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Gestalt Et Jive
Gestalt et Jive were a multinational avant-rock group founded in West Germany in 1984 by multi-instrumentalist Alfred Harth, comprising Steve Beresford ( UK), Anton Fier ( US), Alfred Harth (FRG), Peter Hollinger (FRG), Ferdinand Richard ( F) and Uwe Schmitt (FRG). In 1980 Harth produced the LP ''Es herrscht Uhu im Land'' on JAPO/ ECM with the idea of integrating punk rock, free jazz and classical music and followed this design throughout the 1980s in the groups Cassiber, Duck and Cover, ''Gestalt et Jive'' and Vladimir Estragon. During the years 1984 – 1988 ''Gestalt et Jive'' performed on many festivals including the Moers Festival, Jazz nad Odrą, Musique Action festival in Vendouvre-les Nancy and Festival International de Musique Actuelle de Victoriaville in Canada. After Beresford, Fier and Schmitt had left the group in 1985 ''Gestalt et Jive'' continued to work in trio with Harth, Hollinger and Richard. Name ''Gestalt et Jive'' 's name refers to the group concept of in ...
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Avant-rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, avant-garde and contemporary classica ...
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Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ...
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German Progressive Rock Groups
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ...
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Creative Works Records
Creative Works Records is an independent Swiss record label. History The label ''Creative Works Records'' was founded in 1983 by Mike Wider in Root (canton of Lucerne). Wider, who at that time had helped build up a recording studio in Lucerne and was active as a music producer, recorded the American alto saxophonist Marion Brown on his first album. With the solo LP he then travelled to record stores and also to a trade fair in Paris, where he was personally welcomed by the French Minister of Culture Jack Lang for his commitment.Tom Gsteige''Der Mäzen ohne Goldesel'' (2006) Since then the label has released between two and four productions a year. In particular modern and contemporary jazz and avant-garde music are released. The label is run by Wider on a part-time basis and is not profit-oriented: All profits made are always fully invested in the next productions. Concept of the label Musicians released on the label include Corin Curschellas, , John Wolf Brennan, Christy ...
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Moers Music
Moers Music is a German jazz record label that was founded by Burkhard Hennen in Moers, Germany. The label started in 1974 under the name Ring but was changed three years later due to a conflict with a Canadian record label that had the same name. Moers concentrates on free jazz and has released albums by Barry Altschul, Anthony Braxton, John Carter, Anthony Davis, Roscoe Mitchell, James Newton, Wadada Leo Smith, Vienna Art Orchestra, and World Saxophone Quartet The World Saxophone Quartet is an American jazz ensemble founded in 1977, incorporating elements of free jazz, R&B, funk and South African jazz into their music. The original members were Julius Hemphill (alto and soprano saxophone, flute), .... References External links Discography Moers German record labels Jazz record labels {{Germany-record-label-stub ...
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Simmons Drums
Simmons is an electronic drum brand, which originally was a pioneering British manufacturer of electronic drums. Founded in 1978 by Dave Simmons, it supplied electronic kits from 1980 to 1994. The drums' distinctive, electronic sound can be found on countless albums from the 1980s. The company closed in 1999 and the Simmons name is currently owned by Guitar Center. The SDS 5 (or SDSV; notated as SDS-5) was developed in conjunction with Richard James Burgess of Landscape and released in 1981. The first recordings of the instrument were made by Burgess, on '' From the Tea-rooms of Mars ....'', " Chant No. 1" by Spandau Ballet, and "Angel Face" by Shock. After Landscape and Spandau Ballet appeared on ''Top of the Pops'' with the instrument, many other musicians began to use the new technology, including A Flock of Seagulls, Howard Jones, Jez Strode of Kajagoogoo, John Keeble of Spandau Ballet, Roger Taylor of Duran Duran, Darren Costin of Wang Chung, Steve Negus of Saga, Bo ...
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Gestalt Et Jive In 1986
Gestalt may refer to: Psychology * Gestalt psychology, a school of psychology * Gestalt therapy, a form of psychotherapy * Bender Visual-Motor Gestalt Test, an assessment of development disorders * Gestalt Practice, a practice of self-exploration * ''Gestalt Therapy'', a 1951 book detailing Gestalt psychology * Gestalt qualities * Gestalt theoretical psychotherapy, an application of Gestalt psychology Arts and media * ''Gestalt'' (album), a 2012 album by The Spill Canvas * ''Gestalt'' (manga), a manga series * Gestalt intelligence, or group mind, a science fiction plot device * Gestalt Publishing, an Australian publishing house * ''Nier Gestalt'', an alternative title to the video game Nier ''Nier'' is an action role-playing video game developed by Cavia and published by Square Enix for the PlayStation 3 and Xbox 360 in April 2010. In Japan, the game was released as for the PlayStation 3 with a younger main character, while an a ... See also

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Postmodern
Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the " grand narratives" of modernism, opposition to epistemic certainty or stability of meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-referentiality, epistemological relativism, moral relativism, pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity, hierarchy, and categorization. Initially emerging from a mode of literary criticism, postmodernism developed in the mid-twentieth century as a rejection of modernism and has been observed a ...
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Festival International De Musique Actuelle De Victoriaville
The Festival International de Musique Actuelle de Victoriaville is an annual international music festival held in Victoriaville, Quebec that showcases contemporary music. The festival is known for its small scale (usually no more than 20 performances per year), as well as its emphasis on unique collaborations between musicians. Several of these collaborations have been issued on records, on the Victo record label. Despite its location in rural Quebec, the festival has attracted several international artists every year, many of them coming back several times to play at the festival. This list includes John Zorn, Thurston Moore and Lee Ranaldo of Sonic Youth, Jim O'Rourke, Godspeed You! Black Emperor and The Ex. Frequent collaborators also includes René Lussier, Fred Frith and Chris Cutler of Art Bears, Jean Derome, Cecil Taylor and Peter Brötzmann. See also *List of experimental music festivals * List of contemporary classical music festivals *List of Quebec festivals ...
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Moers Festival
The Moers Festival is an annual international music festival in Moers, Germany. The festival has changed from concentrating on free jazz to including world and pop music, though it still invites many avant-garde jazz musicians. Performers at Moers include Lester Bowie, Fred Frith, Jan Garbarek, Herbie Hancock, Abdullah Ibrahim, David Murray, Sun Ra, Archie Shepp, and Cecil Taylor. The festival is officially named "mœrs festival" with lowercase letters. History left, In 1978 the International New Jazz Festival Moers took place outdoors. (picture David Friedman) On stage Ned Rothenberg Double Band, 2004 The festival was founded in 1971 by Burkhard Hennen. Three years later, he formed Moers Music to sell performances recorded at the festival. In the early years the festival took place in the paved yard of the castle. In 1975 it was moved to a nearby park because of increased attendance. After a few years outdoors, it moved to a large venue. African Dance Night was added in 19 ...
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Vladimir Estragon
Vladimir Estragon were an avant-rock group founded in West Germany in 1988 by German composer and reed player Alfred Harth with FM Einheit, Ulrike Haage, and Phil Minton ( UK). In 1980 Harth produced the LP ''Es herrscht Uhu im Land'' on JAPO/ ECM with the idea of integrating punk rock, free jazz and classical music and followed this design throughout the 80s in the groups Cassiber, Duck and Cover, Gestalt et Jive and ''Vladimir Estragon''.''Vladimir Estragon'' were using electronic arrangements whose preset-derived poetry was poisoned by oblique complexities and sudden animations entering the picture when less expected. Vladimir Estragon performed their postmodern program during the years 1988–1989 as well as on the Berlin Jazz Festival and the Jazzfestival Münster. Despite having invitations for upcoming tours to Australia and the United States the group stopped too early when Haage left to join the pop group Rainbirds. Name The group’s name referred to the characters in ...
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Duck And Cover (German Band)
Duck and Cover were a multinational avant-rock septet founded in West Germany in 1983, comprising Chris Cutler (UK), Heiner Goebbels ( GER), and Alfred Harth (GER) from Cassiber; Tom Cora (US) and Fred Frith (UK) from Skeleton Crew; Dagmar Krause (GER) from Art Bears; and George Lewis (US) from the ICP Orchestra. Cutler, Chris (1 September 1985), "Record Information: Duck and Cover", Rē Records Quarterly Vol.1 No.2, page 6 The ensemble was initially commissioned for the 1983 Moers Festival at the request of festival director Burkhard Hennen to Alfred Harth. Duck and Cover performed a 45-minute musical piece entitled "Berlin Programme" at the Berlin Jazz Festival in October 1983 in West Berlin, and again at the Festival of Political Songs in East Berlin in February 1984. Both performances were recorded and broadcast nationally. An edited version of the East Berlin broadcast was released in September 1985 on one side of the '' Rē Records Quarterly Vol.1 No.2'' LP record. Name ...
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