Georges Viau
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Georges Viau
George Viau (28 March 1855 – 18 December 1939) was a French dentist and art collector. His collection, which was built up and sold off more than once, included work by many impressionist painters and the artists who influenced them. Viau's dental practice was at number 47 Boulevard Haussmann, where one of his patients was Claude Monet. The collection sold in 1907 included works by, among others, Boudin, Carrière, Cassatt, Cézanne, Dagnan-Bouveret, Daumier, Degas, Delacroix, Gauguin, Guillaumin, Jongkind, Lebourg, Lépine, Manet, Monet, Morisot, Pissarro, Renoir, Sisley, and Vignon. A collection of more than 200 paintings owned by Viau went to Wilhelm Hansen, whose collection formed the basis of the Ordrupgaard museum. After Viau's death, the Hôtel Drouot auctioned paintings from his estate. One Cézanne in that collection sold for over 5 million francs, and the auction brought in 53 million francs in all. A portrait of Viau painted by Édouard Vuillard in 1914 is he ...
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Édouard Vuillard
Jean-Édouard Vuillard (; 11 November 186821 June 1940) was a French painter, decorative artist and printmaker. From 1891 through 1900, he was a prominent member of the Nabis, making paintings which assembled areas of pure color, and interior scenes, influenced by Japanese prints, where the subjects were blended into colors and patterns. He also was a decorative artist, painting theater sets, panels for interior decoration, and designing plates and stained glass. After 1900, when the Nabis broke up, he adopted a more realistic style, painting landscapes and interiors with lavish detail and vivid colors. In the 1920s and 1930s he painted portraits of prominent figures in French industry and the arts in their familiar settings. Vuillard was influenced by Paul Gauguin, among other post-impressionist painters. Early life Jean-Édouard Vuillard was born on 11 November 1868 in Cuiseaux ( Saône-et-Loire), where he spent his youth. Vuillard's father was a retired captain of the na ...
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Eugène Delacroix
Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 â€“ 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: British and French Painting in the Age of Romanticism'', p. 58, Tate Publishing, 2003. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in ...
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Le Journal (Paris)
''Le Journal'' (The Journal) was a Paris daily newspaper published from 1892 to 1944 in a small, four-page format. Background It was founded and edited by Fernand Arthur Pierre Xau until 1899. It was bought and managed by the family of Henri Letellier in 1899 and became "the most Parisian, the most literary, and the most boulevardier of the newspapers of Paris" (Simon Arbellot, see Curnonsky). During World War I, ''Le Journal'' was at the center of an intrigue involving Paul Bolo, the essence of which was that the German government was alleged to be attempting to gain influence in France and promote pacifist propaganda by buying French newspapers. It is understood that during part of its existence it was located at 100 Rue Richelieu Paris. Source - Contemporary Medallion ( undated ). After the fall of Paris on 14 June 1940, it fell back to Limoges, then Marseille, then Limoges again, and finally Lyon Lyon,, ; Occitan: ''Lion'', hist. ''Lionés'' also spelled in Engl ...
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Le Figaro
''Le Figaro'' () is a French daily morning newspaper founded in 1826. It is headquartered on Boulevard Haussmann in the 9th arrondissement of Paris. The oldest national newspaper in France, ''Le Figaro'' is one of three French newspapers of record, along with ''Le Monde'' and ''Libération''. It was named after Figaro, a character in a play by polymath Beaumarchais (1732–1799); one of his lines became the paper's motto: "''Sans la liberté de blâmer, il n'est point d'éloge flatteur''" ("Without the freedom to criticise, there is no flattering praise"). With a centre-right editorial line, it is the largest national newspaper in France, ahead of ''Le Parisien'' and ''Le Monde''. In 2019, the paper had an average circulation of 321,116 copies per issue. The paper is published in Berliner format. Since 2012 its editor (''directeur de la rédaction'') has been Alexis Brézet. The newspaper has been owned by Dassault Group since 2004. Other Groupe Figaro publications include ''Le ...
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Victor Vignon
Victor Alfred Paul Vignon (25 December 1847Р15 March 1909) was a French Impressionist landscape painter and graphic artist. Biography His mother was Marie-No̩mi Cadiot, a sculptor who worked under the name "Claude Vignon" Sophie Monneret, ''L'Impressionnisme et son ̩poque'', vol. 2, t. I, and vol. 2, t. II, , Robert Laffont, 1987. (after a character from the novel ''B̩atrix'' by Balzac). When he was born, she was the proprietor of a hotel which was decorated by Puvis de Chavannes in the 1850s, so he had an early introduction to art. He studied with Camille Corot and Adolphe-F̩lix Cals.Brief biography@ Impressionisme. Originally, he worked in the Val-d'Oise, supplemented with trips to Clamart, Bougival, and La Celle-Saint-Cloud. In the 1870s, he associated with Camille Pissarro and his circle in Auvers-sur-Oise. In 1880, he moved to Nesles-la-Vall̩e then, a short time later, settled in L'Isle-Adam, where he made friends with Vincent van Gogh and Dr. Paul Gachet ...
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Alfred Sisley
Alfred Sisley (; ; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape ''en plein air'' (i.e., outdoors). He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs. Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterised by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased. Richard Shone: ''Sisley.'' London: Phaidon Press 1999. Biography Sisley was born in Par ...
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Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater t ...
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Camille Pissarro
Jacob Abraham Camille Pissarro ( , ; 10 July 1830 â€“ 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of Saint Thomas, U.S. Virgin Islands, St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Pa ...
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Berthe Morisot
Berthe Marie Pauline Morisot (; January 14, 1841 â€“ March 2, 1895) was a French painter and a member of the circle of painters in Paris who became known as the Impressionists. In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Académie des beaux-arts in Paris. Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the ''"rejected"'' Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar. Morisot went on to participate in all but one of the following eight impressionist exhibitions, between 1874 and 1886. Morisot was married to Eugène Manet, the brother of her friend and colleague Édouard Manet. She was described by art critic ...
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Édouard Manet
Édouard Manet (, ; ; 23 January 1832 â€“ 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ...
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Stanislas Lépine
Stanislas Victor Edouard Lépine (October 3, 1835 – September 28, 1892) was a French painter who specialized in landscapes, especially views of the Seine. Biography Lépine was born in Caen. An important influence in his artistic formation was Corot, whom he met in Normandy Normandy (; french: link=no, Normandie ; nrf, Normaundie, Nouormandie ; from Old French , plural of ''Normant'', originally from the word for "northman" in several Scandinavian languages) is a geographical and cultural region in Northwestern ... in 1859, becoming his student the following year. Lépine's favorite subject was the Seine, which he was to paint in all its aspects for the rest of his life. He participated in the first Impressionist exhibition, held at Nadar's in 1874, although he is generally not considered an Impressionist. His paintings are placid in mood and are usually small in scale. Lépine was awarded the First Prize medal at the Exposition of 1889. He died suddenly in Paris ...
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Albert Lebourg
Albert Lebourg (1 February 1849, in Montfort-sur-Risle – 6 January 1928, in Rouen), birth name ''Albert-Marie Lebourg'', also called ''Albert-Charles Lebourg'' and ''Charles Albert Lebourg'', was a French Impressionist and Post-Impressionist landscape painter of the Rouen School (''l'École de Rouen''). Member of the Société des Artistes Français, he actively worked in a luminous Impressionist style, creating more than 2,000 landscapes during his lifetime. The artist was represented by Galerie Mancini in Paris in 1896, in 1899 and 1910 by : Galerie Bernheim-Jeune, 1903 and 1906 at the Galerie Paul Rosenberg, and 1918 and 1923 at Galerie Georges Petit. Early life Initially studying at Évreux Lycée, Albert Lebourg, with interests in architecture, entered the École des Beaux-Arts of Rouen at a very young age. He studied art with Gustave Morin at l'Academie de peinture et de dessins, Rouen. Afterward, the artist was briefly a student of Jean-Paul Laurens. In 1876, Lebourg ...
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