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Get Back – Together
''Get Back – Together'' is the second album by the reformed Liverpool band the Quarrymen, which was the band that, in its original conception, evolved into the Beatles. It is also the first of two albums by the band that feature all surviving founding members together, as while the name the Quarrymen name was used in the 1994 album '' Open for Engagements'' seen as the first album since the reformation, it only featured Rod Davis and part-time member John Duff Lowe. Eric Griffiths and Len Garry make their first appearances on a studio recording, with drummer Colin Hanton also returning to the band for the first time since 1959, having previously appeared on the " In Spite of All The Danger" recording in 1958 as a b-side to a cover of Buddy Holly's " That'll Be the Day". It is also the only full length album featuring Pete Shotton, who also returned to the band in 1997 but later retired due to ill health. Shotton subsequently died in 2017. The album was recorded and mixed at Liv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Quarrymen
The Quarrymen (also written as "the Quarry Men") are a British skiffle/rock and roll group, formed by John Lennon in Liverpool in 1956, which evolved into the Beatles in 1960. Originally consisting of Lennon and several schoolfriends, the Quarrymen took their name from a line in the school song of their school, the Quarry Bank High School. Lennon's mother, Julia, taught her son to play the banjo, showed Lennon and Eric Griffiths how to tune their guitars in a similar way to the banjo, and taught them simple chords and songs. Lennon founded a skiffle group that was briefly called the Blackjacks, but they changed the name before any public performances. Some accounts credit Lennon with choosing the new name; other accounts credit his close friend Pete Shotton with suggesting the name. The Quarrymen played at parties, school dances, cinemas and amateur skiffle contests before Paul McCartney joined in October 1957. George Harrison joined in early 1958 at McCartney's recommendation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', ''Creem'', ''Newsday'', ''Playboy'', ''Rolling Stone'', ''Billboard'', NPR, ''Blender'', and ''MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That's All Right
"That's All Right" is a song written and originally performed by blues singer Arthur Crudup and recorded in 1946. The song was rereleased in early March 1949 under the title "That's All Right, Mama", which was issued as RCA's first rhythm and blues record on its new 45 rpm single format. "That's All Right" is best known as the debut single recorded and released by Elvis Presley. Presley's version was recorded on July 5, 1954, and released on July 19, 1954, with "Blue Moon of Kentucky" as the B-side. It was ranked number 113 on the 2010 ''Rolling Stone'' magazine list of the "500 Greatest Songs of All Time". Several rock critics also have pointed to Presley's version as a candidate for the first rock and roll record. In July 2004, exactly 50 years after its first issuing, the song was released as a CD single in several countries, reaching number three in the United Kingdom, number 31 in Australia, number 33 in Ireland, and number 47 in Sweden. History The song was written by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pick A Bale Of Cotton
"Pick a Bale of Cotton" is a traditional American folk song and work song first recorded by Texas inmates James "Iron Head" Baker (1933) and Mose "Clear Rock" Platt (1939) and later popularized by Lead Belly (Huddie William Ledbetter). Lyrics and criticism The song, particularly its original lyrics, has been criticized as racist and reminiscent and glorifying of the slavery period in American history. The original lyrics contained the racial slur ''nigger'' multiple times. One of the verses, according to John Lomax's ''American Ballads and Folk Songs'', includes: Dat nigger from Shiloh Kin pick a bale o' cotton Dat nigger from Shiloh Kin pick a bale a day Amended better-known lyrics are: Gonna jump down, turn around Pick a bale of cotton Gonna jump down, turn around Pick a bale a day Oh lordy, pick a bale of cotton Oh lordy, pick a bale a day The song is sung with increasing speed as it progresses, with ensuing verses having references to "me and my wife" replaced with the likes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whole Lotta Shakin' Goin' On
"Whole Lotta Shakin' Goin' On" (sometimes rendered "Whole Lot of Shakin' Going On") is a song written by Dave "Curlee" Williams and sometimes also credited to James Faye "Roy" Hall. The song was first recorded by Big Maybelle, though the best-known version is the 1957 rock and roll/rockabilly version by Jerry Lee Lewis. Origins of the song The origins of the song are disputed, but the writing is usually co-credited to singer/songwriter Dave "Curlee" Williams, and pianist and club owner James Faye "Roy" Hall. Hall stated: On 21 March 1955, Big Maybelle made the first recording for Okeh Records. The songwriting was credited to D. C. Williams, and the session was conducted and arranged by Quincy Jones. Roy Hall recorded the song in September 1955 for Decca Records and maintained that he had written it and had secured the legal copyright as co-writer under the pseudonym of "Sunny David". On the ''Pop Chronicles'' documentary, Jerry Lee Lewis incorrectly credited Big Mama Thornto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At The BBC (The Beatles Album)
''Live at the BBC'' is a 1994 compilation album featuring performances by the Beatles that were originally broadcast on various BBC Light Programme radio shows from 1963 to 1965. The mono album, available in multiple formats but most commonly as a two-CD set, consists of 56 songs and 13 tracks of dialogue; 30 of the songs had never been issued previously by the Beatles. It was the first official release by the Beatles of previously unreleased performances since ''The Beatles at the Hollywood Bowl'' in 1977 and the first containing previously unreleased songs since their final studio album, ''Let It Be'', in 1970. Although the songs were recorded ahead of broadcast, allowing for retakes and occasional overdubbing, they are essentially "live in studio" performances. Most of the songs are cover versions of material from the late 1950s and early 1960s, reflecting the stage set they developed before Beatlemania. Before the album's release, comprehensive collections of the Beatles' BBC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Feathers
Charles Arthur Feathers (June 12, 1932 – August 29, 1998) was an American musician most associated with the rockabilly scene of the 1950s. Although not initially recognized for his contributions to rockabilly, over time his presence would become greatly elevated and he has been cited as an influence by a number of musicians. Biography Feathers was born in Holly Springs, Mississippi, United States. He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple of singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Forgot To Remember To Forget
"I Forgot to Remember to Forget" is a 1955 rockabilly and country song, first recorded by Elvis Presley written by Stan Kesler and Charlie Feathers. It was Elvis' first no. 1 record nationally. The single was the fifth and final single released on Sun Records before Elvis moved to RCA Records. Background The song was recorded at Sun Studio on July 11, 1955, by Elvis Presley, Scotty Moore, Bill Black, and Johnny Bernero on drums, and released on August 20, 1955, along with "Mystery Train" (Sun 223). It was first re-released along with "Mystery Train" by HMV in New Zealand in November 1955, the first appearance of Elvis Presley on 12” vinyl internationally (MCLP 6001). It was re-released by RCA Victor (#47-6357) in December, 1955, after Elvis switched to that label. Scotty Moore's guitar had a Nashville steel guitar sound, and Bill Black played a clip-clop rhythm. Elvis sang a brooding vocal. This is the closest the trio came to a traditional country song while at Sun.The Blue Moo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles Anthology
''The Beatles Anthology'' is a multimedia retrospective project consisting of a television documentary, a three-volume set of double albums, and a book describing the history of the Beatles. Beatles members Paul McCartney, George Harrison and Ringo Starr participated in the making of the works, which are sometimes referred to collectively as the ''Anthology'' project, while John Lennon appears in archival interviews. The documentary series was first broadcast in November 1995, with expanded versions released on VHS and LaserDisc in 1996 and on DVD in 2003. The documentary used interviews with the Beatles and their associates to narrate the history of the band as seen through archival footage and performances. The The Beatles Anthology (book), ''Anthology'' book, released in 2000, paralleled the documentary in presenting the group's history through quotes from interviews. The initial volume of the album set (''Anthology 1'') was released the same week of the documentary's airdat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Monroe
William Smith "Bill" Monroe (; September 13, 1911 – September 9, 1996) was an American mandolinist, singer, and songwriter, who created the bluegrass music genre. Because of this, he is often called the " Father of Bluegrass". The genre takes its name from his band, the Blue Grass Boys, who named their group for the bluegrass of Monroe's home state of Kentucky. He described the genre as "Scottish bagpipes and ole-time fiddlin'. It's Methodist and Holiness and Baptist. It's blues and jazz, and it has a high lonesome sound." Early life Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, James Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish and English heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill was resign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Moon Of Kentucky
"Blue Moon of Kentucky" is a waltz written in 1945 by bluegrass musician Bill Monroe and recorded by his band, the Blue Grass Boys. The song has since been recorded by many artists, including Elvis Presley and Paul McCartney. "Blue Moon of Kentucky" is the official bluegrass song of Kentucky. In 2002, Monroe's version was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, CMT ranked "Blue Moon" number 11 in its list of 100 Greatest Songs in Country Music. Bill Monroe version Monroe's earliest-known performance of "Blue Moon of Kentucky" was on the Grand Ole Opry broadcast of August 25, 1945. He first recorded it for Columbia Records on September 16, 1946, at The Wrigley Building in Chicago, Illinois. That recording was released in early 1947. At the time, the Bluegrass Boys included vocalist and guitarist Lester Flatt and banjoist Earl Scruggs, who later formed their own bluegrass band, the Foggy Mountain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midnight Special (song)
"Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South. The song refers to the passenger train ''Midnight Special'' and its "ever-loving light" (sometimes "ever-living light"). The song is historically performed in the country-blues style from the viewpoint of the prisoner and has been performed by many artists. History Lyrics appearing in the song were first recorded in print by Howard Odum in 1905: However, these lyrics are known to be floater lines, appearing in various African-American songs of that period, notably in the "Grade-Songs", which are about prison captains and have nothing to do with a train or a light. The first printed reference to the song itself was in a 1923 issue of ''Adventure'' magazine, a three-times-a-month pulp magazine published by the Ridgway Company. In 1927 Carl Sandburg published two different versions of "Midnight Special" in his ''The American Songbag'', the first published versions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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