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Gerhard Hüsch
Gerhard Heinrich Wilhelm Fritz Hüsch (2 February 190123 November 1984) was one of the most important German singers of modern times. A lyric baritone, he specialized in '' Lieder'' but also sang, to a lesser extent, German and Italian opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr .... Career Hüsch was born in Hanover in 1901. He studied acting there as a young man but later took up singing, gaining experience at a series of provincial German theatres, proving to be a brilliant comic actor. Between 1925 and 1944, he was engaged to sing regularly in Berlin (most significantly at the Berlin State Opera) and at several other leading opera venues in Germany and Austria. Such important overseas theatres as The Royal Opera House, Covent Garden, London, and La Scala, Milan, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerhard Husch In Japan 1952 Scan10008
Gerhard is a name of Germanic origin and may refer to: Given name * Gerhard (bishop of Passau) (fl. 932–946), German prelate * Gerhard III, Count of Holstein-Rendsburg (1292–1340), German prince, regent of Denmark * Gerhard Barkhorn (1919–1983), German World War II flying ace * Gerhard Berger (born 1959), Austrian racing driver * Gerhard Boldt (1918–1981), German soldier and writer * Gerhard de Beer (born 1994), South African football player * Gerhard Diephuis (1817–1892), Dutch jurist * Gerhard Domagk (1895–1964), German pathologist and bacteriologist and Nobel Laureate * Gerhard Dorn (c.1530–1584), Flemish philosopher, translator, alchemist, physician and bibliophile * Gerhard Ertl (born 1936), German physicist and Nobel Laureate * Gerhard Fieseler (1896–1987), German World War I flying ace * Gerhard Flesch (1909–1948), German Nazi Gestapo and SS officer executed for war crimes * Gerhard Gentzen (1909–1945), German mathematician and logician * Gerhard A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Schöne Müllerin
' (,"The Fair Maid of the Mill", Op. 25, D. 795), is a song cycle by Franz Schubert from 1823 based on 20 poems by Wilhelm Müller. It is the first of Schubert's two seminal cycles (preceding ''Winterreise'')'','' and a pinnacle of ''Lied'' repertoire. ''Die schöne Müllerin'' is performed by a pianist and a solo singer. The vocal part falls in the range of a tenor or soprano voice, but is often sung by other voices, transposed to a lower range, a precedent established by Schubert himself. Since the protagonist is a young man, performances by women's voices are less common. The piano part bears much of the expressive burden of the work, and is only seldom a mere 'accompaniment' to the singer. A typical performance lasts around sixty to seventy minutes. Composition Müller published twenty-five poems in the first fascicule (1821) of ''Sieben und siebzig Gedichten aus den nachgelassenen Papieren eines reisenden Waldhornisten'' (Seventy-seven Poems from the Posthumous Papers of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winterreise
''Winterreise'' (, ''Winter Journey'') is a song cycle for voice and piano by Franz Schubert ( D. 911, published as Op. 89 in 1828), a setting of 24 poems by German poet Wilhelm Müller. It is the second of Schubert's two song cycles on Müller's poems, the earlier being ''Die schöne Müllerin'' (D. 795, Op. 25, 1823). Both were originally written for tenor voice but are frequently transposed to other vocal ranges, a precedent set by Schubert himself. The two works pose interpretative demands on listeners and performers due to their scale and structural coherence. Although Ludwig van Beethoven's cycle ''An die ferne Geliebte'' (''To the Distant Beloved'') was published earlier, in 1816, Schubert's cycles hold the foremost place in the genre's history. Authorship and composition ''Winterreise'' was composed in two parts, each with twelve songs, the first part in February 1827 and the second in October 1827. The two parts were also published separately by Tobias Haslinger, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Schlusnus
Heinrich Schlusnus (6 August 1888 – 18 June 1952) was Germany's foremost lyric baritone of the period between World War I and World War II. He sang opera and lieder with equal distinction. Career A native of Braubach, Schlusnus studied with voice teachers in Berlin and Frankfurt before making his debut at Hamburg's opera house in 1915. Schlusnus sang at Nuremberg from 1915 to 1917 and at the prestigious Berlin State Opera from 1917 until 1951. He was engaged by the Chicago Opera for its 1927–28 season and appeared at the Bayreuth Festival in 1933. In 1919, an event of fundamental importance occurred. Schlusnus was already a successful singer, and yet he started again from scratch under the tutelage of Louis Bachner. During his earlier studies, it was fashionable to "cover" the voice, making it throaty, dark, and limited. Under Bachner, Schlusnus liberated his timbre and expanded his range. He sang simply as one speaks, naturally and distinctly. Louis Bachner: "with yield, not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Bockelmann
Rudolf Bockelmann (born 2 April 1892 in Bodenteich, died 9 October 1958 in Dresden) was a German dramatic baritone and Kammersänger. He built an international career as an outstanding Wagnerian singer but damaged his reputation during the 1930s by joining the Nazi Party. Biography Bockelmann, the son of a village schoolmaster, was born at Bodenteich near Celle. He studied philology and music at the University of Music and Theatre Leipzig. Soon after his graduation he volunteered as a soldier during World War I, and was wounded several times while fighting for his country. After the war he made his operatic debut in 1920 in Celle, and from 1921 to 1926 he sang as a member of the Oper Leipzig's company. Bockelmann's opera career in Germany would hit its peak during the 1930s and last until the 1950s. At the height of his vocal powers, in 1932, he was engaged by the Berlin State Opera, remaining connected to the company until 1944. He sang often at Germany's Bayreuth Festival, too ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Hotter
Hans Hotter (19 January 19096 December 2003) was a German operatic bass-baritone. He stood 6 ft 4 in and his appearance was striking. His voice and diction were equally recognisable. Early life and career Born in Offenbach am Main, Hesse, Hotter studied with Matthäus Roemer in Munich. He worked as an organist and choirmaster before making his operatic debut in Opava in 1930. He performed in Germany and Austria under the Nazi regime, avoiding pressure on performers to join the Nazi Party, and made some appearances outside the country, including concerts under the baton of Bruno Walter in Amsterdam, who advised him that if Hotter could not leave his family members he had little alternative but to remain in Germany. Hotter was unable to pursue an international career until his Covent Garden debut in 1947. After that, he sang in all the major opera houses of Europe. He made his Metropolitan Opera debut as the title character in ''Der fliegende Holländer'' in 1950. In four sea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Walter
Bruno Walter (born Bruno Schlesinger, September 15, 1876February 17, 1962) was a German-born conductor, pianist and composer. Born in Berlin, he escaped Nazi Germany in 1933, was naturalised as a French citizen in 1938, and settled in the United States in 1939. He worked closely with Gustav Mahler, whose music he helped to establish in the repertory, held major positions with the Leipzig Gewandhaus Orchestra, New York Philharmonic, Concertgebouw Orchestra, Salzburg Festival, Vienna State Opera, Bavarian State Opera, Staatsoper Unter den Linden and Deutsche Oper Berlin, among others, made recordings of historical and artistic significance, and is widely considered to be one of the great conductors of the 20th century. Biography Early life Born near Alexanderplatz in Berlin to a middle-class Jewish family, he began his musical education at the Stern Conservatory at the age of eight, making his first public appearance as a pianist when he was nine; he performed a concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenors
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
