George De Zayas
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George De Zayas
George de Zayas (1882–1967) was a Mexican caricature artist, best known for work that appeared in ''Collier's'', ''Harper's Bazaar'', and the magazine section of the ''New York Herald Tribune''. His father, Rafael de Zayas Enriquez (1848–1932), was a noted historian, orator, and lawyer, named Poet Laureate of his country. In 1907, opposition to the dictatorship of Porfirio Diaz forced the de Zayas family to flee their homeland and settle in New York. There, George's brother, Marius de Zayas (1880–1961), became a well-known caricature artist and art dealer. At the age of 16, George left for Paris to study art, where he met some of the most important artists of the day. In 1919, he contributed eleven caricatures to the portfolio by Curnonsky, pseudonym of the French writer Maurice Edmond Sailland (1872–1956), who later became a well-known food critic. The portfolio was entitled ''Huit Peintres, deux sculpteurs et un musician tres modernes''. The eight painters me ...
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Caricature
A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings (compare to: cartoon). Caricatures can be either insulting or complimentary, and can serve a political purpose, be drawn solely for entertainment, or for a combination of both. Caricatures of politicians are commonly used in editorial cartoons, while caricatures of movie stars are often found in entertainment magazines. In literature, a ''caricature'' is a distorted representation of a person in a way that exaggeration, exaggerates some characteristics and oversimplifies others. Etymology The term is derived for the Italian ''caricare''—to charge or load. An early definition occurs in the English doctor Thomas Browne's ''Christian Morals'', published posthumously in 1716. with the footnote: Thus, the word "caricature" essentially means a "loaded portrait". Until the mid 19th century, it was commonly and m ...
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Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Paul Cézanne, Cézannian component, leading to some of the first Proto-Cubism, proto-Cubist works. From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's ''Note sur la Peinture'', published in 1910.Jean Metzinger, October–November 1910, "Note sur la peinture" Pan: ...
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