Rowles was praised as an accompanist by female singers. He recorded ''Sarah Vaughan with the Jimmy Rowles Quintet'' with Sarah Vaughan and accompanied Carmen McRae on her 1972 live album '' The Great American Songbook''. McRae described Rowles as "the guy every girl singer in her right mind would like to work with". In the 1950s and 1960s, he frequently played behind Billie Holiday and Peggy L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denny Zeitlin
Denny Zeitlin (born April 10, 1938) is an American jazz pianist, composer, and clinical professor of psychiatry at University of California, San Francisco. Since 1963, he has recorded more than 100 compositions and was a first-place winner in the ''DownBeat'' International Jazz Critics' Poll in 1965 and 1974. He composed the soundtrack for the 1978 science-fiction horror film ''Invasion of the Body Snatchers''. Early life Zeitlin was born in Chicago, Illinois, and grew up in the Chicago suburb of Highland Park. He began improvising on the piano at the age of two. His father was a radiologist who played piano by ear. His mother was a speech pathologist and his first piano teacher. He began formal study in classical music at the age of six, switching to jazz in the eighth grade. In high school, he played professionally in and around Chicago, and by college at the University of Illinois at Urbana–Champaign, was playing with Ira Sullivan, Johnny Griffin, Wes Montgomery, Joe Farrell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Bassman
George Bassman (February 7, 1914 – June 26, 1997) was an American composer and arranger. Biography Born in New York City to a Ukrainian- and Lithuanian-Jewish émigré couple, Bassman was later raised in Boston and began studying music at the Boston Conservatory while still a boy. He studied orchestration and composition formally, but in his teens he left home against his father's wishes to play piano in an itinerant jazz group, and subsequently worked as an arranger for Fletcher Henderson in New York. Through that gig, he became part of the burgeoning swing/big band scene and was soon writing songs as well. Bassman peaked in that career when he and Ned Washington wrote "I'm Getting Sentimental Over You" for the bandleader Tommy Dorsey. Bassman also worked in radio as an arranger for Andre Kostelanetz, and made the move to Hollywood in the mid 1930s. Among his earliest film jobs was orchestrating the Gershwin songs in the Fred Astaire movie '' A Damsel in Distress'' at RKO ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Getting Sentimental Over You
"I'm Getting Sentimental Over You" is a song recorded by Tommy Dorsey and His Orchestra. The words were written by Ned Washington and the music was written by George Bassman. It was first performed in 1932. The original copyright is dated 1933 and issued to Lawrence Music Publishers, Inc. The copyright was assigned to Mills Music, Inc. in 1934. Noni Bernardi, a saxophonist with the Dorsey orchestra arranged this song. Dorsey was the featured trombone soloist when his orchestra played it. It was first recorded in September 1935. A second recording on October 18, 1935 is the exact arrangement that Tommy would henceforth feature. Cliff Weston was the vocalist and trumpet player. It was released as a single in 1936. After Tommy Dorsey's death in 1956 Frank Sinatra sang it in the Dorsey Orchestra and also featured it in an album, ''I Remember Tommy''. This song was featured in an episode of ''The Twilight Zone'' called "Static", and in the films ''Carnal Knowledge'', ''Bart G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary McFarland
Gary Robert McFarland (October 23, 1933 – November 3, 1971) was an American composer, arranger, vibraphonist and vocalist. He recorded for the jazz imprints Verve and Impulse! Records during the 1960s. '' Down Beat magazine'' said he made "one of the more significant contributors to orchestral jazz". A 2015 review of a McFarland DVD documentary called him "one of the busiest New York jazz arrangers of the 1960s". The review further stated that McFarland's "ascendance coincided with the rise of bossa nova, and McFarland was adept at translating the mercurial song form into orchestrations. He wrote some beautiful orchestral settings for great soloists, yet wasn’t immune to commercial forces." Life McFarland was born in Los Angeles, on October 23, 1933, but grew up in Grants Pass, Oregon. He attained a small following after working with jazz luminaries Bill Evans, Gerry Mulligan, Johnny Hodges, John Lewis, Stan Getz, Bob Brookmeyer, and Anita O'Day. As well as his own albums an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
