Gershasp (gladiator)
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Gershasp (gladiator)
Garshāsp ( fa, گرشاسپ ) was, in Persian mythology, the last Shah of the Pishdadian dynasty of Persia according to ''Shahnameh''. He was a descendant of Zaav, ruling over the Persian Empire for about nine years. His name is shared with a monster-slaying hero in Iranian mythology. The Avestan form of his name is Kərəsāspa and in Middle Persian his name is Kirsāsp. Garshasp is depicted as a dragonslayer in the Avesta. In Zoroastrian eschatology, Garshasp's resurrection was depicted. His role was to slay the monster Zahhak. Kirsāsp in Zoroastrian literature In the Zoroastrian religious text of the Avesta, Kərəsāspa appears as the slayer of ferocious monsters, including the Gandarəβa and the Aži Sruvara. In later Zoroastrian texts Kirsāsp is resurrected at the end of the world to defeat the monster Dahāg. Kərəsāspa is the son of Θrita and belongs to the Sāma family. Θrita is originally the name of a deity; cf. the Vedic Trita. Kirsāsp and the Aži Sr ...
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Garshasp Slays The Dragon Azi-Sruwar
Garshāsp ( fa, گرشاسپ ) was, in Persian mythology, the last Shah of the Pishdadian dynasty of Persia according to ''Shahnameh''. He was a descendant of Zaav, ruling over the Persian Empire for about nine years. His name is shared with a monster-slaying hero in Iranian mythology. The Avestan form of his name is Kərəsāspa and in Middle Persian his name is Kirsāsp. Garshasp is depicted as a dragonslayer in the Avesta. In Zoroastrian eschatology, Garshasp's resurrection was depicted. His role was to slay the monster Zahhak. Kirsāsp in Zoroastrian literature In the Zoroastrian religious text of the Avesta, Kərəsāspa appears as the slayer of ferocious monsters, including the Gandarəβa and the Aži Sruvara. In later Zoroastrian texts Kirsāsp is resurrected at the end of the world to defeat the monster Dahāg. Kərəsāspa is the son of Θrita and belongs to the Sāma family. Θrita is originally the name of a deity; cf. the Vedic Trita. Kirsāsp and the Aži ...
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Eschatology
Eschatology (; ) concerns expectations of the end of the present age, human history, or of the world itself. The end of the world or end times is predicted by several world religions (both Abrahamic and non-Abrahamic), which teach that negative world events will reach a climax. Belief that the end of the world is imminent is known as apocalypticism, and over time has been held both by members of mainstream religions and by doomsday cults. In the context of mysticism, the term refers metaphorically to the end of ordinary reality and to reunion with the divine. Various religions treat eschatology as a future event prophesied in sacred texts or in folklore. The Abrahamic religions maintain a linear cosmology, with end-time scenarios containing themes of transformation and redemption. In later Judaism, the term "end of days" makes reference to the Messianic Age and includes an in-gathering of the exiled Jewish diaspora, the coming of the Messiah, the resurrection of the righte ...
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Jamshid
Jamshid () ( fa, جمشید, ''Jamshīd''; Middle- and New Persian: جم, ''Jam'') also known as ''Yima'' (Avestan: 𐬫𐬌𐬨𐬀 ''Yima''; Pashto/Dari: یما ''Yama'') is the fourth Shah of the mythological Pishdadian dynasty of Iran according to ''Shahnameh''. In Persian mythology and folklore, Jamshid is described as the fourth and greatest king of the epigraphically unattested Pishdadian Dynasty (before the Kayanian dynasty). This role is already alluded to in Zoroastrian scripture (e.g. ''Yasht'' 19, ''Vendidad'' 2), where the figure appears as ''Yima kshaeta'' "radiant Yima" ( ae, 𐬫𐬌𐬨𐬀 𐬑𐬱𐬀𐬉𐬙𐬀, Yima xšaēta) and from which the name 'Jamshid' is derived. Both ''Jam'' and ''Jamshid'' remain common Iranian and Zoroastrian male names that are also popular in surrounding areas of Iran such as Afghanistan and Tajikistan. Edward FitzGerald transliterated the name as ''Jamshyd''. In the eastern regions of Greater Iran, and by the Zoroastrians ...
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Asadi Tusi
Abu Nasr Ali ibn Ahmad Asadi Tusi ( fa, ابونصر علی بن احمد اسدی طوسی; – 1073) was a Persian poet, linguist and author. He was born at the beginning of the 11th century in Tus, Iran, in the province of Khorasan, and died in the late 1080s in Tabriz. Asadi Tusi is considered an important Persian poet of the Iranian national epics. His best-known work is ''Garshaspnameh'', written in the style of the ''Shahnameh''. Life Little is known about Asadi's life. Most of the Khorasan province was under violent attack by Turkish groups; many intellectuals fled, and those who remained generally lived in seclusion. Asadi spent his first twenty years in Ṭūs. From about 1018 to 1038 AD, he was a poet at the court of the Daylamite Abū Naṣr Jastān. Here, in 1055–56, Asadi copied Abū Manṣūr Mowaffaq Heravī's ''Ketāb al-abnīa al-adwīa''. He later went to Nakhjavan and completed his seminal work, the ''Garshāsp-nama'' (dedicated to Abu Dolaf, ruler of Nakh ...
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Nariman (father Of Sām)
Nariman ( fa, نریمان) is an ancient Persian name meaning "faith and brightness." He is the son of Gershasp, and father of Sām who himself is grandfather of Rostam the hero (Rostam's Father was Zal). Nariman in Shahnameh Nariman was reported in Shahnameh at the time of Fereydun.But this report cannot be credible. His life should be related laters According to the Shahnameh, Nariman was one of Fereydun allies during the reign of Fereydun. Nariman perished in the war that led to the siege of a fortress on Mount Sepand. This story is told by Zāl for Rostam use both this parameter and , birth_date to display the person's date of birth, date of death, and age at death) --> , death_place = Kabulistan , death_cause = With the conspiracy of his half-brother Shaghad, he fell into a w ... to persuade him Nariman revenge on the inhabitants of the castle. References Sources * Ferdowsi Shahnameh. From the Moscow version. Mohammed Publishing. External li ...
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Fereydun
use both this parameter and , birth_date to display the person's date of birth, date of death, and age at death) --> , death_place = , death_cause = , resting_place = , resting_place_coordinates = , burial_place = , other_names = Afereydun(آفریدون) , known_for = Victory over Zahhak , spouse = Arnavaz Shahrnaz , partner = , children = Salm TurIraj , parents = , mother = Faranak , father = Abtin , relatives = Fereydun ( ae, 𐬚𐬭𐬀𐬉𐬙𐬀𐬊𐬥𐬀, Θraētaona, pal, 𐭯𐭫𐭩𐭲𐭥𐭭, ; New Persian: , ''Fereydūn/Farīdūn'') is an Iranian mythical king and hero from the Pishdadian dynasty. He is known as an emblem of victory, justice, and generosity in Persian literature. According to Abolala Soudavar, Fereydun is partially a reflection of Cyrus the Great (), the first Achaemenid King of Kings. Etymology All of ...
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Rostam
use both this parameter and , birth_date to display the person's date of birth, date of death, and age at death) --> , death_place = Kabulistan , death_cause = With the conspiracy of his half-brother Shaghad, he fell into a well full of poisoned spears and was killed in Kabulistan. , body_discovered = , resting_place = , resting_place_coordinates = , burial_place = , burial_coordinates = , monuments = , nationality = , other_names = RustamRustem , siglum = , citizenship = , education = , alma_mater = , occupation = , years_active = , era = , employer = , organization = , agent = , known_for = Seven Labours Battle with Sohrab Battle with Esfandiyārkilling Demons , notable_works = , style = , net_worth = , height = , television = , ...
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Black Magic
Black magic, also known as dark magic, has traditionally referred to the use of supernatural powers or magic for evil and selfish purposes, specifically the seven magical arts prohibited by canon law, as expounded by Johannes Hartlieb in 1456. During his period of scholarship, A. E. Waite provided a comprehensive account of black magic practices, rituals and traditions in ''The Book of Ceremonial Magic'' (1911). It is also sometimes referred to as the "left-hand path". In modern times, some find that the definition of black magic has been convoluted by people who define magic or ritualistic practices that they disapprove of as black magic. The seven ''Artes prohibitae'' of black magic The seven ''artes prohibitae'' or ''artes magicae'', arts prohibited by canon law, as expounded by Johannes Hartlieb in 1456, their sevenfold partition reflecting that of the artes liberales and artes mechanicae, were: #necromancy #geomancy #hydromancy #aeromancy #pyromancy #chiromancy #scap ...
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Greater Persia
Greater Iran ( fa, ایران بزرگ, translit=Irān-e Bozorg) refers to a region covering parts of Western Asia, Central Asia, South Asia, Xinjiang, and the Caucasus, where both Iranian culture and Iranian languages have had a significant presence and impact. Historically, this was a region long-ruled by the dynasties of various Iranian empires, under whose rule the local populace incorporated considerable aspects of Persian culture through extensive inter-contact, or alternatively where sufficient Iranian peoples settled to still maintain communities who patronize their respective cultures; it roughly corresponds geographically to the Iranian plateau and its bordering plains. The Encyclopædia Iranica uses the term ''Iranian Cultural Continent'' to describe this region. In addition to the modern state of Iran, the term "Greater Iran" includes all of the territory ruled by various Iranian peoples throughout history, including in Mesopotamia, the eastern half of ...
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Gandharva
A gandharva () is a member of a class of celestial beings in Dharmic religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. Gandharvas have been associated with the historical Gandhara region. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). Hinduism In Hinduism, the gandharvas (, , , , , , ; , ) are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the sun / in the heavenly waters) which watches over the Soma (apparently) for the benef ...
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