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George C. Wolfe
George Costello Wolfe (born September 23, 1954) is an American playwright and director of theater and film. He won a Tony Award in 1993 for directing '' Angels in America: Millennium Approaches'' and another Tony Award in 1996 for his direction of the musical '' Bring in 'da Noise/Bring in 'da Funk''. He served as Artistic Director of The Public Theater from 1993 until 2004. Early life and education Wolfe was born into an African-American family in Frankfort, Kentucky, the son of Anna (née Lindsey), an educator, and Costello Wolfe, a government clerk. He attended an all-black public school (a Rosenwald school) where his mother taught. He is interviewed in the documentary film '' Rosenwald'', discussing his time at the school. After a family move, he began attending the integrated Frankfort public schools. Wolfe attended Frankfort High School where he began to pursue his interest in the theatre arts, and wrote poetry and prose for the school's literary journal. After high schoo ...
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Frankfort, Kentucky
Frankfort is the capital city of the Commonwealth of Kentucky, United States, and the seat of Franklin County. It is a home rule-class city; the population was 28,602 at the 2020 census. Located along the Kentucky River, Frankfort is the principal city of the Frankfort, Kentucky Micropolitan Statistical Area, which includes all of Franklin and Anderson counties. History Pre-1900 The town of Frankfort likely received its name from an event that took place in the 1780s. Native Americans attacked a group of early European colonists from Bryan Station, who were on their way to make salt at Mann's Lick in Jefferson County. Pioneer Stephen Frank was killed at the Kentucky River and the settlers thereafter called the crossing "Frank's Ford". This name was later elided to Frankfort. In 1786, James Wilkinson purchased a tract of land on the north side of the Kentucky River, which developed as downtown Frankfort. He was an early promoter of Frankfort as the state capital. Wilkinso ...
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Historically Black Colleges And Universities
Historically black colleges and universities (HBCUs) are institutions of higher education in the United States that were established before the Civil Rights Act of 1964 with the intention of primarily serving the African-American community. Most of these institutions were founded in the years after the American Civil War and are concentrated in the Southern United States. During the period of segregation prior to the Civil Rights Act, the majority of American institutions of higher education served predominantly white students, and disqualified or limited black American enrollment. For a century after the end of slavery in the United States in 1865, most colleges and universities in the Southern United States prohibited all African Americans from attending, while institutions in other parts of the country regularly employed quotas to limit admissions of Black people. HBCUs were established to provide more opportunities to African Americans and are largely responsible for esta ...
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Tony Kushner
Anthony Robert Kushner (born July 16, 1956) is an American author, playwright, and screenwriter. Lauded for his work on stage he's most known for his seminal work ''Angels in America'' which earned a Pulitzer Prize and a Tony Award. At the turn of the 21st Century he became known for his numerous film collaborations with Steven Spielberg. He received the National Medal of Arts from President Barack Obama in 2013. Kushner made his Broadway debut in 1993 with both '' Angels in America: Millennium Approaches'' and '' Angels in America: Perestroika''. He received the Pulitzer Prize for Drama and the Tony Award for Best Play. He then adapted it into a 2003 miniseries directed by Mike Nichols for which Kushner received a Primetime Emmy Award for Outstanding Writing for a Limited Series or Movie. In 2003 he wrote the lyrics and book to the musical ''Caroline, or Change'' which earned Kushner Tony Award nominations for Best Book of a Musical and Best Original Score. He has collabor ...
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Drama Desk Award For Outstanding Book Of A Musical
The Drama Desk Award for Outstanding Book of a Musical is an annual award presented by Drama Desk in recognition of achievements in the theatre among Broadway, Off Broadway and Off-Off Broadway productions. For two years, in addition to the award for Outstanding Book, an award was presented to the writers of the Most Promising Book. Recipients of this honor were Melvin Van Peebles for ''Ain't Supposed to Die a Natural Death'' in 1972 and Ron House and Diz White for ''El Grande de Coco-Cola'' in 1973. Winners and nominees 1970s 1980s 1990s 2000s 2010s 2020s Multiple wins ; 3 wins * James Lapine * Thomas Meehan * Hugh Wheeler ; 2 wins * Rupert Holmes Multiple nominations ; 5 nominations *Terrence McNally ; 4 nominations *James Lapine * Thomas Meehan ; 3 nominations *Joe DiPietro *Michael John LaChiusa *Dick Scanlan *John Weidman *Hugh Wheeler *Alfred Uhry ; 2 nominations *Douglas Carter Beane *Chad Beguelin *Scott Brown *Harvey Fierstein *John Guare *Rupert H ...
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Broadway Theatre
Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences), 130 of the 144 extant and extinct Broadway venues use (used) the spelling ''Theatre'' as the proper noun in their names (12 others used neither), with many performers and trade groups for live dramatic presentations also using the spelling ''theatre''. or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world. While the thoroughfare is eponymous with the district and its collection of 41 theaters, and it is also closely identified with Times Square, only three of the theaters are located on Broadway itself (namely the Broadwa ...
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Jelly Roll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Jelly's Last Jam
''Jelly's Last Jam'' is a musical with a book by George C. Wolfe, lyrics by Susan Birkenhead, and music by Jelly Roll Morton and Luther Henderson. Based on the life and career of Ferdinand Joseph LaMothe, known as Jelly Roll Morton and generally regarded as one of the primary driving forces behind the introduction of jazz to the American public in the early 20th century, it also serves as a social commentary on the African-American experience during the era. LaMothe was born into a Louisiana Creole family that was established and free before the Civil War. Plot The play opens with the recently deceased Morton in a state of limbo, looking back on his life. He is reluctantly guided by the mysterious 'Chimney Man,' who forces him to recall the more painful moments of his life when he attempts to ignore or embellish them. Born into an old and wealthy mixed-race Creole family in New Orleans, the young Morton rebels against his upbringing by going into the streets and absorbing the ...
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Zora Neale Hurston
Zora Neale Hurston (January 7, 1891 – January 28, 1960) was an American author, anthropologist, and filmmaker. She portrayed racial struggles in the early-1900s American South and published research on Hoodoo (spirituality), hoodoo. The most popular of her four novels is ''Their Eyes Were Watching God'', published in 1937. She also wrote more than 50 short stories, plays, and essays. Hurston was born in Notasulga, Alabama, and moved with her family to Eatonville, Florida, in 1894. She later used Eatonville as the setting for many of her stories. In her early career, Hurston conducted anthropological and ethnographic research while a student at Barnard College and Columbia University. She had an interest in African-American and Caribbean folklore, and how these contributed to the community's identity. She also wrote fiction about contemporary issues in the Black community and became a central figure of the Harlem Renaissance. Her short satires, drawing from the African-America ...
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Spunk (play)
''Spunk'' is a play by American playwright George C. Wolfe and is an adaptation of three stories by Zora Neale Hurston. Wolfe won a 1989 Obie award for best off-Broadway director for Spunk. External links * {{OBIE Plays Plays by George C. Wolfe 1989 plays Obie Award-winning plays Adaptations of works by Zora Neale Hurston ...
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Obie Award
The Obie Awards or Off-Broadway Theater Awards are annual awards originally given by ''The Village Voice'' newspaper to theatre artists and groups in New York City. In September 2014, the awards were jointly presented and administered with the American Theatre Wing. As the Tony Awards cover Broadway productions, the Obie Awards cover off-Broadway and off-off-Broadway productions. Background The Obie Awards were initiated by Edwin (Ed) Fancher, publisher of ''The Village Voice,'' who handled the financing and business side of the project. They were first given in 1956 under the direction of theater critic Jerry Tallmer. Initially, only off-Broadway productions were eligible; in 1964, off-off-Broadway productions were made eligible. The first Obie Awards ceremony was held at Helen Gee's cafe.Aletti, Vince"Helen Gee 1919–2004" ''Village Voice'' (New York City), 12 October 2004, accessed on 21 November 2013 With the exception of the Lifetime Achievement and Best New American Pl ...
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Off Broadway
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100. An "off-Broadway production" is a production of a play, musical, or revue that appears in such a venue and adheres to related trade union and other contracts. Some shows that premiere off-Broadway are subsequently produced on Broadway. History The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan's Theater District, the hub of the American theatre industry. It later became defined by the League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts. Previously, regardless of the size ...
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