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Georges Jouatte
Georges Jouatte (17 June 1892 – 13 February 1969) was a 20th-century French operatic singer (tenor) and singing professor. Biography Jouatte was born in Villefagnan (Charente). Just after World War I, he began his career as a dancer at the Casino de Paris in order to finance his singing studies at the Conservatoire de Paris. To improve his skills, still a baritone at the time, he travelled to Germany in the 1920s. It was there that in 1929 he played a small part in the first German-speaking feature film, ''Land Without Women'' (with Conrad Veidt). He was also active in Berlin, at the concert and as an operetta singer. Returning to Paris, he performed on stage in 1932 at the Théâtre Mogador. After a conversion to the tenor register thanks to the advice of Paul Cabanel and Louis Fourestier in 1934, he made his debut at the Opéra Garnier in ''Faust'' by Charles Gounod. He had a great success in 1936 in ''Der Rosenkavalier'' by Richard Strauss, played in the presence of the ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Pénélope
''Pénélope'' is an opera in three acts by the French composer Gabriel Fauré. The libretto, by René Fauchois is based on Homer's ''Odyssey''. It was first performed at the Salle Garnier, Monte Carlo on 4 March 1913. The piece is dedicated to Camille Saint-Saëns.Jones, p. 150 Background and performance history In 1907 the Wagnerian soprano Lucienne Bréval encountered Fauré in Monte Carlo.Nectoux, p. 313 She expressed surprise that he had never written an opera, and introduced him to the young René Fauchois, who had recently written a play based on the section of the ''Odyssey'' dealing with Ulysses' return to Ithaca. Work on the score was slow because Fauré's teaching and administrative duties as head of the Paris Conservatoire left him only the summer holidays free for composing. For this reason he asked Fauchois to reduce the libretto from five to three acts and to cut the character of Ulysses' son Telemachus. Fauré worked on the opera each summer between 1907 and 1912 ...
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Legion Of Honour
The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon, Napoleon Bonaparte, it has been retained (with occasional slight alterations) by all later French governments and regimes. The order's motto is ' ("Honour and Fatherland"); its Seat (legal entity), seat is the Palais de la Légion d'Honneur next to the Musée d'Orsay, on the left bank of the Seine in Paris. The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander (order), Commander), ' (Grand Officer) and ' (Grand Cross). History Consulate During the French Revolution, all of the French Order of chivalry, orders of chivalry were abolished and replaced with Weapons of Honour. It was the wish of Napoleon, Napoleon Bonaparte, the French Consulate, First Consul, to create a reward to commend c ...
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La Rochelle
La Rochelle (, , ; Poitevin-Saintongeais: ''La Rochéle''; oc, La Rochèla ) is a city on the west coast of France and a seaport on the Bay of Biscay, a part of the Atlantic Ocean. It is the capital of the Charente-Maritime department. With 75,735 inhabitants in 2017, La Rochelle is the most populated commune in the department and ranks fifth in the New Aquitaine region after Bordeaux, the regional capital, Limoges, Poitiers and Pau. Its inhabitants are called "les Rochelaises" and "les Rochelais". Situated on the edge of the Atlantic Ocean the city is connected to the Île de Ré by a bridge completed on 19 May 1988. Since the Middle-Ages the harbour has opened onto a protected strait, the Pertuis d'Antioche and is regarded as a "Door océane" or gateway to the ocean because of the presence of its three ports (fishing, trade and yachting). The city has a strong commercial tradition, having an active port from very early on in its history. La Rochelle underwent sustained ...
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Charente-Maritime
Charente-Maritime () is a department in the Nouvelle-Aquitaine region on the southwestern coast of France. Named after the river Charente, its prefecture is La Rochelle. As of 2019, it had a population of 651,358 with an area of 6,864 square kilometres (2,650 sq mi). History Previously a part of the provinces of Saintonge and Aunis, Charente-Inférieure was one of the 83 original departments created during the French Revolution on 4 March 1790. On 4 September 1941, during World War II, it was renamed as Charente-Maritime. When the department was first organised, the commune of Saintes was designated as the prefecture of the department (Saintes had previously been the capital of Saintonge). This changed in 1810 when Napoleon passed an imperial decree to move the prefecture to La Rochelle. During World War II, the department was invaded by the German Army and became part of occupied France. To provide defence against a possible beach landing by the Allies, the Organisation Tod ...
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Roger Soyer
Roger Soyer (born 1 September 1939) is a French operatic bass-baritone, particularly associated with the French repertory and with Mozart. Soyer was born in Thiais, and first studied privately with G. Daum, before entering the Conservatoire de Paris at the age of 19. There he was a pupil of Georges Jouatte and Louis Musy. He made his professional debut at the Théâtre des Champs-Élysées in 1962, creating the role of Mac Creag in Gilbert Bécaud's opera ''L'opéra d'Aran''. He sang on French Radio in 1964, in Rameau's ''Hippolyte et Aricie'', and made his debut at the Aix-en-Provence Festival in 1965, as Pluton in Monteverdi's ''L'Orfeo''. The same year he made his debut at the Opéra-Comique, as Colline, in ''La Bohème'', and at the Palais Garnier, as Mephisto in Gounod's ''Faust''. On the international scene, he appeared at the Wexford Festival in ''La jolie fille de Perth'', and at the Edinburgh Festival as ''Don Giovanni'', a role he became closely associated with, sing ...
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Mady Mesplé
Mady Mesplé (7 March 1931 – 30 May 2020) was a French opera singer, considered the leading coloratura soprano of her generation in France, and sometimes heralded as the successor to Mado Robin, with ''Lakmé'' by Delibes becoming her signature role internationally. She sang professionally for more than thirty years, with a repertoire that ranged from operetta to contemporary works. After retiring from the stage, she started teaching. Mesplé was the archetype of a light coloratura soprano: technically secure, musically distinctive, and with a charming stage presence. When she developed Parkinson's disease in the mid-1990s, she responded by writing a book about her career and the development of her illness. Biography Born Madeleine Mesplé in Toulouse on 7 March 1931, she came from a modest family background. Her father Pierre was an accountant and her mother Yvonne (Sesquiere) a secretary.
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Alain Fondary
Alain Fondary (born 9 October 1932 in Bagnolet) is a French baritone. Biography Before embarking on his lyrical career, Alain Fondary followed the family tradition of glass blower, like his parents, in Paris, Boulevard Voltaire. He attended glass school and went to opera with his parents and José Luccioni, a friend of the family. Passionate about judo, he nevertheless worked on singing at the age of thirty, first with André Baugé, then with Georges Jouatte and André Hauth, then with Yvonne Pons, Alice Monfort and Gaetano Abrani. He made his debut in Cherbourg in ''Pagliacci'' by Ruggero Leoncavallo, performing the role of Tonio in 1968 and the following year sang Ourrias in ''Mireille'' by Charles Gounod in Toulouse. He created'' Les Boréades'' by Jean-Philippe Rameau, under the direction of Gardiner in London in 1980. His career accelerated in Bercy in 1984, when he replaced Piero Cappuccilli in ''Aida'' by Verdi, where he played Amonasro; he was then offered the biggest ...
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Régine Crespin
Régine Crespin (23 February 1927 – 5 July 2007) was a French singer who had a major international career in opera and on the concert stage between 1950 and 1989. She started her career singing roles in the dramatic soprano and spinto soprano repertoire, drawing particular acclaim singing Wagner and Strauss heroines. She went on to sing a wider repertoire that embraced Italian, French, German, and Russian opera from a variety of musical periods. In the early 1970s Crespin began experiencing vocal difficulties for the first time and ultimately began performing roles from the mezzo-soprano repertoire. Throughout her career she was widely admired for the elegance, warmth and subtlety of her singing, especially in the French and German operatic repertories. Crespin began her career in France, earning her first critical successes in the French provinces during the early 1950s and then becoming a fixture at the Opéra National de Paris in the mid-1950s. Her international career was ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ...
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L'incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ...
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