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Georgia Street Singer
''Georgia Street Singer'' is a studio album by American gospel blues musician Pearly Brown (191586, vocals and guitar, active in Macon, Georgia) and was released on the Folk Lyric label in 1961. On the original release, he is credited as Blind Pearly Brown. On a re-release on the same label, and subsequently, he is credited as Reverend Pearly Brown. The album comprises 15 tracks, all of which are Brown's interpretations of known (mostly, well known) songs, all on religious topics. Track listing ; Side 1 # " God Don't Ever Change" # " Just a Closer Walk with Thee" # "You're Gonna Need That Pure Religion" # "Savior Don't Pass Me By" # "Motherless Children" # "Oh What a Mourning" # "I Must See Jesus" ; Side 2 # " Nobody's Fault but Mine" # "I Know It Was the Blood" # " By and By I'm Gonna See the King" # "Keep Your Lamp Trimmed and Burning "Keep Your Lamp(s) Trimmed and Burning" is a traditional gospel blues song. It alludes to the Parable of the Wise and Foolish Virgins, found ...
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Pearly Brown
Reverend (or Blind) Pearly Brown (August 18, 1915June 28, 1986) was an American singer and guitarist, known primarily as a street performer. He also played harmonica and accordion. Brown's repertoire included gospel blues, blues, country, and spirituals. His bottleneck style of slide guitar inspired Georgia rock and roll musicians. He performed at the Newport Folk Festival, Carnegie Hall, and—as one of the first African American performers—the Grand Ole Opry. Biography and legacy He was born in Abbeville, Wilcox County, Georgia, and was blind from birth. While still young, he relocated with his family to Americus, Sumter County, Georgia. A schoolteacher, recognizing his determination to succeed, arranged a place for him at the Georgia Academy for the Blind in Macon, Georgia, where he completed eight years of formal education and learned Braille. After graduating, he was ordained as minister by the Friendship Baptist Church of Americus. Brown spent the 1930s in Florida a ...
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Gospel Blues
Gospel blues (or holy blues) is a form of blues-based gospel music that has been around since the inception of blues music. It combines evangelistic lyrics with blues instrumentation, often blues guitar accompaniment. According to musician and historian Stefan Grossman, "holy blues" was coined to originally describe Reverend Gary Davis's style of traditional blues playing with lyrics conveying a religious message. Davis and Blind Willie Johnson are considered the genre's two dominant performers, according to Dick Weissman. Other notable gospel-blues performers include Sister Rosetta Tharpe and Washington Phillips. Blues musicians who became devout, or even practicing clergy, include Reverend Robert Wilkins and Ishman Bracey.Wardlow, G., and Komara, E. M. (1998). ''Chasin' That Devil Music: Searching for the Blues''. San Francisco: Miller Freeman Books. pp. 43, 45. . Bluesmen such as Boyd Rivers, Blind Lemon Jefferson, Charley Patton, Sam Collins, Josh White, Blind Boy Fulle ...
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Harry Oster
Dr. Harry Oster (April 12, 1923 – January 19, 2001) was an American folklorist and musicologist. Biography Oster was the firstborn of Jacob and Sarah, Russian-Polish Jews, who emigrated to Cambridge, Massachusetts. After one year in college, he was enlisted in January 1943 to serve as a weather observer, graduated from Columbia Business School with an MBA and became a firm manager. He went on to Harvard University to receive a BA (1946), and to Cornell University for an MA (1950) and PhD in English (1953). He worked as an assistant in the Cornell department and helped to organize folk-themed public events. From 1955 he taught at Louisiana State University, English department. In 1956 he was among the three founders of the Louisiana Folklore Society, through which he issued his recordings of folk music from Louisiana, although the society did not fund them. The early material included Cajun music from Mamou. ''Louisiana Folksong Jambalaya'' is a collection of folk songs sung ...
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It's A Mean Old World To Try To Live In
''It's a Mean Old World to Try to Live In'' is a 1975 gospel blues LP by American street-performing musician Reverend Pearly Brown (191586, vocals, guitar and harmonica, active in Macon, Georgia) on the Rounder label. Track listing ; Side 1 # "How Long Has It Been Since You've Been Home" # "The Day Is Past and Gone" # "It's a Mean Old World to Try to Live In" # "What a Time" # "Pure Religion" # "Help Me to Understand" ; Side 2 # "How About You" # "Nothin' but Joy" # "Another Child of God Gone Home" # " Keep Your Lamp Trimmed and Burnin'" # "Please Mommy Stay Home with Me" # "Peace Will Prevail" # "Goodbye" ; Bonus tracks on CD re-release Rounder 82161-0221-2 These are placed between "Peace Will Prevail" and "Goodbye" in the original release order. # "Steal Away" # "You Got to Move" # "I Know the Lord Will Make a Way" # "Sometimes I Feel Like My Time Ain't Long" # "Motherless Children "Mother's Children Have a Hard Time", also known as "Motherless Children", is a gospe ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Gospel Blues
Gospel blues (or holy blues) is a form of blues-based gospel music that has been around since the inception of blues music. It combines evangelistic lyrics with blues instrumentation, often blues guitar accompaniment. According to musician and historian Stefan Grossman, "holy blues" was coined to originally describe Reverend Gary Davis's style of traditional blues playing with lyrics conveying a religious message. Davis and Blind Willie Johnson are considered the genre's two dominant performers, according to Dick Weissman. Other notable gospel-blues performers include Sister Rosetta Tharpe and Washington Phillips. Blues musicians who became devout, or even practicing clergy, include Reverend Robert Wilkins and Ishman Bracey.Wardlow, G., and Komara, E. M. (1998). ''Chasin' That Devil Music: Searching for the Blues''. San Francisco: Miller Freeman Books. pp. 43, 45. . Bluesmen such as Boyd Rivers, Blind Lemon Jefferson, Charley Patton, Sam Collins, Josh White, Blind Boy Fulle ...
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Macon, Georgia
Macon ( ), officially Macon–Bibb County, is a consolidated city-county in the U.S. state of Georgia. Situated near the fall line of the Ocmulgee River, it is located southeast of Atlanta and lies near the geographic center of the state of Georgia—hence the city's nickname, "The Heart of Georgia". Macon had a population of 157,346 in the year 2020. It is the principal city of the Macon Metropolitan Statistical Area, which had a population of 233,802 in 2020. Macon is also the largest city in the Macon–Warner Robins Combined Statistical Area (CSA), a larger trading area with an estimated 420,693 residents in 2017; the CSA abuts the Atlanta metropolitan area just to the north. In a 2012 referendum, voters approved the consolidation of the governments of the City of Macon and Bibb County, thereby making Macon Georgia's fourth-largest city (just after Augusta). The two governments officially merged on January 1, 2014. Macon is served by three interstate highways: I-16 ( ...
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God Don't Never Change
"God Don't Never Change" is a gospel blues song recorded by Blind Willie Johnson in 1929. The song is sometimes titled "God Don't Ever Change". Lyrics The verses include allusions to: * Psalm s:Bible (King James)/Psalms#Psalm 114, 114:4 "The mountains skipped like rams, and the little hills like lambs". * Amen Corner, that part of a church where the most vocally devout worshipers congregate, as in the poem "Trouble in the Amen Corner". * The 1918 flu pandemic, influenza pandemic of 191820. The topicality of that event suggests that Johnson wrote at least that verse. Unless and until an earlier version can be found, he can be credited with both the tune and the words. Other recordings * 1990Glenn Kaiser and Darrell Mansfield, on the album ''Trimmed and Burnin''. * 1991Russ Taff, on the album ''Under Their Influence'' * 1994Tom Shaka, on the album ''Hot'N Spicey'' * 1995Catfish Keith, on the album ''Fresh Catfish'' * 1996"God Don't Ever Change" by Cissy Houston on the album ' ...
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Just A Closer Walk With Thee
"Just a Closer Walk with Thee" is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, "A Closer Walk" is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals. The title and lyrics of the song allude to the Biblical passage from 2 Corinthians 5:7 which states, "We walk by faith, not by sight" and James 4:8, "Come near to God and He will come near to you." History The precise author of "A Closer Walk" is unknown. Circumstantial evidence strongly suggested it dated back to southern African-American churches of the nineteenth century, possibly even prior to the Civil War, as some personal African American histories recall "slaves singing as they worked in the fields a song about walking by the Lord's side." Horace Boyer cites a story that repudiates this claim, stating, “On a train trip from Kansas City to Chicago, composer Kenneth ...
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Motherless Children
"Mother's Children Have a Hard Time", also known as "Motherless Children", is a gospel blues song recorded by Blind Willie Johnson in 1927. It is a solo performance, with Johnson singing and playing an acoustic slide guitar. Johnson recorded the song during his first session for Columbia in Dallas, Texas, on December 3, 1927. The lyrics are autobiographical, since Johnson's mother died when he was young. His father remarried soon after her death, and later, the stepmother allegedly threw a caustic solution, which blinded the boy: "Motherless children have a hard time, mother's dead, Well don't have anywhere to go, Wandering 'round from door to door". Blues researcher Samuel Charters describes Johnson's slide guitar playing as having "a nuance and delicacy that extended and clarified the emotion of his singing", which is supported by his rhythmic fingerpicked bass line. Columbia issued the song on a 78 rpm record with the title "Mother's Children Have a Hard Time". Charters no ...
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It's Nobody's Fault But Mine
"It's Nobody's Fault but Mine" or "Nobody's Fault but Mine" is a song first recorded by gospel blues artist Blind Willie Johnson in 1927. It is a solo performance with Johnson singing and playing slide guitar. The song has been interpreted and recorded by numerous musicians in a variety of styles, including Led Zeppelin on their 1976 album '' Presence''. Lyrics and composition "It's Nobody's Fault but Mine" tells of a spiritual struggle, with reading the Bible as the path to salvation, or, rather, the failure to read it leading to damnation. Johnson was blinded at age seven when his stepmother threw a caustic solution and his verses attribute his father, mother, and sister with teaching him how to read. The context of this song is strictly religious. Johnson's song is a melancholy expression of his spirit, as the blues style echoes the depths of his guilt and his struggle. An early review called the song "violent, tortured and abysmal shouts and groans and his inspired guit ...
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Bye And Bye We're Going To See The King
"Bye and Bye We're (or, I'm) Going to See the King" is a Christian song from the African-American musical tradition. It is known by a variety of titles, including "I Wouldn't Mind Dying (If Dying Was All)" and "A Mother's Last Word to Her Daughter". It was recorded seven times before 1930, using the preceding titles. It has been most often recorded in gospel or gospel blues style, but also in other styles such as country. Description The song consists of several four-line verses (quatrains) and a repeated refrain. The words both of verses and of refrain often differ from one artist to another. A standard feature is that the refrain consists of four lines, the first three of which are identical. Common variants of those three lines include "Bye and bye we're (or, I'm) going to see the King" and "Holy, holy, holy is His name". The fourth line almost always begins "(I) wouldn't (or, don't) mind dying". It concludes in various ways in different versions, for example "If dying wa ...
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