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Georgia (typeface)
Georgia is a serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for the Microsoft Corporation. It was intended as a serif typeface that would appear elegant but legible when printed small or on low-resolution screens. The typeface is inspired by Scotch Roman designs of the 19th century and was based on designs for a print typeface on which Carter was working when contacted by Microsoft; this would be released under the name Miller the following year. The typeface's name referred to a tabloid headline, "Alien heads found in Georgia." Design As a transitional serif design, Georgia shows a number of traditional features of "rational" serif typefaces from around the early 19th century, such as alternating thick and thin strokes, ball terminals and a vertical axis. Speaking in 2013 about the development of Georgia and Miller, Carter said: "I was familiar with Scotch Romans, puzzled by the fact that they were once so popular... and then they disappeared complet ...
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Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ...
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Text Figures
Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the name. They are contrasted with lining figures (also called titling or modern figures), which are the same height as upper-case letters. Georgia is an example of a popular typeface that employs text figures by default. Design In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, '' 0'', '' 1'', and '' 2'' are of x-height, having neither ascenders nor descenders; '' 6'' and '' 8'' have ascenders; and '' 3'', '' 4'', '' 5'', '' 7'', and '' 9'' have descenders. Other schemes exist; for example, the types cut by the Didot family of punchcutters and typographers in France between the late 18th and early 19th centuries typically had an ascending ''3'' and ''5'', a form pr ...
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James Mosley
James Mosley (born 1935) is a retired librarian and historian whose work has specialised in the history of printing and letter design. The main part of Mosley's career has been 42 years as Librarian of the St Bride Printing Library in London, where he curated and worked to expand the museum's large collection of printing and lettering materials, books and examples. This collection greatly expanded with the close of the metal type era, which saw many companies and printing shops selling off their equipment and archives. Mosley also expanded the library's collection of lettering and signs. He has also been a lecturer and professor at the University of Reading since 1964, and founded the British Printing Historical Society in that year. Particular areas of focus of his career have been, in Britain, William Caslon, Vincent Figgins and Talbot Baines Reed, Eric Gill (with whose brother Evan he worked in the 1950s), and, in Europe, the Romain du Roi. Education Mosley grew up in Twickenh ...
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Richard Austin (punchcutter)
Richard Austin (1756–1832) was an England, English punchcutting, punchcutter. He was the original cutter of the typefaces now known as ''Bell'', ''Scotch Roman'', and ''Porson.'' Born in London 4 August 1756 and christened at St Luke's Old Street, he studied seal, die and copper-plate engraving as an apprentice to John Phillips near Finsbury Square. He married Phillips' daughter Sarah and set up on his own about 1786. He was hired by John Bell (publisher), John Bell's British Letter Foundry in 1788 as a punch-cutter, to imitate Didot's 1782 types "de la troisième manière," cut by Pierre Vafflard to F-A Didot's designs. Bell sold his interest in the foundry to S & C Stephenson. When the foundry closed in 1797, Austin brought in his own punches and sold strikes to Fry & Steele, Vincent Figgins, Figgins, and Caslon. Strikes were even sold in North America. Austin cut Greek types for Cambridge University Press in 1806–8, following designs provided by the famous master Richard Po ...
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Punchcutting
Punchcutting is a craft used in traditional typography to cut letter punches in steel as the first stage of making metal type. Steel punches in the shape of the letter would be used to stamp matrices into copper, which were locked into a mould shape to cast type. Cutting punches and casting type was the first step of traditional typesetting. The cutting of letter punches was a highly skilled craft requiring much patience and practice. Often the designer of the type would not be personally involved in the cutting. The initial design for type would be two-dimensional, but a punch has depth, and the three-dimensional shape of the punch, as well as factors such as the angle and depth to which it was driven into the matrix, would affect the appearance of the type on the page. The angle of the side of the punch was particularly significant. Process The punchcutter begins by transferring the outline of a letter design to one end of a steel bar. The outer shape of the punch could b ...
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Thomas Curson Hansard
Thomas Curson Hansard (6 November 17765 May 1833) was an English pressman, son of the printer Luke Hansard. Life In 1803, he established a press of his own in Paternoster Row. In the same year, William Cobbett, a newspaperman, began to print the ''Hansard, Parliamentary Debates''. At first, these were not independent reports, but were taken from newspapers' accounts of parliamentary debate. In 1809, Hansard started to print Cobbett's reports. Together, they also published a pamphlet describing an incident in which German mercenaries had flogged British soldiers for mutiny; as a result Hansard was imprisoned on 9 July 1810 in King's Bench Prison for libel. In 1812, facing bankruptcy, Cobbett sold the publication to Hansard, who continued to publish it for the rest of his life. In 1829, he added his own name to the parliamentary proceedings, giving it the title ''Hansard'' that it bears to this day. TC Hansard was the author of ''Typographia, an Historical Sketch of the Origin ...
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New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital media, digital subscribers. It also is a producer of popular podcasts such as ''The Daily (podcast), The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones (publisher), George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won List of Pulitzer Prizes awarded to The New York Times, 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national "newspaper of record". For print it is ranked List of newspapers by circulation, 18th in the world by circulation and List of newspapers in the United States, 3rd in the U.S. The paper is owned by the New York Times Company, which is Public company, publicly traded. It has been governed by the Sulzberger family since 189 ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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Times New Roman
Times New Roman is a serif typeface. It was commissioned by the British newspaper ''The Times'' in 1931 and conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in ''The Times's'' advertising department. It has become one of the most popular typefaces of all time and is installed on most desktop computers. Asked to advise on a redesign, Morison recommended that ''The Times'' change their text typeface from a spindly nineteenth-century face to a more robust, solid design, returning to traditions of printing from the eighteenth century and before. This matched a common trend in printing tastes of the period. Morison proposed an older Monotype typeface named Plantin as a basis for the design, and Times New Roman mostly matches Plantin's dimensions. The main change was that the contrast between strokes was enhanced to give a crisper image. The new design made its ...
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Matthew Butterick
Matthew Coffin Butterick (born November 15, 1970) is an American typographer, lawyer, writer, and computer programmer. He received the 2012 Golden Pen Award from the Legal Writing Institute for his book ''Typography for Lawyers'', which started as a website in 2008 based on his experience as a practicing attorney. He has worked for The Font Bureau and founded his own website design company, Atomic Vision (purchased by Red Hat in 1999). Expanding ''Typography for Lawyers'', Butterick published ''Practical Typography'' as a "web-based book" in July 2013. Butterick graduated with a BA in visual and environmental studies from Harvard University. He later earned a JD at the University of California, Los Angeles and was admitted to the State Bar of California in 2007. As of January 2023, Butterick is currently serving as co-counsel in multiple class action lawsuits against AI companies Github Copilot, Stable Diffusion, as well as another class action lawsuit against Stability AI, Midj ...
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Bitmap
In computing, a bitmap is a mapping from some domain (for example, a range of integers) to bits. It is also called a bit array A bit array (also known as bitmask, bit map, bit set, bit string, or bit vector) is an array data structure that compactly stores bits. It can be used to implement a simple set data structure. A bit array is effective at exploiting bit-level ... or bitmap index. As a noun, the term "bitmap" is very often used to refer to a particular bitmapping application: the pix-map, which refers to a map of pixels, where each one may store more than two colors, thus using more than one bit per pixel. In such a case, the domain in question is the array of pixels which constitute a digital graphic output device (a screen or monitor). In some contexts, the term ''bitmap'' implies one bit per pixel, whereas ''pixmap'' is used for images with multiple bits per pixel. A bitmap is a type of computer storage, memory organization or image file format used to store dig ...
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Verdana
Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting done by Thomas Rickner, then at Monotype. Demand for such a typeface was recognized by Virginia Howlett of Microsoft's typography group and commissioned by Steve Ballmer. The name "Verdana" is derived from " verdant" (green) and "Ana" (the name of Howlett's eldest daughter). Bearing similarities to humanist sans-serif typefaces such as Frutiger, Verdana was designed to be readable at small sizes on the low-resolution computer screens of the period. Like many designs of this type, Verdana has a large x-height (tall lower-case characters), with wider proportions and looser letter-spacing than on print-orientated designs like Helvetica. The counters and apertures are wide, to keep strokes clearly separate from one another, and similarly shaped letters are designed to appear clearly different to increase legibility for body text. The bold weight is thicker than would b ...
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