Georg Reutter II
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Georg Reutter II
Johann Adam Joseph Karl Georg Reutter, during his life known as Georg Reutter the Younger (6 April 1708 – 11 March 1772) was an Austrian composer.Karl Geiringer, ''Haydn: A Creative Life in Music'', 1982, p. 19: "There were two Viennese composers of this name. Georg Reutter, the father (1656–1738), was choir director of St. Stephen's and court organist. His son, J. A. Karl Georg (1708–1772), was Haydn's teacher." According to David Wyn Jones, in his prime he was "the single most influential musician in Vienna". Early life Reutter was born and died in Vienna. His father Georg Reutter (the Elder) was also a notable composer. He was the 11th of 14 children and received his early musical training from his father, assisting him as court organist. A period of more formal instruction from Antonio Caldara ensued, leading to the composition of an oratorio in 1726 and, in 1727, his first opera for the imperial court, ''Archidamia''. On three separate occasions during this period, ...
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Georg Reutter Der Jüngere
Georg may refer to: * ''Georg'' (film), 1997 *Georg (musical), Estonian musical * Georg (given name) * Georg (surname) * , a Kriegsmarine coastal tanker See also * George (other) George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President ...
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Franz Tuma
Franz may refer to: People * Franz (given name) * Franz (surname) Places * Franz (crater), a lunar crater * Franz, Ontario, a railway junction and unorganized town in Canada * Franz Lake, in the state of Washington, United States – see Franz Lake National Wildlife Refuge Businesses * Franz Deuticke, a scientific publishing company based in Vienna, Austria * Franz Family Bakeries, a food processing company in Portland, Oregon * Franz-porcelains, a Taiwanese brand of pottery based in San Francisco Other uses * ''Franz'' (film), a 1971 Belgian film * Franz Lisp, a dialect of the Lisp programming language See also * Frantz (other) * Franzen (other) * Frantzen (other) Frantzen or Frantzén is a surname. It may refer to: * Allen Frantzen (born 1947/48), American medievalist * Björn Frantzén (born 1977), Swedish chef and owner of the Frantzén restaurant * Jean-Pierre Frantzen (1890–1957), Luxembourgian gymna ...
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Response (music)
An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responds (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often singing al ...
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Antiphon
An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responds (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often singing ...
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Psalm
The Book of Psalms ( or ; he, תְּהִלִּים, , lit. "praises"), also known as the Psalms, or the Psalter, is the first book of the ("Writings"), the third section of the Tanakh, and a book of the Old Testament. The title is derived from the Greek translation, (), meaning "instrumental music" and, by extension, "the words accompanying the music". The book is an anthology of individual Hebrew religious hymns, with 150 in the Jewish and Western Christian tradition and more in the Eastern Christian churches. Many are linked to the name of David, but modern mainstream scholarship rejects his authorship, instead attributing the composition of the psalms to various authors writing between the 9th and 5th centuries BC. In the Quran, the Arabic word ‘Zabur’ is used for the Psalms of David in the Hebrew Bible. Structure Benedictions The Book of Psalms is divided into five sections, each closing with a doxology (i.e., a benediction). These divisions were probably intro ...
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Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ...
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Offertory (music)
The offertory (from Medieval Latin ''offertorium'' and Late Latin ''offerre'') is the part of a Eucharistic service when the bread and wine for use in the service are ceremonially placed on the altar. A collection of alms (offerings) from the congregation, which may take place also at non-Eucharistic services, often coincides with this ceremony. The Eucharistic theology may vary among those Christian denominations that have a liturgical offertory. In the Roman Rite, the term "Preparation of the Gifts" is used in addition to the term "Offertory" (both capitalized) or, rather, the term "Preparation of the Gifts" is used for the action of the priest, while the term "Offertory" is used for the section of the Mass at which this action is performed in particular when speaking of the accompanying chant. In Baptist churches, the offertory refers to the part of the service of worship in which collection plates or baskets are distributed by ushers, with the tithes and offerings subsequen ...
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Gradual (music)
The gradual ( la, graduale or ) is a chant or hymn in the Mass, the liturgical celebration of the Eucharist in the Catholic Church, and among some other Christians. It gets its name from the Latin (meaning "step") because it was once chanted on the step of the ambo or altar. In the Tridentine Mass, it is sung after the reading or chanting of the epistle and before the Alleluia, or, during penitential seasons, before the tract. In the Mass of Paul VI, the gradual is usually replaced with the responsorial psalm. Although the Gradual remains an option in the Mass of Paul VI, its use is extremely rare outside monasteries. The gradual is part of the proper of the Mass. A gradual can also refer to a book collecting all the musical items of the Mass. The official such book for the Roman Rite is the Roman Gradual (). Other such books include the Dominican Gradual. History The Gradual, like the Alleluia and Tract, is one of the responsorial chants of the Mass. Responsorial chants der ...
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Requiem
A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is usually celebrated in the context of a funeral (where in some countries it is often called a Funeral Mass). Musical settings of the propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical compositions associated with death, dying, and mourning, even when they lack religious or liturgical relevance. The term is also used for similar ceremonies outside the Roman Catholic Church, especially in Western Rite Orthodox Christianity, the Anglo-Catholic tradition of Anglicanism, and in certain Lutheran churches. A comparable service, with a wholly different ritual form and texts, exists in the Eastern Orthodox and Eastern Catholic church ...
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Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ...
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Maria Theresa
Maria Theresa Walburga Amalia Christina (german: Maria Theresia; 13 May 1717 – 29 November 1780) was ruler of the Habsburg dominions from 1740 until her death in 1780, and the only woman to hold the position ''suo jure'' (in her own right). She was the sovereign of Austria, Hungary, Croatia, Bohemia, Transylvania, Mantua, Milan, Lodomeria and Galicia, the Austrian Netherlands, and Parma. By marriage, she was Duchess of Lorraine, Grand Duchess of Tuscany and Holy Roman Empress. Maria Theresa started her 40-year reign when her father, Emperor Charles VI, died on 20 October 1740. Charles VI paved the way for her accession with the Pragmatic Sanction of 1713 and spent his entire reign securing it. He neglected the advice of Prince Eugene of Savoy, who believed that a strong military and a rich treasury were more important than mere signatures. Eventually, Charles VI left behind a weakened and impoverished state, particularly due to the War of the Polish Succession and the Rus ...
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Johann Mattheson
Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, singer, writer, lexicographer, diplomat and music theorist. Early life and career The son of a prosperous tax collector, Mattheson received a broad liberal education and, aside from general musical training, took lessons in keyboard instruments, violin, composition and singing. By age nine he was singing and playing organ in church and was a member of the chorus of the Hamburg opera. He made his solo debut with the Hamburg opera in 1696 in female roles and, after his voice changed, sang tenor at the opera, conducted rehearsals and composed operas himself. He was cantor at St. Mary's Cathedral from 1718 until increasing deafness led to his retirement from that post in 1728. Mattheson's chief occupation from 1706 was as a professional diplomat. He had studied English in school and spoke it fluently. He became tutor to the son of the English ambassador Sir John Wich and then secretary to the ambassador. ...
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