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Georges Méliès Filmography
Georges Méliès (1861–1938) was a French filmmaker and magician generally regarded as the first person to recognize the potential of narrative film. He made about 520 films between 1896 and 1912, covering a range of genres including trick films, fantasies, comedies, advertisements, satires, costume dramas, literary adaptations, erotic films, melodramas, and imaginary voyages. His works are often considered as important precursors to modern narrative cinema, though some recent scholars have argued that Méliès's films are better understood as spectacular theatrical creations rooted in the 19th-century ''féerie'' tradition. After attending the first demonstration of the Lumière Brothers' Cinematographe in December 1895, he bought a film projector from the British film pioneer Robert W. Paul and began using it to project short films at his theater of illusions, the Théâtre Robert-Houdin, in Paris. Having studied the principles on which Paul's projector ran, Méliès was able t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert W
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legion Of Honor
The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon Bonaparte, it has been retained (with occasional slight alterations) by all later French governments and regimes. The order's motto is ' ("Honour and Fatherland"); its seat is the Palais de la Légion d'Honneur next to the Musée d'Orsay, on the left bank of the Seine in Paris. The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and ' (Grand Cross). History Consulate During the French Revolution, all of the French orders of chivalry were abolished and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers. From this wish was instituted a , a body of men that was not an order of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Gilson
Paul Gilson (Brussels, 15 June 1865 – Brussels, 3 April 1942) was a Belgian musician and composer. Biography Paul Gilson was born in Brussels. In 1866, his family moved to Ruisbroek in the Belgian province of Brabant. There he studied theory with the organist and choir director Auguste Cantillon, and began writing works for orchestra and choir. His first official training came from 1887–1889 under François-Auguste Gevaert in composition and under Charles Duyck in harmony and counterpoint at the Brussels Conservatory, and in 1889, he was awarded the Belgian ''Prix de Rome'' for a cantata, ''Sinaï'', which was very well received. As the winner of the prize he was able to spend time in Bayreuth (1892), Paris (1893–4) and Italy (1895). A large orchestral work, ''La mer'', which was first performed in Brussels on 20 March 1892, established Gilson as a national musical figure and also gave him success abroad, though not in Paris. In 1899 he became professor of comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean George Auriol
Jean George Auriol (January 8, 1907 – April 2, 1950) was a French film critic and screenwriter. He was the founder of the film magazine ''La Revue du cinéma''. Biography Jean George Auriol (born Jean-Georges Huyot; his name is sometimes written as Jean-Georges Auriol) was the son of the French poet, artist, and type-designer George Auriol. In December 1928 Auriol published the first issue of a magazine called ''Du cinéma'' which, after being adopted by the publisher Gallimard, became ''La Revue du cinéma''. It ran for a total of 29 issues until December 1931, and it established a reputation for intellectual seriousness and the quality of its contributors, who included Jacques Brunius, Louis Chavance, and Jean-Paul Le Chanois. Auriol established a structure for each issue (a major article, a selection of studies, film reviews and news items) which became a model for other journals.Lucien Logette, "Jean George Auriol ou l'Oublié majuscule", i''La Lettre du syndicat français de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Clair
René Clair (11 November 1898 – 15 March 1981), born René-Lucien Chomette, was a French filmmaker and writer. He first established his reputation in the 1920s as a director of silent films in which comedy was often mingled with fantasy. He went on to make some of the most innovative early sound films in France, before going abroad to work in the UK and USA for more than a decade. Returning to France after World War II, he continued to make films that were characterised by their elegance and wit, often presenting a nostalgic view of French life in earlier years. He was elected to the Académie française in 1960. Clair's best known films include '' Un chapeau de paille d'Italie'' (''The Italian Straw Hat'', 1928), '' Sous les toits de Paris'' (''Under the Roofs of Paris'', 1930), ''Le Million'' (1931), ''À nous la liberté'' (1931), ''I Married a Witch'' (1942), and ''And Then There Were None'' (1945). Early life René Clair was born and grew up in Paris in the district of Les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gare Montparnasse
Gare Montparnasse (; Montparnasse station), officially Paris-Montparnasse, one of the six large Paris railway termini, is located in the 14th and 15th arrondissements. The station opened in 1840, was rebuilt in 1852 and relocated in 1969 to a new station just south of the original location – where subsequently the prominent Montparnasse Tower was constructed. It is a central element to the Montparnasse area. The original station is noted for the Montparnasse derailment, where a steam train crashed through the station in 1895, an event captured in widely known photographs – and reproduced in full scale in several locations. The station serves intercity TGV trains to the west and southwest of France including Tours, Bordeaux, Rennes and Nantes, and suburban and regional services on the Transilien Paris – Montparnasse routes. There is also a metro station. Gare Montparnasse is the only mainline terminus in Paris not directly connected to the RER system, though the Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pathé
Pathé or Pathé Frères (, styled as PATHÉ!) is the name of various French people, French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film. Pathé is a major film production and distribution company, owning a number of cinema chains through its subsidiary Les Cinémas Pathé Gaumont and television networks across Europe. It is the second-oldest operating film company behind Gaumont Film Company, which was established in 1895. History The company was founded as Société Pathé Frères (Pathé Brothers Company) in Paris, France on 28 September 1896, by the four brothers Charles Pathé, Charles, Émile, Théophile and Jacques Pathé. During the first part of the 20th century, Pathé became the large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture Patents Company
The Motion Picture Patents Company (MPPC, also known as the Edison Trust), founded in December 1908 and terminated seven years later in 1915 after conflicts within the industry, was a trust of all the major US film companies and local foreign-branches ( Edison, Biograph, Vitagraph, Essanay, Selig Polyscope, Lubin Manufacturing, Kalem Company, Star Film Paris, American Pathé), the leading film distributor (George Kleine) and the biggest supplier of raw film stock, Eastman Kodak. The MPPC ended the domination of foreign films on US screens, standardized the manner in which films were distributed and exhibited within the US, and improved the quality of US motion pictures by internal competition. But it also discouraged its members' entry into feature film production, and the use of outside financing, both to its members' eventual detriment. Creation The MPPC was preceded by the Edison licensing system, in effect in 1907–1908, on which the MPPC was modeled. During the 1890s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Impossible Voyage
''The Impossible Voyage'' (french: Le Voyage à travers l'impossible), also known as ''An Impossible Voyage'' and ''Whirling the Worlds'', is a 1904 French silent film directed by Georges Méliès. Inspired by Jules Verne's play '' Journey Through the Impossible'', and modeled in style and format on Méliès's earlier, highly successful '' A Trip to the Moon'', the film is a satire of scientific exploration in which a group of geographically minded tourists attempt a journey to the sun using various methods of transportation. The film was a significant international success at the time of its release, and has been well received by film historians. Plot Note: ''Since the film is silent and has no intertitles, the proper names and quotations below are taken from the English-language description of the film published by Méliès in the catalog of the Star Film Company's New York Branch.'' A society of geographical enthusiasts, the Institute of Incoherent Geography, plans to make ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kingdom Of The Fairies
''The Kingdom of the Fairies'' (french: Le Royaume des fées), initially released in the United States as ''Fairyland, or the Kingdom of the Fairies'' and in Great Britain as ''The Wonders of the Deep, or Kingdom of the Fairies'', is a 1903 French silent film directed by Georges Méliès. Production The film historian Georges Sadoul suggested that the film was freely adapted from ''La Biche au Bois'', a popular ''féerie'' by the brothers Goignard, which had been first produced in March 1845 at the Théâtre de la Porte Saint-Martin and which was frequently revived throughout the nineteenth century. A publication on Méliès's films by the Centre national du cinéma cites Charles Perrault's story "Sleeping Beauty" as the most direct inspiration for the film, with the seven fairies in that tale reduced to four. The film's cast includes Georges Méliès as Prince Bel-Azor, Marguerite Thévenard as Princess Azurine, and Bleuette Bernon as the fairy Aurora. Sadoul, examining a produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Trip To The Moon
''A Trip to the Moon'' (french: Le Voyage dans la Lune) is a 1902 French adventure short film directed by Georges Méliès. Inspired by a wide variety of sources, including Jules Verne's 1865 novel ''From the Earth to the Moon'' and its 1870 sequel ''Around the Moon'', the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. Its ensemble cast of French theatrical performers is led by Méliès himself as the main character Professor Barbenfouillis. The film features the overtly theatrical style for which Méliès became famous. Scholars have commented upon the film's extensive use of pataphysical and anti-imperialist satire, as well as on its wide influence on later filmmakers and its artistic significance within the French theatrical ''féerie'' tradition. Though the film disappeared into obscurity after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
